Other editions of book St. Nicholas, Vol. 40

Excerpt from St. Nicholas, Vol. 40The Sisters, from a painting by Lydia Field Emmet, facing page 3: Ring a Ring 0' Roses, painted by Arthur Rackham, facing page 97 The Man in the Wilderness, painted by Arthur Rackham, facing page 193 Sir Roger de Coverley, from a painting by Fred Morgan, facing page 291 Portrait of a Child, from a painting by Lydia Field Emmet, facing page 387 - Jack and Jill, painted by Arthur Rackham, lacing page 481.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from St. Nicholas, Vol. 40The Sisters, from a painting by Lydia Field Emmet, facing page 3: Ring a Ring 0' Roses, painted by Arthur Rackham, facing page 97 The Man in the Wilderness, painted by Arthur Rackham, facing page 193 Sir Roger de Coverley, from a painting by Fred Morgan, facing page 291 Portrait of a Child, from a painting by Lydia Field Emmet, facing page 387 - Jack and Jill, painted by Arthur Rackham, lacing page 481.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.