Other editions of book King Henry IV

The third part of Shakespeare's impressive 'Henriad,' this play follows "Richard II" and "Henry IV, Part 1," and precedes "Henry V." In this portion of the tetralogy of history plays, Prince Hal is once again out of favor with his father the king, who is in his last months of life. Falstaff, the comical criminal, is further rejected by Prince Hal, who believes he must disassociate himself with the London underworld before becoming king. This is certainly a more somber play, for Henry IV dies, and Falstaff reflects on his own approaching death. A credible play worthy of the Shakespeare's early writings, "Henry IV, Part 2" is a work of conflict, reconciliation, and musings on life and death that attest to the universal nature of the Bard of Avon's canon.

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The stirring continuation of the themes begun in Henry IV, Part One again pits a rebellion within the State and that master of misrule, Falstaff, against the maturing of Prince Hal. Alternating scenes between bawdy tavern and regal court, between revelry and politics, Shakespeare probes at the sources, uses, and responsibilities of power as an old king dies and a young king must choose between a ruler's solemn duty and a merry but dissipated friend, Falstaff. The play represents Shakespeare at the peak of his maturity in writing historical drama and comedy.

The Arden Shakespeare is the established edition of Shakespeare's work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden guides you a richer understanding and appreciation of Shakespeare's plays. This edition of King Henry IV Part II provides, a clear and authoritative text, detailed notes and commentary on the same page as the text, a full introduction discussing the critical and historical background to the play and appendices presenting sources and relevant extracts.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Henry IV, Part II by William ShakespeareHenry IV, Part II is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play is often seen as an extension of aspects of Henry IV, Part 1, rather than a straightforward continuation of the historical narrative, placing more emphasis on the highly popular character of Falstaff and introducing other comic figures as part of his entourage, including Ancient Pistol, Doll Tearsheet and Justice Robert Shallow. Several scenes specifically parallel episodes in Part 1. The play picks up where Henry IV, Part One left off. Its focus is on Prince Hal's journey toward kingship, and his ultimate rejection of Falstaff. However, unlike Part One, Hal's and Falstaff's stories are almost entirely separate, as the two characters meet only twice and very briefly. The tone of much of the play is elegiac, focusing on Falstaff's age and his closeness to death, which parallels that of the increasingly sick king.

The third part of Shakespeare’s impressive “Henriad”, this play follows “Richard II” and “Henry IV, Part I”, and precedes the final play of the tetralogy, “Henry V”. Following the events of “Henry IV, Part I”, Prince Hal is once again out of favor with his father, the king, who is in his last months of life. In contrast to their relationship in “Part I”, Falstaff, the comical criminal, is rejected by Prince Hal. Falstaff and Prince Hal only share two brief scenes together as Hal believes he must disassociate himself with the London criminal underworld before becoming king. A more somber play than “Part I”, King Henry IV lies in bed, sick, dying, and beset by constant rebellion. He feels the weight of his role and wonders if Hal is equal to the task, reflecting in the famous quote “Uneasy lies the head that wears a crown.” Falstaff too, in moments of cynical clarity, reflects on his own poor health and approaching death. A central theme is Hal’s reform into a man worthy enough to be king in contrast with Falstaff’s continued dissolute life. “Henry IV, Part II” is a work of transformation, reconciliation, and musings on life and death that attest to the universal nature of Shakespeare’s dramas. This edition is annotated by Henry N. Hudson, includes an introduction by Charles Harold Herford, and a biographical afterword.

The stirring continuation of the themes begun in Henry IV, Part One again pits a rebellion within the State and that master of misrule, Falstaff, against the maturing of Prince Hal. Alternating scenes between bawdy tavern and regal court, between revelry and politics, Shakespeare probes at the sources, uses, and responsibilities of power as an old king dies and a young king must choose between a ruler's solemn duty and a merry but dissipated friend, Falstaff. The play represents Shakespeare at the peak of his maturity in writing historical drama and comedy.

Like every other play in the Cambridge School Shakespeare series, King Henry IV Part 2 has been specially prepared to help all students in schools and colleges. This version aims to be different from other editions of the play. It invites you to bring the play to life in your classroom through enjoyable activities that will help increase your understanding. You are encourage to make up your own mind about the play, rather than have someone else's interpretation handed down to you. Whatever you do, remember that Shakespeare wrote his plays to be acted, watched and enjoyed.

The third part of Shakespeare’s impressive “Henriad”, this play follows “Richard II” and “Henry IV, Part I”, and precedes the final play of the tetralogy, “Henry V”. Following the events of “Henry IV, Part I”, Prince Hal is once again out of favor with his father, the king, who is in his last months of life. In contrast to their relationship in “Part I”, Falstaff, the comical criminal, is rejected by Prince Hal. Falstaff and Prince Hal only share two brief scenes together as Hal believes he must disassociate himself with the London criminal underworld before becoming king. A more somber play than “Part I”, King Henry IV lies in bed, sick, dying, and beset by constant rebellion. He feels the weight of his role and wonders if Hal is equal to the task, reflecting in the famous quote “Uneasy lies the head that wears a crown.” Falstaff too, in moments of cynical clarity, reflects on his own poor health and approaching death. A central theme is Hal’s reform into a man worthy enough to be king in contrast with Falstaff’s continued dissolute life. “Henry IV, Part II” is a work of transformation, reconciliation, and musings on life and death that attest to the universal nature of Shakespeare’s dramas. This edition is printed on premium acid-free paper, is annotated by Henry N. Hudson, and includes an introduction by Charles Harold Herford.

The author offers a new approach to the text of the Second Part of King Henry IV, which he sees as an unplanned sequel to the First Part, itself a remake of an old, non-Shakespearean play. The Second Part deliberately exploits the popular success of Sir John Falstaff, introduced in Part One; the resulting rich humor gives a comic dimension to the play that makes it a unique blend of history, morality play and comedy. Among modern editions of the play this is the one most firmly based on the Quarto. Professor Melchiori presents an eminently actable text, by showing how Shakespeare's own choices are superior for practical purposes to suggested emendations, and by keeping interferences in the original stage directions to a minimum, in order to respect, as Shakespeare did, the players' freedom.

This is the text of the 1623 printing of the first folio. The original spelling and punctuation are completely intact. I have made two minor changes. First, I have capitalized and spelled out the character names. Col. I am a Knight, Sir becomes COLLEUILE. I am a Knight, Sir.The second change is that I have put the prose lines into prose form. If there was any possibility that a prose line could scan, however awkwardly, I have left the verse-like form of the line as it appears in the folio.Again, the spelling and punctuation of the 1623 first folio text are entirely intact.If you enjoy this copy of Henry IV Part II, please take a moment to review the book online.

In Henry IV, Part 2, the King is ailing, Falstaff is ageing, and the kingdom itself, where rebellion is still rife, seems diseased or debilitated. The comedy has a melancholy undertone, and the politics verge on the Machiavellian. Eventually, the resourceful Hal, inheriting the crown as Henry V, must prove that he can uphold justice in the realm. Here Shakespeare demonstrates a mastery of thematic complexity and subtlety, and shows the price in human terms that may be exacted by political success.