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  • Joan Of Arc

    Ms Laura E Richards

    Paperback (CreateSpace Independent Publishing Platform, July 1, 1919)
    In the fourth year of the Great War (1918), the sufferings of France, the immemorial battlefield of nations, were in all our hearts. We heard from time to time that France was "bled white"; that she had been injured past recovery; that she was dying. Students of History know better than this. France does not die. She bleeds; yes! she has bled, and stanched her wounds and gone gloriously on, and bled again, since the days when Gaul and Iberian, Kymrian and Phoenician, Hun and Goth, raged and fought to and fro over the patient fields of the "pleasant land." Ask Caesar and Vercingetorix, Attila and Theodoric, Clovis and Charles the Hammer, if France can die, and hear their shadowy laughter! Wave after wave, sea upon sea, of blood and carnage, sweep over her; she remains imperishable. The sun of her day of glory never sets. Her darkest day, perhaps, was that against which her brightest flower shines white. In telling, however briefly, the story of Joan the Maid, it is necessary to call back that day, in some ways so like our own; to see what was[Pg 4] the soil from which that flower sprang in all its radiant purity.
  • Joan of Arc

    Laura E. Richards

    eBook (Transcript, May 15, 2015)
    Joan of Arc by Laura Elizabeth Howe RichardsFrance in the fifteenth century: what was it like?King Charles VI. of France (to go back no further) whose reign Sully, "our own good Maximilian," calls "the grave of good laws and good morals in France," was not yet twelve years old when (in 1380) his father, Charles V., died. His majority had been fixed at fourteen, and for two years he was to remain under the guardianship of his four uncles, the Dukes of Anjou, Berry, Burgundy and Bourbon. With the fourth, his mother's brother, we have no concern, for he made little trouble; the other three were instantly in dispute as to which should rule during the two years.The struggle was a brief one; Philip of Burgundy, surnamed the Bold, was by far the ablest of the three. When the young king was crowned at Rheims (October 4th, 1380), Philip, without a word to anyone, sat him down at his nephew's side, thus asserting himself premier peer of France, a place which was to be held by him and his house for many a long day.At seventeen, Charles was married (in the Cathedral of Amiens, the second jewel of France, where that of Rheims was the first) to Isabel of Bavaria, of infamous memory; and the first shadows began to darken around him.The war with England was going on in a desultory fashion. Forty years had passed since Créçy. The Dukes of Lancaster and Gloucester, uncles and regents of Richard II., the young English king, were not the men to press matters, and Charles V. of France was wise enough to let well alone. The young king, however, and his Uncle Philip of Burgundy, thought it would be a fine thing to land in England with a powerful army, and return the bitter compliments paid by Edward III. "Across the Channel!" was the cry, and preparations were made on a grand scale. In September, 1386, thirteen hundred and eighty-seven vessels, large and small, were collected for the voyage; and Olivier de Clisson, Constable of France, built a wooden town which was to be transported to England and rebuilt after landing, "in such sort," says Froissart, "that the lords might lodge therein and retire at night, so as to be in safety from sudden awakenings, and sleep in security." Along the Flemish and Dutch coasts, vessels were loaded by torchlight with "hay in casks, biscuits in sacks, onions, peas, beans, barley, oats, candles, gaiters, shoes, boots, spurs, iron, nails, culinary utensils, and all things that can be used for the service of man." The Flemings and Hollanders demanded instant payment and good prices. "If you want us and our service," they said, "pay us on the nail; otherwise we will be neutral."
  • Joan of Arc

    Laura Elizabeth Howe Richards

    eBook (Fall Colors Publishing, May 24, 2014)
    THE SOUL OF JEANNE D'ARCShe came not into the Presence as a martyred saint might come,Crowned, white-robed and adoring, with very reverence dumb—She stood as a straight young soldier, confident, gallant, strong,Who asks a boon of his captain in the sudden hush of the drum.She said: "Now have I stayed too long in this my place of bliss,With these glad dead that, comforted, forget what sorrow isUpon that world whose stony stair they climbed to come to this."But lo, a cry hath torn the peace wherein so long I stayed,Like a trumpet's call at Heaven's wall from a herald unafraid,—A million voices in one cry, 'Where is the Maid, the Maid?'"I had forgot from too much joy that olden task of mine,But I have heard a certain word shatter the chant divine,Have watched a banner glow and grow before mine eyes for sign."I would return to that my land flung in the teeth of war,I would cast down my robe and crown that pleasure me no more,And don the armor that I knew, the valiant sword I bore."And angels militant shall fling the gates of Heaven wide,And souls new-dead whose lives were shed like leaves on war's red tideShall cross their swords above our heads and cheer us as we ride."For with me goes that soldier saint, Saint Michael of the sword,And I shall ride on his right side, a page beside his lord,And men shall follow like swift blades to reap a sure reward."Grant that I answer this my call, yea, though the end may beThe naked shame, the biting flame, the last, long agony;I would go singing down that road where fagots wait for me."Mine be the fire about my feet, the smoke above my head;So might I glow, a torch to show the path my heroes tread;My Captain! Oh, my Captain, let me go back!" she said.—Theodosia Garrison.
  • Joan of Arc

