Other editions of book The King Of The Golden River Or The Black Brothers: A Legend Of Stiria

John Ruskin (1819-1900) was one of the most versatile and accomplished writers of his day, as well as being a prominent art critic, painter, philanthropist and social commentator. His writings included academic essays, travel guides, poetry, manuals, treatises, letters...and one enchanting fairy tale: The King of the Golden River. The story tells of three brothers, two of them greedy and dishonest, the third and youngest a kind hearted and trustworthy lad. When they are paid a visit by the South West Wind Esquire, the youngest lets the stranger in to warm himself at the fire, and is willing to let him eat his own portion of supper. But the two elder brothers are outraged and evict the stranger. His revenge leaves the family destitute and they are forced to flee to the town. There another strange visitor appears to the youngest brother, and reveals himself as the King of the Golden River. He tells the lad how he can turn the river into gold. But his elder brothers determine to try the quest first and win the gold for themselves. This is the story of the individual quests of the three brothers.

‘The King of the Golden River, or, The Black Brothers: A Legend of Stiria’ is a children’s story, penned by John Ruskin. Ruskin (1819 – 1900) was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist and social thinker. This text was originally written in 1841, for the twelve-year-old Effie Gray, whom Ruskin later married. It is a fairy tale that illustrates the triumph of love, kindness, and goodness over evil – and on its publication in 1851, became an early Victorian classic. It is also accompanied by a series of dazzling colour illustrations by Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War), Rackham’s artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text, his illustrations further refine and elucidate Ruskin’s masterful storytelling. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

he King of the Golden River or The Black Brothers: A Legend of Stiria by John Ruskin was originally written in 1841 for the twelve-year-old Effie (Euphemia) Gray, whom Ruskin later married. It was published in book form in 1851, and became an early Victorian classic which sold out three editions. In the "Advertisement to the First Edition", which prefaces it, it is called a fairy tale, one, it might be added, that illustrates the triumph of love, kindness, and goodness over evil; however, it could also be characterised as a fable, a fabricated origin myth and a parable.

‘The King of the Golden River, or, The Black Brothers: A Legend of Stiria’ is a children’s story, penned by John Ruskin. Ruskin (1819 – 1900) was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist and social thinker. This text was originally written in 1841, for the twelve-year-old Effie Gray, whom Ruskin later married. It is a fairy tale that illustrates the triumph of love, kindness, and goodness over evil – and on its publication in 1851, became an early Victorian classic.It is also accompanied by a series of dazzling colour illustrations by Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War), Rackham’s artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text, his illustrations further refine and elucidate Ruskin’s masterful storytelling.Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

Pook Press celebrates the great Golden Age of Illustration in children's literature. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children. Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. Throughout his career he had developed a very individual style that is was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children's literature.

The Publishers think it due to the Author of this Fairy Tale, to state the circumstances under which it appears.THE KING OF THE GOLDEN RIVER was written in 1841, at the request of a very young lady, and solely for her amusement, without any idea of publication. It has since remained in the possession of a friend, to whose suggestion, and the passive assent of the Author, the Publishers are indebted for the opportunity of printing it.The Illustrations, by Mr. Richard Doyle, will, it is hoped, be found to embody the Author's ideas with characteristic spirit.

The King of the Golden River (1851) by John Ruskin; Illustrated by Richard Doyle. "The King of the Golden River" is a delightful fairy tale told with all Ruskin's charm of style, his appreciation of mountain scenery, and with his usual insistence upon drawing a moral. None the less, it is quite unlike his other writings. All his life long his pen was busy interpreting nature and pictures and architecture, or persuading to better views those whom he believed to be in error, or arousing, with the white heat of a prophet's zeal, those whom he knew to be unawakened. There is indeed a good deal of the prophet about John Ruskin. Though essentially an interpreter with a singularly fine appreciation of beauty, no man of the nineteenth century felt more keenly that he had a mission, and none was more loyal to what he believed that mission to be.

In a secluded and mountainous part of Stiria there was, in old time, a valley of the most surprising and luxuriant fertility. It was surrounded, on all sides, by steep and rocky mountains, rising into peaks, which were always covered with snow, and from which a number of torrents descended in constant cataracts. One of these fell westward, over the face of a crag so high, that, when the sun had set to everything else, and all below was darkness, his beams still shone full upon this waterfall, so that it looked like a shower of gold. It was, therefore, called by the people of the neighbourhood, the Golden River. It was strange that none of these streams fell into the valley itself. They all descended on the other side of the mountains, and wound away through broad plains and by populous cities. But the clouds were drawn so constantly to the snowy hills, and rested so softly in the circular hollow, that in time of drought and heat, when all the country round was burnt up, there was still rain in the little valley; and its crops were so heavy, and its hay so high, and its apples so red, and its grapes so blue, and its wine so rich, and its honey so sweet, that it was a marvel to every one who beheld it, and was commonly called the Treasure Valley.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.