Other editions of book Ramona: A Story

Termed the Uncle Tom's Cabin of the southwestern Indians and the first protest novel of California, Ramona is the story of 3 cultures - Indian, Mexican, and Anglo - locked in combat. The upheaval and injustice are humanized through the romance of a beautiful half-Indian orphan who grow up as the ward of Señora Moreno in privileged surroundings, then falls in love with an Indian and joins him in a life of poverty and tragedy. The Ramona Pageant in Hemet, California, based on this romance, has played each year since 1923, reenacting the transition period between Mexican traditions and the new U.S. and state governments.

One of the greatest ethical novels of the nineteenth century, this is a tale of true love tested. Set in Old California, this powerful narrative richly depicts the life of the fading Spanish order, the oppression of tribal American communities and inevitably, the brutal intrusion of white settlers. Ramona, an illegitimate orphan, grows up as the ward of the overbearing Senora Moreno. But her desire for Alessandro, a Native American, makes her an outcast and fugitive...

Set in Southern California shortly after the Mexican-American War, Helen Hunt Jackson's "Ramona" is the fictional story of its title character, a part Scottish and part Indian orphan girl who endures great discrimination while growing up in the late 1800s. Immensely popular when first published in 1884, "Ramona" is a timeless story of the discrimination that people of different cultures have endured throughout history exemplified by the conflict of cultures between Mexican, American, and Indian cultures that occurred in Southern California at the end of the 19th century.

Ramona is an 1884 American novel written by Helen Hunt Jackson. Set in Southern California after the Mexican-American War, it portrays the life of a mixed-race Scots–Native American orphan girl, who suffers racial discrimination and hardship. Originally serialized in the Christian Union on a weekly basis, the novel became immensely popular. It has had more than 300 printings, and been adapted four times as a film. A play adaptation has been performed annually outdoors since 1923.

It was sheep-shearing time in Southern California, but sheep-shearing was late at the Senora Moreno's. The Fates had seemed to combine to put it off. In the first place, Felipe Moreno had been ill. He was the Senora's eldest son, and since his father's death had been at the head of his mother's house. Without him, nothing could be done on the ranch, the Senora thought. It had been always, “Ask Senor Felipe,” “Go to Senor Felipe,” “Senor Felipe will attend to it,” ever since Felipe had had the dawning of a beard on his handsome face.In truth, it was not Felipe, but the Senora, who really decided all questions from greatest to least, and managed everything on the place, from the sheep-pastures to the artichoke-patch; but nobody except the Senora herself knew this. An exceedingly clever woman for her day and generation was Senora Gonzaga Moreno,—as for that matter, exceedingly clever for any day and generation; but exceptionally clever for the day and generation to which she belonged. Her life, the mere surface of it, if it had been written, would have made a romance, to grow hot and cold over: sixty years of the best of old Spain, and the wildest of New Spain, Bay of Biscay, Gulf of Mexico, Pacific Ocean,—the waves of them all had tossed destinies for the Senora. The Holy Catholic Church had had its arms round her from first to last; and that was what had brought her safe through, she would have said, if she had ever said anything about herself, which she never did,—one of her many wisdoms. So quiet, so reserved, so gentle an exterior never was known to veil such an imperious and passionate nature, brimful of storm, always passing through stress; never thwarted, except at peril of those who did it; adored and hated by turns, and each at the hottest. A tremendous force, wherever she appeared, was Senora Moreno; but no stranger would suspect it, to see her gliding about, in her scanty black gown, with her rosary hanging at her side, her soft dark eyes cast down, and an expression of mingled melancholy and devotion on her face. She looked simply like a sad, spiritual-minded old lady, amiable and indolent, like her race, but sweeter and more thoughtful than their wont. Her voice heightened this mistaken impression. She was never heard to speak either loud or fast. There was at times even a curious hesitancy in her speech, which came near being a stammer, or suggested the measured care with which people speak who have been cured of stammering. It made her often appear as if she did not known her own mind; at which people sometimes took heart; when, if they had only known the truth, they would have known that the speech hesitated solely because the Senora knew her mind so exactly that she was finding it hard to make the words convey it as she desired, or in a way to best attain her ends.- Taken from "Ramona" written bu Helen Hunt Jackson

First serialized in the “Christian Union”, and then published as a novel in 1884, “Ramona”, by Helen Hunt Jackson, is the fictional story of its title character, a part Scottish and part Indian orphan girl who endures great discrimination while growing up in the late 19th century. Immensely popular when it first appeared, “Ramona” is set in Southern California shortly after the Mexican-American War and is well known for its depiction of Mexican colonial life and the unique culture of the region. The novel follows the difficult life of Ramona as she grows up in the loveless care of Señora Moreno, the sister of Ramona’s deceased foster mother. Ramona falls in love with Alessandro, a Native American sheep shearer who works on the Moreno ranch, and elopes with him after Señora Moreno disapproves of their relationship. Ramona and Alessandro face great hardship and tragedy as they try to create a life together in a harsh and unforgiving world dominated by greedy American settlers and violent conflict. “Ramona” is a timeless and touching story of discrimination, displacement, heartache, and ultimately, hope and resilience. This edition is printed on premium acid-free paper.

“If I could write a story that would do for the Indian a thousandth part of what Uncle Tom’s Cabin did for the Negro,” wrote Helen Hunt Jackson, “I would be thankful the rest of my life.” Jackson surpassed this ambition with the publication of Ramona, her popular 1884 romantic bestseller. A beautiful half Native American, half-Scottish orphan raised by a harsh Mexican ranchera, Ramona enters into a forbidden love affair with a heroic Mission Indian named Alessandro. The pair’s adventures after they elope paint a vivid portrait of California history and the woeful fate of Native Americans and Mexicans whose lands and rights were stripped as Anglo-Americans overran southern California. Set from the first American edition of 1884, this Modern Library Paperback Classic includes José Martí’s 1888 prologue (translated from the Spanish by Esther Allen).

Helen Hunt Jackson (pen name, H.H.; born Helen Maria Fiske; October 15, 1830 – August 12, 1885) was an American poet and writer who became an activist on behalf of improved treatment of Native Americans by the United States government. She described the adverse effects of government actions in her history A Century of Dishonor (1881). Her novel Ramona (1884) dramatized the federal government's mistreatment of Native Americans in Southern California after the Mexican–American War and attracted considerable attention to her cause. Commercially popular, it was estimated to have been reprinted 300 times and most readers liked its romantic and picturesque qualities rather than its political content.