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Other editions of book The Marble Faun: Or, The Romance of Monte Beni

  • The Marble Faun: Or, The Romance of Monte Beni

    Nathaniel Hawthorne

    language (Open Road Media, Dec. 13, 2016)
    From the author of The Scarlet Letter: The thrilling tale of three American artists whose search for artistic inspiration leads to romance and murder. The sculpture galleries and classical architecture of nineteenth-century Rome set the stage for Nathaniel Hawthorne’s gothic romance The Marble Faun. While touring the Eternal City in search of inspiration and authentic beauty, American artists Miriam, Hilda, and Kenyon soon discover that their Italian companion, Donatello—charming and in love with Miriam—bears a striking resemblance to the marble Faun of Praxiteles. But for Miriam, their carefree pursuit is also an escape from a dark past. And when a mysterious man appears, trailing the friends’ path and tormenting Miriam, the group’s travels take a sinister turn. The first novel to explore the effects of European sensibilities on American values, The Marble Faun anticipated the genre of travel novels later exemplified by The Portrait of a Lady by Henry James and The Innocents Abroad by Mark Twain. Vividly evoking the great works of art and architecture in Rome, it also found favor as an unlikely guidebook for many Victorian tourists. James Russell Lowell said: “The nineteenth century has produced no more purely original writer than Mr. Hawthorne.” Here, the author of The House of the Seven Gables offers an unforgettable and suspenseful tale. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
  • The Marble Faun, or the Romance of Monte Beni

    Nathaniel Hawthorne

    language (Library of Alexandria, Dec. 27, 2012)
    Four individuals, in whose fortunes we should be glad to interest the reader, happened to be standing in one of the saloons of the sculpture-gallery in the Capitol at Rome. It was that room (the first, after ascending the staircase) in the centre of which reclines the noble and most pathetic figure of the Dying Gladiator, just sinking into his death-swoon. Around the walls stand the Antinous, the Amazon, the Lycian Apollo, the Juno; all famous productions of antique sculpture, and still shining in the undiminished majesty and beauty of their ideal life, although the marble that embodies them is yellow with time, and perhaps corroded by the damp earth in which they lay buried for centuries. Here, likewise, is seen a symbol (as apt at this moment as it was two thousand years ago) of the Human Soul, with its choice of Innocence or Evil close at hand, in the pretty figure of a child, clasping a dove to her bosom, but assaulted by a snake. From one of the windows of this saloon, we may see a flight of broad stone steps, descending alongside the antique and massive foundation of the Capitol, towards the battered triumphal arch of Septimius Severus, right below. Farther on, the eye skirts along the edge of the desolate Forum (where Roman washerwomen hang out their linen to the sun), passing over a shapeless confusion of modern edifices, piled rudely up with ancient brick and stone, and over the domes of Christian churches, built on the old pavements of heathen temples, and supported by the very pillars that once upheld them. At a distance beyond—yet but a little way, considering how much history is heaped into the intervening space—rises the great sweep of the Coliseum, with the blue sky brightening through its upper tier of arches. Far off, the view is shut in by the Alban Mountains, looking just the same, amid all this decay and change, as when Romulus gazed thitherward over his half finished wall. We glance hastily at these things,—at this bright sky, and those blue distant mountains, and at the ruins, Etruscan, Roman, Christian, venerable with a threefold antiquity, and at the company of world-famous statues in the saloon,—in the hope of putting the reader into that state of feeling which is experienced oftenest at Rome. It is a vague sense of ponderous remembrances; a perception of such weight and density in a bygone life, of which this spot was the centre, that the present moment is pressed down or crowded out, and our individual affairs and interests are but half as real here as elsewhere. Viewed through this medium, our narrative—into which are woven some airy and unsubstantial threads, intermixed with others, twisted out of the commonest stuff of human existence—may seem not widely different from the texture of all our lives
  • The Marble Faun; Or, The Romance of Monte Beni

    Nathaniel Hawthorne, Taylor Anderson

    (CreateSpace Independent Publishing Platform, Oct. 6, 2017)
    The Marble Faun: Or, The Romance of Monte Beni, also known by the British title Transformation, was the last of the four major romances by Nathaniel Hawthorne, and was published in 1860. The Marble Faun, written on the eve of the American Civil War, is set in a fantastical Italy. The romance mixes elements of a fable, pastoral, gothic novel, and travel guide. This romance focuses on four main characters: Miriam, Hilda, Kenyon, and Donatello. Miriam is a beautiful painter with an unknown past. Throughout the novel, she is compared to many other women including Eve, Beatrice Cenci, Judith, and Cleopatra. Miriam is pursued by a mysterious, threatening man who is her “evil genius” through life. Hilda is an innocent copyist. She is compared to the Virgin Mary and the white dove. Her simple, unbendable moral principles can make her severe in spite of her tender heart. Miriam and Hilda are often contrasted. Kenyon is a sculptor who represents rationalist humanism. He cherishes a romantic affection towards Hilda. Donatello, the Count of Monte Beni, is often compared to Adam and is in love with Miriam. Donatello amazingly resembles the marble Faun of Praxiteles, and the novel plays with the characters’ belief that the Count may be a descendant of the antique Faun. Hawthorne, however, withholds a definite statement even in the novel’s concluding chapters and postscript. Odin’s Library Classics is dedicated to bringing the world the best of humankind’s literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.
  • The Marble Faun Or The Romance Of Monte Beni

    Nathaniel HAWTHORNE

    (Houghton Mifflin, July 6, 1888)
    None
  • The Marble Faun: or The Romance of Monte Beni

    Nathaniel Hawthorne

    (CreateSpace Independent Publishing Platform, Dec. 14, 2013)
    The Marble Faun
  • The Marble Faun; or, The Romance of Monte Beni

    Nathaniel Hawthorne

    (Palala Press, Sept. 10, 2015)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • The Marble Faun: Or, the Romance of Monte Beni

    Nathaniel Hawthorne

    (Thorndike Press, Dec. 15, 2003)
    Hawthorne's novel of Americans abroad, this was the first to explore the influence of European cultural ideas on American morality. Set in Rome, the story follows the aftermath of a crime of passion, dramatizing both the freedoms a new cultural model inspires and the self-censoring conformities it requires.
  • The Marble Faun: Or The Romance of Monte Beni

    Nathaniel Hawthorne

    (Wentworth Press, Feb. 26, 2019)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • The Marble Faun or the Romance of Monte Beni

    Nathaniel Hawthorne, Mifflin and Company Houghton

    (BiblioLife, April 6, 2010)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
  • The marble faun: or, The romance of Monte Beni

    ed Hawthorne, Nathaniel,Lathrop, George Parsons

    (Facsimile Publisher, July 6, 2019)
    Lang: - English, Pages 609. Reprinted in 2019 with the help of original edition published long back . This book is Printed in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible with extra charges). Hope you will like it and give your comments and suggestions.
  • The Marble Faun, or The Romance of Monte Beni

    Nathaniel Hawthorne

    (Airmont Publishing, July 6, 1966)
    None
  • The Marble Faun: Or, The Romance of Monte Beni

    Nathaniel Hawthorne

    (HardPress, June 22, 2018)
    This is a reproduction of a classic text optimised for kindle devices. We have endeavoured to create this version as close to the original artefact as possible. Although occasionally there may be certain imperfections with these old texts, we believe they deserve to be made available for future generations to enjoy.