Other editions of book The Old Man in the Corner by Baroness Orczy Juvenile Fiction, Action & Adventure

In a genteel ABC teashop on the Norfolk Road, Miss Polly Burton (of the Evening Observer) spends her lunch breaks listening to a mysterious old man, as he unravels cases of murder, blackmail, theft, and deceit that have filled the headlines, and baffled police and public alike. But to him, they are not "mysteries" at all - for Polly's brilliant but eccentric companion, "There is no such thing as a mystery in connection with any crime, provided intelligence is brought to bear upon its investigation." A collection of classic tales in the Sherlock Holmes vein, from the creator of the Scarlet Pimpernel.

Created by Baroness Orczy, author of the famous Scarlet Pimpernel series, The Old Man In the Corner was one of the earliest armchair detectives, popping up with so many others in the wake of the huge popularity of the Sherlock Holmes stories.The Old Man relies mostly upon sensationalistic "penny dreadful" newspaper accounts, with the occasional courtroom visit. He narrates all this information, while tying complicated knots in a piece of string, to a female Journalist who frequents the same tea-shop (the ABC Teashop on the corner of Norfolk Street and the Strand). They enjoy an antagonistic relationship, as the Journalist attempts to cut the Old Man's ego down to size and the Old Man trumps her every time.

Created by Baroness Orczy, author of the famous Scarlet Pimpernel series, The Old Man In the Corner was one of the earliest armchair detectives, popping up with so many others in the wake of the huge popularity of the Sherlock Holmes stories.The Old Man relies mostly upon sensationalistic "penny dreadful" newspaper accounts, with the occasional courtroom visit. He narrates all this information, while tying complicated knots in a piece of string, to a female Journalist who frequents the same tea-shop (the ABC Teashop on the corner of Norfolk Street and the Strand). They enjoy an antagonistic relationship, as the Journalist attempts to cut the Old Man's ego down to size and the Old Man trumps her every time.--Wikipedia

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.

The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.

The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.

The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.

The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.