Other editions of book Alone in the Wilderness

“Joe” Knowles' story needs no introduction to New England readers. Knowles (1869-1942), the famous Boston artist, entered the wilderness of Maine on August 4, 1913, naked, without firearms, matches, or even a knife, and lived for two months as a primitive man, relying wholly on his own resources. In this book he tells what he did and how he did It.He describes why he undertook the experiment, and tells in detail how he lived: how he made his fires, what he ate and how he got it, how he caught fish and killed animals with his hands alone, how he sheltered and clothed himself; he narrates his wanderings and adventures, describes his physical and mental sensations, shows the scientific value of the primitive lite, and outlines his plans for the future along primitive lines.At last the dream of a thoroughgoing return to nature has been realized. A self-tutored artist (formerly a wilderness guide), Mr. Knowles went into the woods of northern Maine in August, 1913, naked, without so much as a match or a knife, and, after living for the stipulated two months in total independence of the advantages of civilization, emerged tanned and bearded, clad in bearskin and deerskin, carrying bow and arrows and a deer-horn knife. His life in the woods the author habitually views in two aspects, the physical and the mental. He entered the woods on a rainy day, and, being unable to make a fire, he spent two nights resting and running alternately at short intervals in order to keep warm. Afterwards he enjoyed the warmth of a fire and the shelter of a lean-to, save for one miserable night which resulted in a fever. His food consisted of berries, bark, fish, partridges, squirrels, and some venison and bear meat. The hear he trapped, and killed by clubbing him on the nose; the deer he killed by breaking his neck by main force. Mr. Knowles apparently did not suffer through the absence of salt from his diet, nor from the extreme irregularity of his eating. as regards both quantity and time. Nor was be rendered uncomfortable through giving up suddenly the habit of smoking cigarettes. His physical life, in brief, though not without tribulations, seemed to him of almost trifling importance in comparison with his mental life.“My suffering," he writes, “was purely mental and a hundredfold worse than any physical suffering I experienced." It had never occurred to him that he might be lonely, but the thought of his isolation and of his friends and his past life tortured him so relentlessly, especially at twilight, that he vowed again and again that he would return next day to the camp whence he had entered upon his wanderings. Seeking diversion from his thoughts of civilized life, he drew, on birch bark, with burnt sticks from his fires, a number of sketches, first-rate examples of which illustrate his book; and he found further diversion in cultivating the friendship of a chipmunk, a flock of partridges, and a deer and fawn, to all of whom he spoke as to human beings.His story was an “exclusive ’’ for one newspaper, but all New Englanders followed his adventure with amused interest which has not yet lagged, because another paper has made a promising attempt to discredit his story. But it seems to have failed, and Mr. Knowles continued appearing before the public describing the delights of primitive life. Whatever the extent of his influence, he certainly attracted in New England a. considerable public attention of a cap-flinging kind, which is well illustrated by a photograph showing “a portion of the crowd that greeted Joseph Knowles on his arrival in Boston." Originally published in 1913; reformatted for Kindle; may contain occasional imperfection; original spellings have been kept in place.

Excerpt from Alone in the WildernessOn the Saturday afternoon of October fourth, nineteen hundred and thirteen, just at the time when sunshine marked the end of two days' heavy rain, I emerged from the Canadian for est on the shores of Lake Megantic, having lived the life of a primitive man for two months in the wilderness of northern Maine.I was tanned to the color of an Indian. I had a matted beard, and long, matted hair. I was scratched from head to foot by briers and underbrush.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lang:- English, Pages 364. Reprinted in 2015 with the help of original edition published long back[1913]. This book is in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, there may be some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Customisation is possible). Hope you will like it and give your comments and suggestions.Original Title:- Alone in the Wilderness 1913 [Hardcover] Author:- Joseph Knowles

In 1913 Joseph Knowles, a professional illustrator and writer, set out into the wilderness of Maine to begin a two-month survival experiment - this book is his story, inclusive of his original illustrations. Commissioned by the Boston Post to venture into the woodlands, Joseph Knowles was far from your typical survivalist. Middle-aged and quite portly, he was a newspaperman rapidly going to seed. However, a will to escape what he termed the 'sham side of modern life' led him to undertake a quest to live off the land for some two months, his quest constantly reported on by his own paper. In terms of writing, Knowles realist reflections upon his time in the woods represent a clear departure from the vaunting of the natural world so popular in American literature. Rather than admire nature's beauty, he combines his own thoughts on life with descriptions of the physical and mental effects of living in the great outdoors, while including elements of popular adventure stories such as Tarzan. Knowles' exploits attracted a public frenzy at the time. On emerging from the woods, he ventured into the city of Boston only to be honored by City Hall. For weeks prior, the locals had read story after story of Knowles' exploits, relayed to the newspaper by sketches drawn upon birch bark and deposited in an previously agreed place. A crowd of some 200,000 people gathered to hear a short speech, and comparisons were made to Davy Crockett. Today, among local historians and Bostonians Knowles adventures are a minor urban legend. While many doubt the veracity of part of Knowles' story, it is an undoubtedly intriguing tale. The author went on to enjoy a short-lived career in early Hollywood cinema, eventually settling in the state of Washington, where he resumed work as a drawer of sketches and died in 1942.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.