Other editions of book John Galsworthy - The Fugitive

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

John Galsworthy emerged as one of the most popular British dramatists and fiction writers of the earliest twentieth century, creating works such as the enduring popular Forsyte Saga, which consisted of a series of interlinked novels and short stories. Although Galsworthy is best remembered for his novels, he was also famed as a playwright. The Fugitive gained attention in its day as a gripping work of suspense and realism.

John Galsworthy OM (1867-1933) was an English novelist and playwright. He is viewed as one of the first writers of the Edwardian era; challenging in his works some of the ideals of society depicted in the preceeding literature of Victorian England. He won the Nobel Prize for literature in 1932. Notable works include The Forsyte Saga (1906-1921) and its sequels, A Modern Comedy and End of the Chapter. From the Four Winds was Galsworthy's first published work in 1897, a collection of short stories. These, and several subsequent works, were published under the pen name John Sinjohn and it would not be until The Island Pharisees (1904) that he would begin publishing under his own name. His first play, The Silver Box (1906) became a success, and he followed it up with The Man of Property (1906), the first in the Forsyte trilogy. Along with other writers of the time such as Shaw his plays addressed the class system and social issues, two of the best known being Strife (1909) and The Skin Game (1920).

John Galsworthy first published in 1897 with a collection of short stories entitled “The Four Winds”. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of “The Island Pharisees” in 1904 that he published as John Galsworthy. His first play was The Silver Box, an immediate success when it debuted in 1906 and was followed by “The Man of Property" later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. We publish here ‘The Fugitive’ a great example of both his writing and his demonstration of how the class system worked at the time. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

John Galsworthy emerged as one of the most popular British dramatists and fiction writers of the earliest twentieth century, creating works such as the enduring popular Forsyte Saga, which consisted of a series of interlinked novels and short stories. Although Galsworthy is best remembered for his novels, he was also famed as a playwright. The Fugitive gained attention in its day as a gripping work of suspense and realism.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.