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Other editions of book Scenes & characters of the Middle Ages

  • Scenes and Characters of the Middle Ages

    Edward Lewes Cutts

    eBook (Library of Alexandria, July 29, 2009)
    We do not aim in these chapters at writing general history, or systematic treatises. Our business is to give a series of sketches of mediæval life and mediæval characters, looked at especially from the artist’s point of view. And first we have to do with the monks of the Middle Ages. One branch of this subject has already been treated in Mrs. Jameson’s “Legends of the Monastic Orders.” This accomplished lady has very pleasingly narrated the traditionary histories of the founders and saints of the orders, which have furnished subjects for the greatest works of mediæval art; and she has placed monachism before her readers in its noblest and most poetical aspect. Our humbler task is to give a view of the familiar daily life of ordinary monks in their monasteries, and of the way in which they enter into the general life without the cloister;—such a sketch as an art-student might wish to have who is about to study that picturesque mediæval period of English history for subjects for his pencil. The religious orders occupied so important a position in mediæval society, that they cannot be overlooked by the historical student; and the flowing black robe and severe intellectual features of the Benedictine monk, or the coarse frock and sandalled feet of the mendicant friar, are too characteristic and too effective, in contrast with the gleaming armour and richly-coloured and embroidered robes of the sumptuous civil costumes of the period, to be neglected by the artist. Such an art-student would desire first to have a general sketch of the whole history of monachism, as a necessary preliminary to the fuller study of any particular portion of it. He would wish for a sketch of the internal economy of the cloister; how the various buildings of a monastery were arranged; and what was the daily routine of the life of its inmates. He would seek to know under what circumstances these recluses mingled with the outer world. He would require accurate particulars of costumes and the like antiquarian details, that the accessories of his picture might be correct. And, if his monks are to be anything better than representations of monkish habits hung upon “lay figures,” he must know what kind of men the Middle Age monks were intellectually and morally. These particulars we proceed to supply as fully as the space at our command will permit. Monachism arose in Egypt. As early as the second century we read of men and women who, attracted by the charms of a peaceful, contemplative life, far away from the fierce, sensual, persecuting heathen world, betook themselves to a life of solitary asceticism. The mountainous desert on the east of the Nile valley was their favourite resort; there they lived in little hermitages, rudely piled up of stones, or hollowed out of the mountain side, or in the cells of the ancient Egyptian sepulchres, feeding on pulse and herbs, and water from the neighbouring spring.
  • Scenes and Characters of the Middle Ages

    Edward Lewes Cutts

    eBook (, June 12, 2013)
    For the military costume of the Anglo-Saxon period we have the authority of the descriptions in their literature, illustrated by drawings in their illuminated MSS.; and if these leave anything wanting in definiteness, the minutest details of form and ornamentation may often be recovered from the rusted and broken relics of armour and weapons which have been recovered from their graves, and are now preserved in our museums.Saxon freemen seem to have universally borne arms. Tacitus tells us of their German ancestors, that swords were rare among them, and the majority did not use lances, but that spears, with a narrow, sharp and short head, were the common and universal weapon, used either in distant or close fight; and that even the cavalry were satisfied with a shield and one of these spears.The law in later times seems to have required freemen to bear arms for the common defence; the laws of Gula, which are said to have been originally established by Hacon the Good in the middle of the eighth century, required every man who possessed six marks besides his clothes to furnish himself with a red shield and a spear, an axe or a sword; he who was worth twelve marks was to have a steel cap also; and he who was worth eighteen marks a byrnie, or shirt of mail, in addition. Accordingly, in the exploration of Saxon graves we find in those of men “spears and javelins are extremely numerous,” says Mr. C. Roach Smith, “and of a variety of shapes and sizes.”... “So constantly do we find them in the Saxon graves, that it would appear no man above the condition of a serf was buried without one. Some are of large size, but the majority come under the term of javelin or dart.” The rusty spear-head lies beside the skull, and the iron boss of the shield on his breast; the long, broad, heavy, rusted sword is comparatively seldom found beside the skeleton; sometimes, but rarely, the iron frame of a skull-cap or helmet is found about the head.Scenes and Characters of the Middle Ages ,The Monastery, The Hermits, Consecrated Widows, Pilgrims, Costume, Bowmen
  • Scenes and Characters from the Middle Ages

    Edward L. Cutts

    Hardcover (Gale / Cengage Learning, June 1, 1968)
    None
  • Scenes & Characters of the Middle Ages

    Edward L. Cutts

    Paperback (CreateSpace Independent Publishing Platform, May 19, 2014)
    This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
  • Scenes and Characters of the Middle Ages

    Edward Lewes Cutts

    Hardcover (Arkose Press, Nov. 4, 2015)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Scenes & characters of the Middle Ages

    Edward Lewes Cutts

    Hardcover (Simpkin Marshall, Aug. 16, 1930)
    This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
  • Scenes and Characters of the Middle Ages:

    Edward Lewes Cutts

    Paperback (Cornell University Library, June 25, 2009)
    Originally published in 1886. This volume from the Cornell University Library's print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks notations and other marginalia present in the original volume.
  • Scenes and characters of the Middle Ages

    Edward Lewes Cutts

    Hardcover (Singing Tree Press, Aug. 16, 1968)
    viii 552p blue cloth, many illustrations in text, index, fresh and clean copy with bookplate
  • Scenes and Characters of the Middle Ages

    E. L. Cutts

    Paperback (Kessinger Publishing, LLC, Jan. 23, 2003)
    This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
  • Scenes and Characters of the Middle Ages

    Edward Lewes Cutts

    Paperback (Nabu Press, Jan. 7, 2010)
    This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
  • Scenes and characters of the Middle Ages

    Edward Lewes Cutts

    Paperback (Ulan Press, Aug. 31, 2012)
    This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
  • Scenes and characters of the middle ages

    Edward Lewes Cutts

    Hardcover (Virtue & Co, Aug. 16, 1872)
    None