Other editions of book The Noise of Time

One of the Best Books of the Year: San Francisco Chronicle1936: Dmitri Shostakovich, just thirty years old, reckons with the first of three conversations with power that will irrevocably shape his life. Stalin, hitherto a distant figure, has suddenly denounced the young composer’s latest opera. Certain he will be exiled to Siberia (or, more likely, shot dead on the spot), Shostakovich reflects on his predicament, his personal history, his parents, his daughter—all of those hanging in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, he will twice more be swept up by the forces of despotism: coerced into praising the Soviet state at a cultural conference in New York in 1948, and finally bullied into joining the Party in 1960. All the while, he is compelled to constantly weigh the specter of power against the integrity of his music. An extraordinary portrait of a relentlessly fascinating man, The Noise of Time is a stunning meditation on the meaning of art and its place in society.

'BARNES'S MASTERPIECE' - OBSERVERIn May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return.‘Stunning’ Sunday Times‘A profound meditation on power and the relationship of art and power… It is a masterpiece of sympathetic understanding… I don’t think Barnes has written a finer, more truthful or more profound book’ Scotsman ‘A tour de force by a master novelist at the top of his game’ Daily Express

A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes’s first novel since his best-selling, Man Booker Prize–winning The Sense of an Ending. In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovich reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovich’s career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

A masterful novel dedicated to the Russian composer Dmitri Shostakovich, from the bestselling, Booker Prize-winning author of The Sense of an Ending.The book begins in 1936, with Dmitri Shostakovich petrified at the age of thirty and fearing for his livelihood and even his life. His opera Lady Macbeth of the Mtsensk District has just been denounced in Pravda in an article that certainly reflects the opinion of Joseph Stalin himself. Every night he waits on the landing outside his apartment, expecting NKVD agents to come and whisk him away. Shostakovich reflects on not only his predicament but also his own personal history, his parents and his various women and wives and his children, and all who are still alive themselves hang in the balance of his fate. When the interrogation he fears does eventually arrive, a stroke of luck prevents him from becoming a casualty of the Great Terror that claims so many of his friends and contemporaries--"chips that had flown while the wood was being chopped." Still, the spectre of the government hovers over him for several further decades, forcing him to constantly weigh the merits of appeasing those in power against the integrity of his music. Barnes elegantly guides us through subsequent stages of Shostakovich's life, from being ground into the dirt under the thumb of despotism to being made to serve as a figurehead of Soviet values at a cultural conference in New York, and finally being forced into joining the Party. The trajectory of his career illuminates the evolution of the Soviet Union, with Nikita Khrushchev assuming its leadership, this providing no great joy to Shostakovich. The Noise of Time is both a heartbreaking account of a relentlessly fascinating man's experience and a brilliant meditation on the meaning of art and its place in society.

A masterful novel dedicated to the Russian composer Dmitri Shostakovich, from the bestselling, Booker Prize-winning author of The Sense of an Ending.The book begins in 1936, with Dmitri Shostakovich petrified at the age of thirty and fearing for his livelihood and even his life. His opera Lady Macbeth of the Mtsensk District has just been denounced in Pravda in an article that certainly reflects the opinion of Joseph Stalin himself. Every night he waits on the landing outside his apartment, expecting NKVD agents to come and whisk him away. Shostakovich reflects on not only his predicament but also his own personal history, his parents and his various women and wives and his children, and all who are still alive themselves hang in the balance of his fate. When the interrogation he fears does eventually arrive, a stroke of luck prevents him from becoming a casualty of the Great Terror that claims so many of his friends and contemporaries--"chips that had flown while the wood was being chopped." Still, the spectre of the government hovers over him for several further decades, forcing him to constantly weigh the merits of appeasing those in power against the integrity of his music. Barnes elegantly guides us through subsequent stages of Shostakovich's life, from being ground into the dirt under the thumb of despotism to being made to serve as a figurehead of Soviet values at a cultural conference in New York, and finally being forced into joining the Party. The trajectory of his career illuminates the evolution of the Soviet Union, with Nikita Khrushchev assuming its leadership, this providing no great joy to Shostakovich. The Noise of Time is both a heartbreaking account of a relentlessly fascinating man's experience and a brilliant meditation on the meaning of art and its place in society.