Other editions of book Forty minutes late, and other stories

Excerpt from Forty Minutes Late, and Other Stories, by F. Hopkinson Smith, 1907I have your very kind and welcome letter, and am greatly impressed by the views you hold. I was averse at the time to any reference being made to the matter to which you so kindly refer, for the reason that some men are often more sensitive over their virtues than they are over their faults.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Francis Hopkinson Smith (October 23, 1838 – April 7, 1915) was a United States author, artist and engineer. He built the foundation for the Statue of Liberty, wrote many famous stories and received awards for his paintings.Smith was born in Baltimore, Maryland, a descendant of Francis Hopkinson, one of the signers of the Declaration of Independence. He graduated from the Boys' Latin School of Maryland. Smith became a contractor in New York City and did much work for the federal government, including the stone ice-breaker at Bridgeport, Connecticut, the jetties at the mouth of the Connecticut River, the foundation for the Bartholdi Statue of Liberty in New York Harbor, the Race Rock Lighthouse (southwest of Fishers Island, New York) and many life-saving stations. His vacations were spent sketching in the White Mountains, in Cuba and in Mexico. He also visited and sketched in Venice, Constantinople and the Netherlands.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Forty Minutes Late and Other Stories, 1909T began to snow half an hour after the train started - a fine-grained, slanting, determined snow that forced its way between the bellows of the vestibules, and deposited itself in mounds of powdered salt all over the platforms and steps. Even the porter had caught some puffs on his depot coat with the red cape, and so had the conductor, from the way he thrashed his cap on the back of the seat in front of mine.Yes, gettin' worse, he said in answer to an inquiring lift of my eyebrows. Everything will be balled up if this keeps on.Shall we make the connection at Bondville? I was to lecture fifty miles from Bondville J unc tion, and had but half an hour lee-way.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

About the Book A short story collection is a book that contains short stories written by a single author. It is distinguished from an anthology of fiction, which includes stories by more than one author.Also in this Book Titles that are drama anthologies are collections of drama works chosen by the compiler. They may be a collection of plays by different playwrights.And in this Book Titles that are fiction anthologies are collections of fiction works chosen by the compiler. They may be a collection of stories by different authors.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

HIGH QUALITY FACSIMILE REPRODUCTION: Smith, Francis Hopkinson: Forty Minutes Late : And Other Stories : Facsimile: Originally published by New York : Grosset & Dunlap in 1909. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.

New York: Charles Scribner's Sons, 1909. First Edition, Fourth Printing (November, 1909). First printing was in September, 1909. Second was also in September. Third was in October, and this fourth printing was in November. Frontispiece and tissue guard are present, both in perfect condition. Octavo, green cloth with white, gilt and black imprinting on cover and spine (see scans), 224 pp. + 4 pp. ads. Extraordinarily handsome, clean, bright and tight copy; Very Good, but close to Near Fine. SOme wear at spine, just tiny touches elsewhere; name of an early owner quaintly inked in cursive on the ffep. Please see scans. Short stories from the legendary Francis Hopkinson Smith. L-28

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.