Other editions of book Adrift in New York

Who deserve to inherit John Linden wealth when he dies? Will it be his nephew, Curtis Waring, his niece Florence Linden, and his long-lost son – if he ever still alive. John wants Florence and Curtis get married and make it one of the condition if Florence ever wants to have any of the property.A boy named Dodger was sent to steal John Linden wills so that Curtis would inherit all the property. In the nicks of time, Florence prevents Dodger from stealing, and surprisingly they become good friends… What make it more dramatic, she decides to leave her uncle’s house with Dodger to avoid marrying Curtis. And what then? Would she be able to survive in different world and being poor? Will she able to turnaround her fortune? Adrift in New York?

If you’ve ever used the phrase “rags to riches,” you owe that to Horatio Alger, Jr. (1832-1899), who popularized the idea through his fictional writings that also served as a theme for the way America viewed itself as a country. Alger’s works about poor boys rising to better living conditions through hard work, determination, courage, honesty, and morals was popular with both adults and younger readers. Alger’s writings happened to correspond with America’s Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War. His lifelong theme of rags to riches continued to gain popularity but has gradually lessened since the 1920s. Still, readers today often come across Ragged Dick and stories like it in school.

Adrift in New York involves the disappearance of a son from the household of his wealthy father, John Linden. The boy has been kidnapped by the villainous Curtis Waring, John Linden's nephew, who hopes to inherit the family fortune. Grown up, the youngster lives a precarious life on the streets of New York. When Linden's ward Florence rejects the unwanted attentions of Waring, she is disinherited, forced to live in a tenement and work in a sweatshop . . . until it is discovered that the young man who befriends her is, in reality, Linden's long-lost son.(Gooodreads)

John Linden is a very wealthy man. The people who should inherit his property are his nephew, Curtis Waring, his niece Florence Linden, and his long lost son – if alive. John thinks it would be best if Florence and Curtis were married, and makes it a requirement if Florence wishes to have any of the property.A boy named Dodger was sent to steal one of the wills of John Linden so that Curtis would inherit all the property. But Florence prevents Dodger from stealing, and they become friends… To the shock of her uncle and cousin, she decides to leave her uncle's house with Dodger instead of marrying Curtis. And what then? Would she be able to get used to being poor? And will she be poor for ever? Adrift in New York?This is a wonderfully moral, yet at the same time superbly entertaining story, and one worth paying any amount to read. Horatio Alger wrote to instill the principle of Strive and Succeed, Personal Growth and Achievement-to attain the American dream. Horatio Alger was a 19th-century American author who wrote approximately 135 novels. Many of his works have been described as rags to riches stories, illustrating how down-and-out boys might be able to achieve the American Dream of wealth and success through hard work, courage, determination, and concern for others. He is noted as a significant figure in the history of American cultural and social ideals, even though his novels are rarely read these days. After attending Harvard Divinity School from 1857 to 1860, he took a ten-month tour of Europe and produced works of a patriotic nature. Alger's empathy with the young working men, coupled with the moral values he learned at home, formed the basis of the first novel in his Ragged Dick (1867). The book was an immediate success, spurring a vast collection of sequels and similar novels, including Luck and Pluck (1869) and Tattered Tom (1871). Amongst his other works are Five Hundred Dollars; or, Jacob Marlowe's Secret (1890) and The Young Acrobat of the Great North American Circus (1900).

saloon, sells papers in the evenings, and makes himself generally useful.""Has he any education?""Well, I haven't sent him to boarding school or college," answered Tim. "He don't know no Greek, or Latin, or mathematics--phew, that's a hard word. You didn't tell me you wanted him made a scholar of.""I didn't. I wanted never to see or hear from him again. What made you bring him back to New York?""Couldn't keep away, governor. I got homesick, I did. There ain't but one Bowery in the world, and I hankered after that----""Didn't I pay you money to keep away, Tim Bolton?""I don't deny it; but what's three thousand dollars? Why, the kid's cost me more than that. I've had the care of him for fourteen years, and it's only about two hundred a year.""You have broken your promise to me!" said Curtis, sternly."There's worse things than breaking your promise," retorted Bolton.Scarcely had he spoken than a change came over his face, and he stared open-

Horatio Alger was a man who lived with a terrible secret -- a secret dark and troubling -- something shameful, in fact. As a young man, that secret took hold of his life, and he left the life and the life's work he had made for himself in Boston, to take up residence among the poor in New York City. Ensconced there, he worked among the poor -- and took to writing tales of their success. His novels captured the imagination of a nation bursting with a new wave of immigrants who'd come to our shores -- come to the very port of New York City that was Alger's new home. He used the wealth that came to him to help the poor folks who he loved, and took his secret to the grave.It escaped from there, of course. You can find it if you look a bit. But for the purpose of this fine novel of the rise to riches, it will remain unstated . . .Alger wrote approximately one hundred thirty-five "dime novels." His forte was rags-to-riches stories, describing how boys might be able to achieve the American Dream of wealth and success through hard work, courage, determination, and concern for others. His characters don't achieve great wealth, but rather stability, security, and a place in society which they earn through their efforts. He is considered significant figure in the history of American cultural and social ideals. Bestsellers in their own time, Alger's books rivaled those of Mark Twain in popularity.*Grown up, the youngster lives a precarious life on the streets of New York. When Linden's ward Florence rejects the unwanted attentions of Waring, she is disinherited, forced to live in a tenement and work in a sweatshop . . . until it is discovered that the young man who befriends her is, in reality, Linden's long-lost son.

