Browse all books

Other editions of book New Year's Day

  • New Year's Day: The 'Seventies

    Edith Wharton

    (Independently published, March 31, 2020)
    A new, beautifully laid-out edition of Edith Wharton's classic 1924 novella. New Year's Day: The 'Seventies is the fourth novella in her Old New York tetralogy, stories revolving around upper-class New York society in the 1840s, 1850s, 1860s, and 1870s. The Old New York novellas serve as prequels to Wharton's masterpiece The Age of Innocence.
  • New Year's Day

    Edith Wharton

    language (iOnlineShopping.com, April 9, 2020)
    "New Year's Day" is the last of four novellas in Edith Wharton's collection "Old New York". Set in 1870s New York City, it shows the predicament of Lizzie Hazeldean, a young woman in high society who has no way of earning her own money. Her husband is weak with a heart condition. Lizzie is seen coming out of a hotel on New Year's Day and society matrons start to talk about her. Lizzie's story is scandalous and sad, but it is also filled with a great love. Edith Wharton is known for her writings about women making difficult decisions while dealing with the unwritten laws of high society.
  • New Year's Day:

    Edith Wharton

    (Library Of Alexandria, March 16, 2020)
    “SHE was bad ... always. They used to meet at the Fifth Avenue Hotel,” said my mother, as if the scene of the offence added to the guilt of the couple whose past she was revealing. Her spectacles slanted on her knitting, she dropped the words in a hiss that might have singed the snowy baby-blanket which engaged her indefatigable fingers. (It was typical of my mother to be always employed in benevolent actions while she uttered uncharitable words.) “They used to meet at the Fifth Avenue Hotel”; how the precision of the phrase characterized my old New York! A generation later, people would have said, in reporting an affair such as Lizzie Hazeldean’s with Henry Prest: “They met in hotels”—and today who but a few superannuated spinsters, still feeding on the venom secreted in their youth, would take any interest in the tracing of such topographies? Life has become too telegraphic for curiosity to linger on any given point in a sentimental relation; as old Sillerton Jackson, in response to my mother, grumbled through his perfect “china set”: “Fifth Avenue Hotel? They might meet in the middle of Fifth Avenue nowadays, for all that anybody cares.” But what a flood of light my mother’s tart phrase had suddenly focussed on an unremarked incident of my boyhood! The Fifth Avenue Hotel ... Mrs. Hazeldean and Henry Prest ... the conjunction of these names had arrested her darting talk on a single point of my memory, as a search-light, suddenly checked in its gyrations, is held motionless while one notes each of the unnaturally sharp and lustrous images it picks out. At the time I was a boy of twelve, at home from school for the holidays. My mother’s mother, Grandmamma Parrett, still lived in the house in West Twenty-third Street which Grandpapa had built in his pioneering youth, in days when people shuddered at the perils of living north of Union Square—days that Grandmamma and my parents looked back to with a joking incredulity as the years passed and the new houses advanced steadily Park-ward, outstripping the Thirtieth Streets, taking the Reservoir at a bound, and leaving us in what, in my school-days, was already a dullish back-water between Aristocracy to the south and Money to the north. Even then fashion moved quickly in New York, and my infantile memory barely reached back to the time when Grandmamma, in lace lappets and creaking “moiré” used to receive on New Year’s day, supported by her handsome married daughters. As for old Sillerton Jackson, who, once a social custom had dropped into disuse, always affected never to have observed it, he stoutly maintained that the New Year’s day ceremonial had never been taken seriously except among families of Dutch descent, and that that was why Mrs. Henry van der Luyden had clung to it, in a reluctant half-apologetic way, long after her friends had closed their doors on the first of January, and the date had been chosen for those out-of-town parties which are so often used as a pretext for absence when the unfashionable are celebrating their rites. Grandmamma, of course, no longer received. But it would have seemed to her an exceedingly odd thing to go out of town in winter, especially now that the New York houses were luxuriously warmed by the new hot-air furnaces, and searchingly illuminated by gas chandeliers. No, thank you—no country winters for the chilblained generation of prunella sandals and low-necked sarcenet, the generation brought up in unwarmed and unlit houses, and shipped off to die in Italy when they proved unequal to the struggle of living in New York! Therefore Grandmamma, like most of her contemporaries, remained in town on the first of January, and marked the day by a family reunion, a kind of supplementary Christmas—though to us juniors the absence of presents and plum-pudding made it but a pale and moonlike reflection of the Feast.