Other editions of book Quentin Durward; VOL. III

Although France is the scene of this romance, the hero and several other characters are members of the Scottish guard to the French King. The period is that when chivalry and feudalism are passing away, and the governments becoming centralized, Louis XI of France is, in fact, warring against his most powerful vassal, Charles the Bold, Duke of Burgundy.Quentin Durward, a Scotch youth, comes to Tours, where his uncle is a member of the celebrated Scottish bodyguard, and seeks military service. First, however, he meets the pretended merchant, Maitre Pierre, who is actually King Louis himself; and next the young adventurer narrowly escapes hanging for interfering with a public execution. He is enrolled among the guards and finds favor in Louis's eyes by aiding him against the attack of a frenzied boar, in a hunt.On the same day of the hunt, the Count de Crevecoeur, on behalf of his master, openly renounces allegiance to Louis, and also demands the surrender of Isabelle de Croye, the Duke's ward, who has fled from Burgundy to escape a political marriage ...

This eBook edition of "Quentin Durward" has been formatted to the highest digital standards and adjusted for readability on all devices.Quentin Durward is an archer who has left behind poverty in Scotland to join the Archers of the French King Louis's Scottish Guard and finds him-self involved in the medieval rivalry between Louis XI of France and Charles the Bold, Duke of Burgundy. The conflict starts when Louis incites the citizens of Liège to revolt against Charles, and they murder Charles's brother-in-law, under the command of the bandit-captain William de la Marck. In the meantime, the Burgundian heiress Isabelle de Croye takes refuge at Louis's court, but Louis betrays her and decides to give her hand in marriage to the bandit-captain de la Marck. Quentin is appointed to be her personal guard on the journey to Flanders, and he is determined to prevent the treachery and earn the lady's love.

The scene of this romance is laid in the fifteenth century, when the feudal system, which had been the sinews and nerves of national defence, and the spirit of chivalry, by which, as by a vivifying soul, that system was animated, began to be innovated upon and abandoned by those grosser characters who centred their sum of happiness in procuring the personal objects on which they had fixed their own exclusive attachment. The same egotism had indeed displayed itself even in more primitive ages; but it was now for the first time openly avowed as a professed principle of action. The spirit of chivalry had in it this point of excellence, that, however overstrained and fantastic many of its doctrines may appear to us, they were all founded on generosity and self denial, of which, if the earth were deprived, it would be difficult to conceive the existence of virtue among the human race.Among those who were the first to ridicule and abandon the self denying principles in which the young knight was instructed and to which he was so carefully trained up, Louis XI of France was the chief. That sovereign was of a character so purely selfish—so guiltless of entertaining any purpose unconnected with his ambition, covetousness, and desire of selfish enjoyment—that he almost seems an incarnation of the devil himself, permitted to do his utmost to corrupt our ideas of honour in its very source. Nor is it to be forgotten that Louis possessed to a great extent that caustic wit which can turn into ridicule all that a man does for any other person's advantage but his own, and was, therefore, peculiarly qualified to play the part of a cold hearted and sneering fiend.The cruelties, the perjuries, the suspicions of this prince, were rendered more detestable, rather than amended, by the gross and debasing superstition which he constantly practised.

The plot centres on the medieval rivalry between Louis XI of France and Charles the Bold, Duke of Burgundy. Louis incites the citizens of Liège to revolt against Charles, and they seize and murder Charles's brother-in-law, Louis de Bourbon, Bishop of Liège, under the command of Louis's ally, William de la Marck, who was hoping to install his son in Louis de Bourbon's place (a real historical event which occurred in 1482). At the time of the murder, Louis is present in Charles' camp at Peronne, hoping to fool him with a false display of friendship. Charles, however, sees through his mask of deceit, accuses him of instigating the uprising, and has him imprisoned. Louis's superior coolness of mind permits him to allay Charles's suspicions and to regain his liberty. In a sub-plot, the Burgundian heiress Isabelle de Croye takes refuge at Louis's court when Charles attempts to give her hand in marriage to his odious favourite Campo-Basso. Louis, in turn, resolves to give her in marriage to the bandit-captain William de la Marck, and sends her to Flanders under the pretence of placing her under the protection of the Bishop of Liège. She is guarded on her journey by Quentin Durward, an archer, who has left behind poverty in Scotland to join the Archers of Louis's Scottish Guard. Quentin prevents the intended treachery and earns Isabelle's love. Charles, though, promises her in marriage to the Duke of Orléans (heir to the French crown) but she refuses, and, in anger, the Duke promises her to whoever brings him the head of de la Marck. This Quentin does with the help of his uncle, Ludovic Lesley, and wins Isabelle's hand.

