Other editions of book Phantom of the Opera

A malicious spectre haunts the Parisian Opera house. This murderous fiend speaks through walls, abducts innocents through mirrors, and holds the opera management in a cruel state of hostage. But when this monster falls for the beautiful Christine Daae, his powers of attractive enticement and malevolent mayhem all come to the surface. Who can put an end to this reign of terror? Discover the wonders of Gaston Leroux's gothic thriller in a way that will tantalize the senses. The actual unabridged novel is by far the best way to experience the story of the haunting yet humanistic Phantom of the Opera.

Music ... and Madness! There are strange things happening at the opera house that no one can explain. Rumors tell of a mysterious masked man many claim to have seen, while others say he doesn't exist. But when a beautiful young singer falls under the phantom's spell, the man who loves her must come face to face with unspeakable evil in order to save her!

The Phantom of the Opera by Gaston LerouxHow is this book unique?Tablet and e-reader formattedOriginal & Unabridged EditionAuthor Biography includedIllustrated versionThe Phantom of the Opera is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909, to January 8, 1910. It was published in volume form in April 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. Nowadays, it is overshadowed by the success of its various stage and film adaptations. The most notable of these are the 1925 film depiction featuring Lon Chaney and Andrew Lloyd Webber's 1986 musical.

The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say, of a spectral shade. When I began to ransack the archives of the National Academy of Music I was at once struck by the surprising coincidences between the phenomena ascribed to the "ghost" and the most extraordinary and fantastic tragedy that ever excited the Paris upper classes; and I soon conceived the idea that this tragedy might reasonably be explained by the phenomena in question.

The 19th century suspense - filled terrifying tale of unrequited love, passion and tragedy. Constantly moving through an ever - pervading dark atmosphere of spine - tingling menace in its portrayal of Erik, the grotesque and elusive 'phantom', who conceals himself in the grim labyrinthine depths of the Paris Opera, while his obsessive love burns for the beautiful Christine. ''The Opera ghost really existed. He was not, as was long believed, a creature of the imagination... Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom...''

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