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Hardcover edition available, ISBN: 9789387669321The Art of War is an ancient Chinese military treatise written by Sun Tzu, a high-ranking military general, strategist and tactician. The text is composed of 13 chapters, each of which is devoted to one aspect of warfare. It is commonly known to be the definitive work on military strategy and tactics of its time. It has been the most famous and influential of China's Seven Military Classics, and for the last two thousand years it remained the most important military treatise in Asia, where even the common people knew it by name.Sun Tzu believed war to be an essential wrongdoing that must be got rid of whenever it can be. The war should be fought fleetingly to reduce economic decline. Sun Tzu harped on the significance of placement in military tactics. The planning to position an army must be dependent on the stipulations in the physical surroundings and the subjective thoughts of various militants in those conditions. He believed that strategy cannot be considered as planning with respect to glancing through a previously decided list. It is better represented by the fact that it needs speedy and suitable reactions to altering situations. Planning gives results in restrained surroundings. But in case of an altering environment, similar plans come in each other's ways and give rise to undesired outcomes. It has had an influence on Eastern and Western military thinking, business tactics, legal strategy and beyond.ABOUT THE AUTHOR:Sun Tzu, also known as Sun Wu or Sunzi, was an ancient Chinese military strategist believed to be the author of the acclaimed military text, 'The Art of War'. Details about Sun Tzu's background and life are uncertain, although he is believed to have lived C 544-496 BCE. Sun Tzu believed in the use of the military sciences to effect outcomes that would result in peace. Through 'The Art of War', Sun Tzu's theories and strategies have influenced military leaders and campaigns throughout time, including the samurai of ancient and early-modern Japan, and more recently Ho Chi Minh of the Viet Cong and American generals Norman Swarzkopf, Jr. and Colin Powell during the Persian Gulf War in the 1990s.(The Art of War by Sun Tzu, ebook, 9789380914893)

Grafton and Carmellini must prevent a surprise attack far more devastating than Pearl Harbor in this high octane thriller in Stephen Coonts's The Art of War.“WHEN IT COMES TO MILITARY FICTION, COONTS REMAINS ON EVERY FAN’S A-LIST.”―BOOKLISTThe Chinese dragon is flexing its muscles. As its military begins to prey on neighbors in the South China Sea, attacking fishing vessels and scheming to seize natural resources, America goes on high alert. But a far more ominous danger lurks closer to home: A nuclear weapon has been planted in the harbor at Norfolk, Virginia―site of the biggest naval base on the planet. The target: a secret rendezvous of the Atlantic Fleet aircraft carriers and their battle groups. When the CIA director is assassinated and Jake Grafton is appointed to take his place, Jake gets wind of the conspiracy but has no idea when or where the attack will occur. Meanwhile, a series of assassinations―including an attempt on the life of the President of the United States―shakes the nation and deliberately masks a far more sinister objective. Can Jake and his right hand man, Tommy Carmellini, prevent a catastrophe far more devastating than Pearl Harbor and stop a plot to destroy the U.S. Navy? “Coonts makes us see, smell, hear, taste, and feel battle.”- Cleveland Plain-Dealer“EXCITING AND REALISTIC―COONTS’S BEST.”―Admiral Jay L. Johnson (Ret.), former Chief of Naval Operations

