Only an Irish Boy
Horatio Alger
eBook
(BookRix, April 23, 2014)
"John, saddle my horse, and bring him around to the door."The speaker was a boy of fifteen, handsomely dressed, and, to judge from his air and tone, a person of considerable consequence, in his own opinion, at least. The person addressed was employed in the stable of his father, Colonel Anthony Preston, and so inferior in social condition that Master Godfrey always addressed him in imperious tones.John looked up and answered, respectfully:"Master Godfrey, your horse is sick of the disease, and your father left orders that he wasn't to go out on no account.""It's my horse," said Godfrey; "I intend to take him out.""Maybe it's yours, but your father paid for him.""None of your impudence, John," answered Godfrey, angrily. "Am I master, or are you, I should like to know!""Neither, I'm thinking," said John, with a twinkle in his eye. "It's your father that's the master.""I'm master of the horse, anyway, so saddle him at once.""The colonel would blame me," objected John."If you don't, I'll report you and get you dismissed.""I'll take the risk, Master Godfrey," said the servant, good-humoredly. "The colonel won't be so unreasonable as to send me away for obeying his own orders."Horatio Alger, Jr. (January 13, 1832 – July 18, 1899) was a prolific 19th-century American author, best known for his many juvenile novels about impoverished boys and their rise from humble backgrounds to lives of middle-class security and comfort through hard work, determination, courage, and honesty. His writings were characterized by the "rags-to-riches" narrative, which had a formative effect on America during the Gilded Age. Alger's name is often invoked incorrectly as though he himself rose from rags to riches, but that arc applied to his characters, not to the author. Essentially, all of Alger's novels share the same theme: a young boy struggles through hard work to escape poverty. Critics, however, are quick to point out that it is not the hard work itself that rescues the boy from his fate, but rather some extraordinary act of bravery or honesty, which brings him into contact with a wealthy elder gentleman, who takes the boy in as a ward. The boy might return a large sum of money that was lost or rescue someone from an overturned carriage, bringing the boy—and his plight—to the attention of some wealthy individual. It has been suggested that this reflects Alger's own patronizing attitude to the boys he tried to help.