Other editions of book The Woman in Black: A Ghost Story

First published in 1983, The Woman in Black is Susan Hill's best-loved novel, and the basis for the UK's second longest ever running stage play, and a major film starring Daniel Radcliffe.Arthur Kipps, a young lawyer, travels to a remote village to put the affairs of a recently deceased client, Alice Drablow in order. As he works alone in her isolated house, Kipps begins to uncover disturbing secrets - and his unease grows when he glimpses a mysterious woman dressed in black. The locals are strangely unwilling to talk about the unsettling occurrence, and Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true intent...

An internationally acclaimed and haunting ghost story. “One of the strongest stories of supernatural horror…the work bursts into life and does not flag until the end.”―The Washington Post Arthur Kipps, a young solicitor, has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The townspeople are reluctant to share any information about Mrs. Drablow but Kipps soon realizes that there is more to Alice Drablow than he originally thought. At the funeral, he sees a woman dressed in black, with a pale face and dark eyes, whom a group of children are silently watching. While sorting through Mrs. Drablow’s papers at Eel Marsh House over the course of several days, the routine formalities Kipps anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully and most tragically for Kipps, the woman in black herself.First published in 1983, and written in the style of a traditional Gothic novel, The Woman in Black has become a classic novel of supernatural horror.

Stephen Malatratt Based on the novel by Susan Hill. Drama/Thriller Characters: 2 male, 1 extra Bare stage The framework of this spine tingler is unusual: a lawyer hires an actor to tutor him in recounting to family and friends a story that has long troubled him concerning events that transpired when he attended the funeral of an elderly recluse. There he caught sight of the woman in black, the mere mention of whom terrifies the locals, for she is a specter who haunts the neighborhood where her illegitimate child was accidentally killed. Anyone who sees her dies! The lawyer has invited some friends to watch as he and the actor recreate the events of that dark and stormy night. A classic of the genre. "A real theatrical spine chiller. . . . A truly nerve shredding experience."- The Daily Mail "Provides a pleasurable ripple of fear down one's spine and an uncomfortable lurch in the pit of one's stomach."-Time Out New York "A brilliantly effective spine chiller.... The narrative is gripping."- The Guardian . "A gripping tale, grippingly told."- The Financial Times

'No one chills the blood like Susan Hill' Daily Telegraph From the horrifying secret of Eel Marsh House in The Woman in Black to the supernatural terror unleashed by spiteful Leonora van Vorst in Dolly and the deadly danger posed by Professor Parmitter's painting of Venice in The Man in the Picture, Susan Hill's ghost stories never fail to raise the hairs on the back of your neck and keep you turning the pages long past midnight. Here, collected together for the first time - and also including the bestselling Printers Devil Court and The Small Hand - are all of Susan Hill's spinechilling stories of murder, magic and mayhem. Read on if you dare ...

The Woman in Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler -- proof positive that this neglected genre, the ghost story, isn't dead after all. What true readers do not yearn, somewhere in the recesses of their hearts, for a really literate, first-class thriller -- one that chills the body but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen? Alas, we cannot give you Austen, but Susan Hill's remarkable Woman in Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully -- and for Kipps most tragically -- the Woman in Black.

What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller--one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen?Alas, we cannot give you Austen, but Susan Hill's remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

Set in Victorian England, Arthur Kipps, a junior solicitor in London, is summoned to Crythin Gifford to attend the funeral of Mrs Alice Drablow, and to sort through her papers before returning to London. It is here that Kipps first sees the woman in black and begins to gain an impression of the mystery surrounding her. From the funeral he travels to Eel Marsh House and sees the woman again, plus he also hears the terrifying sounds of adult and child passengers sinking into the quicksand on a pony and trap.Despite Kipps€™s experiences he resolves to spend the night at the house and fulfil hi professional duty.It is this night at Eel Marsh House that contains the greatest horror for Kipps. Rescued by Mr Daily, a friend he met on the train, Kipps discovers the reasons behind the hauntings at Eel Marsh House. The book ends with tragedy, with the woman in black exacting a final, terrible revenge.

Set in Victorian England, Arthur Kipps, a junior solicitor in London, is summoned to Crythin Gifford to attend the funeral of Mrs Alice Drablow, and to sort through her papers before returning to London. It is here that Kipps first sees the woman in black and begins to gain an impression of the mystery surrounding her. From the funeral he travels to Eel Marsh House and sees the woman again, plus he also hears the terrifying sounds of adult and child passengers sinking into the quicksand on a pony and trap.Despite Kipps’s experiences he resolves to spend the night at the house and fulfil hi professional duty.It is this night at Eel Marsh House that contains the greatest horror for Kipps. Rescued by Mr Daily, a friend he met on the train, Kipps discovers the reasons behind the hauntings at Eel Marsh House. The book ends with tragedy, with the woman in black exacting a final, terrible revenge.

Published to tie-in with the major new film adaptation starring Harry Potter's Daniel Radcliffe.Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black -- and her terrible purpose.