Other editions of book The Real Latin Quarter

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Like a dry brook, its cobblestone bed zigzagging past quaint shops and caf�s, the rue Vaugirard finds its way through the heart of the Latin Quarter. It is only one in a score of other busy little streets that intersect the Quartier Latin; but as I live on the rue Vaugirard, or rather just beside it, up an alley and in the corner of a picturesque old courtyard leading to the "Lavoir Gabriel," a somewhat angelic name for a huge, barn-like structure reeking in suds and steam, and noisy with gossiping washerwomen who pay a few sous a day there for the privilege of doing their washing-and as my studio windows (the big one with the north light, and the other one a narrow slit reaching from the floor to the high ceiling for the taking in of the big canvases one sees at the Salon-which are never sold) overlook both alley and court, I can see the life and bustle below. This is not the Paris of Boulevards, ablaze with light and thronged with travelers of the world, nor of big hotels and chic restaurants without prices on the m�nus. In the latter the ma�tre d'h�tel makes a mental inventory of you when you arrive; and before you have reached your coffee and cigar, or before madame has buttoned her gloves, this well-shaved, dignified personage has passed sentence on you, and you pay according to whatever he thinks you cannot afford. I knew a fellow once who ordered a peach in winter at one of these smart taverns, and was obliged to wire home for money the next day. In the Quartier Latin the price is always such an important factor that it is marked plainly, and often the gar�on will remind you of the cost of the dish you select in case you have not read aright, for in this true Bohemia one's daily fortune is the one necessity so often lacking that any error in regard to its expenditure is a serious matter. In one of the well-known restaurants-here celebrated as a rendezvous for artists-a waiter, as he took a certain millionaire's order for asparagus, said: "Does monsieur know that asparagus costs five francs?" At all times of the day and most of the night the rue Vaugirard is busy. During the morning, push-carts loaded with red gooseberries, green peas, fresh sardines, and mackerel, their sides shining like silver, line the curb in front of the small shops. Diminutive donkeys, harnessed to picturesque two-wheeled carts piled high with vegetables, twitch their long ears and doze in the shady corners of the street. The gutters, flushed with clear water, flash in the sunlight. Baskets full of red roses and white carnations, at a few sous the armful, brighten the cool shade of the alleys leading to courtyards of wild gardens, many of which are filled with odd collections of sculpture discarded from the ateliers.

Like a dry brook, its cobblestone bed zigzagging past quaint shops and caf�s, the rue Vaugirard finds its way through the heart of the Latin Quarter. It is only one in a score of other busy little streets that intersect the Quartier Latin; but as I live on the rue Vaugirard, or rather just beside it, up an alley and in the corner of a picturesque old courtyard leading to the "Lavoir Gabriel," a somewhat angelic name for a huge, barn-like structure reeking in suds and steam, and noisy with gossiping washerwomen who pay a few sous a day there for the privilege of doing their washing-and as my studio windows (the big one with the north light, and the other one a narrow slit reaching from the floor to the high ceiling for the taking in of the big canvases one sees at the Salon-which are never sold) overlook both alley and court, I can see the life and bustle below. This is not the Paris of Boulevards, ablaze with light and thronged with travelers of the world, nor of big hotels and chic restaurants without prices on the m�nus. In the latter the ma�tre d'h�tel makes a mental inventory of you when you arrive; and before you have reached your coffee and cigar, or before madame has buttoned her gloves, this well-shaved, dignified personage has passed sentence on you, and you pay according to whatever he thinks you cannot afford. I knew a fellow once who ordered a peach in winter at one of these smart taverns, and was obliged to wire home for money the next day. In the Quartier Latin the price is always such an important factor that it is marked plainly, and often the gar�on will remind you of the cost of the dish you select in case you have not read aright, for in this true Bohemia one's daily fortune is the one necessity so often lacking that any error in regard to its expenditure is a serious matter. In one of the well-known restaurants-here celebrated as a rendezvous for artists-a waiter, as he took a certain millionaire's order for asparagus, said: "Does monsieur know that asparagus costs five francs?" At all times of the day and most of the night the rue Vaugirard is busy. During the morning, push-carts loaded with red gooseberries, green peas, fresh sardines, and mackerel, their sides shining like silver, line the curb in front of the small shops. Diminutive donkeys, harnessed to picturesque two-wheeled carts piled high with vegetables, twitch their long ears and doze in the shady corners of the street. The gutters, flushed with clear water, flash in the sunlight. Baskets full of red roses and white carnations, at a few sous the armful, brighten the cool shade of the alleys leading to courtyards of wild gardens, many of which are filled with odd collections of sculpture discarded from the ateliers.

Excerpt from The Real Latin QuarterIt all seemed very real to me, as I sat beside him and watched him at work. The method delighted me. I have similar ideas myself about the value of his kind of study in out-door sketching, compared with the labored work of the studio, and I have mostpositive opinions regarding the quality which comes of it.If then the pages which here follow have in them any of the true inwardness of the life they are meant to portray, it is due, I feel sure, as much to the attitude of the author toward his subject, as much to his ability to seize, retain, and express these instantaneous impressions, these flash pic tures caught on the spot, as to any other merit which they may possess.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1901]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 230. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.