Many, Lorenzo, have held and still hold the opinion, that there is nothing which has less in common with another, and that is so dissimilar, as civilian life is from the military. Whence it is often observed, if anyone designs to avail himself of an enlistment in the army, that he soon changes, not only his clothes, but also his customs, his habits, his voice, and in the presence of any civilian custom, he goes to pieces; for I do not believe that any man can dress in civilian clothes who wants to be quick and ready for any violence; nor can that man have civilian customs and habits, who judges those customs to be effeminate and those habits not conducive to his actions; nor does it seem right to him to maintain his ordinary appearance and voice who, with his beard and cursing, wants to make other men afraid: which makes such an opinion in these times to be very true. But if they should consider the ancient institutions, they would not find matter more united, more in conformity, and which, of necessity, should be like to each other as much as these (civilian and military);for in all the arts that are established in a society for the sake of the common good of men, all those institutions created to (make people) live in fear of the laws and of God would be in vain, if their defense had not been provided for and which, if well arranged, will maintain not only these, but also those that are not well established. And so (on the contrary), good institutions without the help of the military are not much differently disordered than the habitation of a superb and regal palace, which, even though adorned with jewels and gold, if it is not roofed over will not have anything to protect it from the rain. And, if in any other institutions of a City and of a Republic every diligence is employed in keeping men loyal, peaceful, and full of the fear of God, it is doubled in the military; for in what man ought the country look for greater loyalty than in that man who has to promise to die for her? In whom ought there to be a greater love of peace, than in him who can only be injured by war? In whom ought there to be a greater fear of God than in him who, undergoing infinite dangers every day, has more need for His aid? If these necessities in forming the life of the soldier are well considered, they are found to be praised by those who gave the laws to the Commanders and by those who were put in charge of military training, and followed and imitated with all diligence by others.But because military institutions have become completely corrupt and far removed from the ancient ways, these sinister opinions have arisen which make the military hated and intercourse with those who train them avoided. And I, judging, by what I have seen and read, that it is not impossible to restore its ancient ways and return some form of past virtue to it, have decided not to let this leisure time of mine pass without doing something, to write what I know of the art of war, to the satisfaction of those who are lovers of the ancient deeds. And although it requires courage to treat of those matters of which others have made a profession, none the less, I do not believe that it is a mistake to occupy a position with words, which may, with greater presumption, have been occupied with deeds; for the errors which I should make in writing can be corrected without injury to anyone, but those which are made with deeds cannot be found out except by the ruin of the Commanders.

Many, Lorenzo, have held and still hold the opinion, that there is nothing which has less in common with another, and that is so dissimilar, as civilian life is from the military. Whence it is often observed, if anyone designs to avail himself of an enlistment in the army, that he soon changes, not only his clothes, but also his customs, his habits, his voice, and in the presence of any civilian custom, he goes to pieces; for I do not believe that any man can dress in civilian clothes who wants to be quick and ready for any violence; nor can that man have civilian customs and habits, who judges those customs to be effeminate and those habits not conducive to his actions; nor does it seem right to him to maintain his ordinary appearance and voice who, with his beard and cursing, wants to make other men afraid: which makes such an opinion in these times to be very true. But if they should consider the ancient institutions, they would not find matter more united, more in conformity, and which, of necessity, should be like to each other as much as these (civilian and military);for in all the arts that are established in a society for the sake of the common good of men, all those institutions created to (make people) live in fear of the laws and of God would be in vain, if their defense had not been provided for and which, if well arranged, will maintain not only these, but also those that are not well established. And so (on the contrary), good institutions without the help of the military are not much differently disordered than the habitation of a superb and regal palace, which, even though adorned with jewels and gold, if it is not roofed over will not have anything to protect it from the rain. And, if in any other institutions of a City and of a Republic every diligence is employed in keeping men loyal, peaceful, and full of the fear of God, it is doubled in the military; for in what man ought the country look for greater loyalty than in that man who has to promise to die for her? In whom ought there to be a greater love of peace, than in him who can only be injured by war? In whom ought there to be a greater fear of God than in him who, undergoing infinite dangers every day, has more need for His aid? If these necessities in forming the life of the soldier are well considered, they are found to be praised by those who gave the laws to the Commanders and by those who were put in charge of military training, and followed and imitated with all diligence by others.But because military institutions have become completely corrupt and far removed from the ancient ways, these sinister opinions have arisen which make the military hated and intercourse with those who train them avoided. And I, judging, by what I have seen and read, that it is not impossible to restore its ancient ways and return some form of past virtue to it, have decided not to let this leisure time of mine pass without doing something, to write what I know of the art of war, to the satisfaction of those who are lovers of the ancient deeds. And although it requires courage to treat of those matters of which others have made a profession, none the less, I do not believe that it is a mistake to occupy a position with words, which may, with greater presumption, have been occupied with deeds; for the errors which I should make in writing can be corrected without injury to anyone, but those which are made with deeds cannot be found out except by the ruin of the Commanders.

Niccolo Machiavelli considered this book his greatest achievement. Here you will learn how to recruit, train, motivate, and discipline an army. You will learn the difference between strategy and tactics. Machiavelli does a masterful job of breaking down and analyzing historic battles. This book of military knowledge belongs alongside Sun-Tzu on every book shelf.