Adrift in New York is a classic adventure novel by Horatio Alger that features a kidnapping plot and Tom and Florence "braving the World." Horatio Alger Jr. (January 13, 1832 – July 18, 1899) was a prolific 19th-century American writer, best known for his many young adult novels about impoverished boys and their rise from humble backgrounds to lives of middle-class security and comfort through hard work, determination, courage, and honesty. His writings were characterized by the "rags-to-riches" narrative, which had a formative effect on America during the Gilded Age. All of Alger's juvenile novels share essentially the same theme, known as the "Horatio Alger myth": a teenage boy works hard to escape poverty. Often it is not hard work that rescues the boy from his fate but rather some extraordinary act of bravery or honesty. The boy might return a large sum of lost money or rescue someone from an overturned carriage. This brings the boy—and his plight—to the attention of a wealthy individual. Alger secured his literary niche in 1868 with the publication of his fourth book, Ragged Dick, the story of a poor bootblack's rise to middle-class respectability. This novel was a huge success. His many books that followed were essentially variations on Ragged Dick and featured casts of stock characters: the valiant hard-working, honest youth, the noble mysterious stranger, the snobbish youth, and the evil, greedy squire. In the 1870s, Alger's fiction was growing stale. His publisher suggested he tour the American West for fresh material to incorporate into his fiction. Alger took a trip to California, but the trip had little effect on his writing: he remained mired in the tired theme of "poor boy makes good." The backdrops of these novels, however, became the American West rather than the urban environments of the northeastern United States. In the last decades of the 19th century, Alger's moral tone coarsened with the change in boys' tastes. Sensational thrills were wanted by the public. The Protestant work ethic had loosened its grip on America, and violence, murder, and other sensational themes entered Alger's works. Public librarians questioned whether his books should be made available to the young.[1][2] They were briefly successful, but interest in Alger's novels was renewed in the first decades of the 20th century, and they sold in the thousands. By the time he died in 1899, Alger had published around a hundred volumes. He is buried in Natick, Massachusetts. Since 1947, the Horatio Alger Association of Distinguished Americans has awarded scholarships and prizes to deserving individuals.

“Uncle, you are not looking well to-night.” “I’m not well, Florence. I sometimes doubt if I shall ever be any better.” “Surely, uncle, you cannot mean——” “Yes, my child, I have reason to believe that I am nearing the end.” “I cannot bear to hear you speak so, uncle,” said Florence Linden, in irrepressible agitation. “You are not an old man. You are but fifty-four.” “True, Florence, but it is not years only that make a man old. Two great sorrows have embittered my life. First, the death of my dearly beloved wife, and next, the loss of my boy, Harvey.” “It is long since I have heard you refer to my cousin’s loss. I thought you had become reconciled—no, I do not mean that,—I thought your regret might be less poignant.”

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Horatio Alger was a man who lived with a terrible secret -- a secret dark and troubling -- something shameful, in fact. As a young man, that secret took hold of his life, and he left the life and the life's work he had made for himself in Boston, to take up residence among the poor in New York City. Ensconced there, he worked among the poor -- and took to writing tales of their success. His novels captured the imagination of a nation bursting with a new wave of immigrants who'd come to our shores -- come to the very port of New York City that was Alger's new home. He used the wealth that came to him to help the poor folks who he loved, and took his secret to the grave.It escaped from there, of course. You can find it if you look a bit. But for the purpose of this fine novel of the rise to riches, it will remain unstated . . .Alger wrote approximately one hundred thirty-five "dime novels." His forte was rags-to-riches stories, describing how boys might be able to achieve the American Dream of wealth and success through hard work, courage, determination, and concern for others. His characters don't achieve great wealth, but rather stability, security, and a place in society which they earn through their efforts. He is considered significant figure in the history of American cultural and social ideals. Bestsellers in their own time, Alger's books rivaled those of Mark Twain in popularity.*Grown up, the youngster lives a precarious life on the streets of New York. When Linden's ward Florence rejects the unwanted attentions of Waring, she is disinherited, forced to live in a tenement and work in a sweatshop . . . until it is discovered that the young man who befriends her is, in reality, Linden's long-lost son.