    Anonymous

    Hardcover (Wentworth Press, March 5, 2019)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Joan of Arc

    Laura E. Richards

    Paperback (CreateSpace Independent Publishing Platform, March 28, 2016)
    Joan of Arc (French: Jeanne d'Arc, IPA: 6 January c. 1412– 30 May 1431), nicknamed "The Maid of Orléans" (French: La Pucelle d'Orléans) is considered a heroine of France for her role during the Lancastrian phase of the Hundred Years' War, and was canonized as a Roman Catholic saint. Joan of Arc was born to Jacques d'Arc and Isabelle, a peasant family, at Domrémy in north-east France. Joan said she received visions of the Archangel Michael, Saint Margaret, and Saint Catherine instructing her to support Charles VII and recover France from English domination late in the Hundred Years' War. The uncrowned King Charles VII sent Joan to the siege of Orléans as part of a relief mission. She gained prominence after the siege was lifted only nine days later. Several additional swift victories led to Charles VII's coronation at Reims. This long-awaited event boosted French morale and paved the way for the final French victory. On 23 May 1430, she was captured at Compiègne by the Burgundian faction which was allied with the English. She was later handed over to the English,[6] and then put on trial by the pro-English Bishop of Beauvais Pierre Cauchon on a variety of charges.[7] After Cauchon declared her guilty she was burned at the stake on 30 May 1431, dying at about nineteen years of age.
  • Joan of Arc

    Laura Elizabeth Howe Richards

    Paperback (Ulan Press, Aug. 31, 2012)
    This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
  • joan of Arc

    Laura E. Richards

    Hardcover (D. Appleton and Company, March 15, 1919)
    None
  • Joan of Arc

    Laura Elizabeth Howe Richards

    Paperback (Nabu Press, Aug. 20, 2010)
    This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
  • Joan of Arc

    Laura E. Richards

    Paperback (CreateSpace Independent Publishing Platform, April 21, 2016)
    This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
  • Joan of Arc.By Laura E. Richards

    Laura E. Richards

    Paperback (CreateSpace Independent Publishing Platform, March 23, 2016)
    Joan of Arc (French: Jeanne d'Arc, IPA: 6 January c. 1412– 30 May 1431), nicknamed "The Maid of Orléans" (French: La Pucelle d'Orléans) is considered a heroine of France for her role during the Lancastrian phase of the Hundred Years' War, and was canonized as a Roman Catholic saint. Joan of Arc was born to Jacques d'Arc and Isabelle, a peasant family, at Domrémy in north-east France. Joan said she received visions of the Archangel Michael, Saint Margaret, and Saint Catherine instructing her to support Charles VII and recover France from English domination late in the Hundred Years' War. The uncrowned King Charles VII sent Joan to the siege of Orléans as part of a relief mission. She gained prominence after the siege was lifted only nine days later. Several additional swift victories led to Charles VII's coronation at Reims. This long-awaited event boosted French morale and paved the way for the final French victory. On 23 May 1430, she was captured at Compiègne by the Burgundian faction which was allied with the English. She was later handed over to the English,[6] and then put on trial by the pro-English Bishop of Beauvais Pierre Cauchon on a variety of charges.[7] After Cauchon declared her guilty she was burned at the stake on 30 May 1431, dying at about nineteen years of age.
  • Joan of Arc

    Laura E. Richards

    Hardcover (Forgotten Books, Feb. 1, 2018)
    Excerpt from Joan of ArcThe Hundred Years' War prepared the soil; ploughed and harrowed, burned and pulverized: that war which began in 1340 with Edward III. Of England's assuming the title of King of France and quartering the French arms with those of England; which ended in 1453 with the departure of the English from France, which they had meantime (in some part) ruled and harried. Their departure was due chiefly to the genius of a peasant girl of eighteen years.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • Joan of Arc

    Laura Elizabeth Howe 1850-194 Richards

    Paperback (Wentworth Press, Aug. 28, 2016)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.