Niccolo Machiavelli considered this book his greatest achievement. Here you will learn how to recruit, train, motivate, and discipline an army. You will learn the difference between strategy and tactics. Machiavelli does a masterful job of breaking down and analyzing historic battles. This book of military knowledge belongs alongside Sun-Tzu on every book shelf.

The Art of War (Italian: Dell'arte della guerra) is a treatise by the Italian Renaissance political philosopher and historian Niccolò Machiavelli.The format of The Art of War is a socratic dialogue. The purpose, declared by Lord Fabrizio Colonna (perhaps Machiavelli's persona) at the outset, "To honor and reward virtù, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good." To these ends, Machiavelli notes in his preface, the military is like the roof of a palazzo protecting the contents.Written between 1519 and 1520 and published the following year, it was Machiavelli's only historical or political work printed during his lifetime, though he was appointed official historian of Florence in 1520 and entrusted with minor civil duties.

The Art of War , by Niccolo Machiavelli, written from 1519 to 1520, is set up as a dialogue that spans seven chapters. In this book, Machiavelli draws on many ideas and themes, and also puts forth some proposals which are greatly influenced by his earlier more popular books like The Prince and The Discourses.What do you get in this edition of Machiavelli’s Art of War by Classic Good Books?:- A clickable Table of contentNew introductionEasy navigationExpert formatting …and a lot more! Having a strategy sets you apart from the competition. Learn from history…time tested principles that you can apply today to your situation and make history.

The Art of War (Italian: Dell'arte della guerra) is a treatise by the Italian Renaissance political philosopher and historian Niccolò Machiavelli. The format of The Art of War is a socratic dialogue. The purpose, declared by Lord Fabrizio Colonna (perhaps Machiavelli's persona) at the outset, "To honor and reward virtù, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good." To these ends, Machiavelli notes in his preface, the military is like the roof of a palazzo protecting the contents. Written between 1519 and 1520 and published the following year, it was Machiavelli's only historical or political work printed during his lifetime, though he was appointed official historian of Florence in 1520 and entrusted with minor civil duties.

Written in China more than 2,000 years ago, Sun Tzu's classic The Art of War is the first known study of the planning and conduct of military operations. These terse, aphoristic essays are unsurpassed in comprehensiveness and depth of understanding, examining not only battlefield maneuvers, but also relevant economic, political, and psychological factors. Indeed, the precepts outlined by Sun Tzu can be applied outside the realm of military theory. It is read avidly by Japanese businessmen and in fact was touted in the movie Wall Street as the corporate raider's bible. In addition to an excellent translation of Sun Tzu's text, Samuel Griffith also provides commentaries written by Chinese strategists, plus several thought-provoking essays on topics such as the influence of Sun Tzu on Mao Tse-tung and on Japanese military thought, the nature of warfare in Sun Tzu's time, and the life of Sun Tzu and other important commentators. Remarkable for its clear organization, lucid prose, and the acuity of its intellectual and moral insights, The Art of War is the definitive study of combat.

Niccolo Machiavelli considered this book his greatest achievement. Here you will learn how to recruit, train, motivate, and discipline an army. You will learn the difference between strategy and tactics. Machiavelli does a masterful job of breaking down and analyzing historic battles. This book of military knowledge belongs alongside Sun-Tzu on every book shelf.

The Chinese dragon is flexing its muscles. As its military begins to prey on neighbors in the South China Sea, attacking fishing vessels and scheming to seize natural resources, the US goes on high alert. But a far more ominous danger lurks closer to home: a Chinese sleeper cell has planted a nuclear weapon in the harbor at Norfolk, Virginia, the biggest naval base on the planet. The target: a secret rendezvous of the Atlantic Fleet aircraft carriers and their battle groups. When the CIA director is assassinated and Jake Grafton is appointed to take his place, he gets wind of the conspiracy, but has no idea when or where the attack will occur. In the meantime, a series of assassinations, including an attempt on the life of the President, shake the country and deliberately mask a far more sinister objective. Can Jake Grafton and his right hand man, Tommy Carmellini, stop the plot to destroy the US Navy?