Other editions of book Tales from Shakespeare. Illustrated by Arthur Rackham.

First published in 1807, “Tales from Shakespeare” is the classic retelling of Shakespeare’s plays by brother and sister duo Charles and Mary Lamb. All told twenty of Shakespeare’s plays are represented in this work. On what basis the two made their selection of tales is unknown, the English Histories are left unattempted, as well as the Roman Plays. Of the comedies only “Love’s Labour’s Lost” is omitted. As Alfred Ainger comments in his introduction “perhaps Miss Lamb felt how little would have remained of the original comedy when the poetical element in its language and the brilliant wit of its dialogue had been removed”. What is represented of Shakespeare’s plays is a magnificent retelling of some of his most popular works, ideal for introducing young readers to the brilliance of the Bard. As the two write in their preface “The following Tales are meant to be submitted to the young reader as an introduction to the study of Shakespeare,” so “that the true Plays of Shakespeare may prove to them in older years—enrichers of the fancy, strengtheners of virtue, a withdrawing from all selfish and mercenary thoughts, a lesson of all sweet and honourable thoughts and actions”. This edition is printed on premium acid-free paper, includes an introduction by Alfred Ainger, and illustrations by Arthur Rackham.

Pook Press celebrates the great Golden Age of Illustration in children's literature. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children. Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. Throughout his career he had developed a very individual style that is was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children's literature.

Pook Press celebrates the great Golden Age of Illustration in children's literature. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children. Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. Throughout his career he had developed a very individual style that is was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children's literature.

Tales from Shakespeare is a collection of some of the Bard’s best known and loved narratives, compiled and edited by Mary and Charles Lamb. It contains his finest plays, re-produced for a younger audience, including ‘The Tempest’, ‘A Midsummer Night’s Dream’, ‘Much Ado About Nothing’, ‘King Lear’, ‘Macbeth’, ‘Romeo and Juliet’, ‘Hamlet’, and many more. Mary (1764 – 1847) and Charles Lamb (1775 – 1834) were brother and sister, best known for this fantastic work of children’s literature.This book Tales from Shakespeare contains a series of fantastic black-and-white illustrations – by a master of the craft; Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War), Rackham’s artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text, his illustrations further refine and elucidate Lambs’s enchanting storytelling.

This collection of stories, adapted from Shakespeare’s plays, was written by siblings Charles and Mary Lamb in 1807—Mary wrote the comedies, while Charles did the tragedies. They simplified the plays, both in language and in plot, such that children could read, understand, and appreciate the Bard’s classics. This digital edition also includes artwork by Danielle Parado.

Shipped from UK, please allow 10 to 21 business days for arrival. 12 colour plates and 20 black and white chapter heading by Arthur Rackham. Dark green cloth binding, perhaps a rebind; a small(2x3cm) libary stamp on back of title page; a 3cm biro tick on pages 53 and 55; some faint finger-marks on some pages throughoput ; edge of page containing a plate opposite page 214 partly missing (does not affect plate ).

The following Tales are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.In those tales which have been taken from the Tragedies, the young readers will perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form: therefore it is feared that, in them, dialogue has been made use of too frequently for young people not accustomed to the dramatic form of writing. But this fault, if it be a fault, has been caused by an earnest wish to give as much of Shakespeare's own words as possible: and if the "He said," and "She said," the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way in which could be given to them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted; pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places, where his blank verse is given unaltered, as hoping from its simple plainness to cheat the young readers into the belief that they are reading prose, yet still his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.