Quentin Durward is Walter Scott's historical novel depicting the fierce rivalries among monarchs in the late Middle Ages. Our protagonist amid the power plays is the titular Quentin Durward. Falling into the service of Louis XI as a Garde Écossaise (Scottish Guard) owing to his excellent archery skills, the young Scot bears witness to and is involved with the internecine intrigues and plotting ensuing between the King of France and the various nobles he views as mistrustful. A staunch royalist with loyalty for his benefactor, Quentin must heroically defend the monarch against would-be challengers to the throne and the king's authority. Throughout his adventures, Quentin fends off various dangers and perils, in a world where a single misstep can mean the gallows. As well as being a capable and nimble-footed combatant, Quentin has ambitions to win - through gallantry and surefooted combat - a French noblewoman's hand in marriage. Quentin hopes that by learning the customs of courtship, and with the support of his allies, he may accomplish this seldom-heard of feat. At the time of setting in 1468, the world was on the cusp of dramatic change in the face of flourishing trade and the Renaissance which was dramatically underway in Italy. In the face of this social change and newfound prosperity, which saw a rise in the number of people taking up professions, the old order of feudalism and vassalage was crumbling. These economic realities precluded the vying for power which characterised the 15th century in England, France and elsewhere. For its adventurism and drama involving the high society of France, Quentin Durward has been adapted for the silver screen and the stage multiple times. Although not entirely accurate to history, the novel is generally well-regarded in the modern day for its swashbuckling escapades and accessible, lively style.

Quentin Durward is a historical novel by Walter Scott, first published in 1823. The story concerns a Scottish archer in the service of the French King Louis XI (1423–1483). The plot centres on the medieval rivalry between Louis XI of France and Charles the Bold, Duke of Burgundy. Louis incites the citizens of Liège to revolt against Charles, and they seize and murder Charles's brother-in-law, Louis de Bourbon, Bishop of Liège, under the command of Louis's ally, William de la Marck, who was hoping to install his son in Louis de Bourbon's place (a real historical event which occurred in 1482).

AUTHOR'S INTRODUCTION The scene of this romance is laid in the fifteenth century, when the feudal system, which had been the sinews and nerves of national defence, and the spirit of chivalry, by which, as by a vivifying soul, that system was animated, began to be innovated upon and abandoned by those grosser characters who centred their sum of happiness in procuring the personal objects on which they had fixed their own exclusive attachment. The same egotism had indeed displayed itself even in more primitive ages; but it was now for the first time openly avowed as a professed principle of action. The spirit of chivalry had in it this point of excellence, that, however overstrained and fantastic many of its doctrines may appear to us, they were all founded on generosity and self denial, of which, if the earth were deprived, it would be difficult to conceive the existence of virtue among the human race. Among those who were the first to ridicule and abandon the self denying principles in which the young knight was instructed and to which he was so carefully trained up, Louis XI of France was the chief. That sovereign was of a character so purely selfish—so guiltless of entertaining any purpose unconnected with his ambition, covetousness, and desire of selfish enjoyment—that he almost seems an incarnation of the devil himself, permitted to do his utmost to corrupt our ideas of honour in its very source. Nor is it to be forgotten that Louis possessed to a great extent that caustic wit which can turn into ridicule all that a man does for any other person's advantage but his own, and was, therefore, peculiarly qualified to play the part of a cold hearted and sneering fiend. The cruelties, the perjuries, the suspicions of this prince, were rendered more detestable, rather than amended, by the gross and debasing superstition which he constantly practised. The devotion to the heavenly saints, of which he made such a parade, was upon the miserable principle of some petty deputy in office, who endeavours to hide or atone for the malversations of which he is conscious by liberal gifts to those whose duty it is to observe his conduct, and endeavours to support a system of fraud by an attempt to corrupt the incorruptible. In no other light can we regard his creating the Virgin Mary a countess and colonel of his guards, or the cunning that admitted to one or two peculiar forms of oath the force of a binding obligation which he denied to all other, strictly preserving the secret, which mode of swearing he really accounted obligatory, as one of the most valuable of state mysteries. To a total want of scruple, or, it would appear, of any sense whatever of moral obligation, Louis XI added great natural firmness and sagacity of character, with a system of policy so highly refined, considering the times he lived in, that he sometimes overreached himself by giving way to its dictates.