Other editions of book Nights With Uncle Remus

*** Illustrated with the original drawings ***"Nights With Uncle Remus" is a story-book dearly loved by children. Besides that, it is an important contribution to the study of Afro-American folk-lore, and has been been popular for decades. "Nights With Uncle Remus" is a collection of 71 animal stories, songs, and oral folklore, collected from Southern United States blacks. Many of the stories are didactic, much like those of Aesop's fables and the stories of Jean de La Fontaine. Uncle Remus is a kindly old slave who serves as a storytelling device, passing on the folktales to children gathered around him.

Uncle Remus is a collection of animal stories, songs, and oral folklore, collected from southern African-Americans. Many of the stories are didactic, much like those of Aesop's Fables and Jean de La Fontaine's stories. Uncle Remus is a kindly old former slave who serves as a storytelling device, passing on the folktales to children gathered around him.The stories are written in an eye dialect devised by Harris to represent a Deep South Gullah dialect. The genre of stories is the trickster tale. At the time of Harris' publication, his work was praised for its ability to capture plantation negro dialect.Br'er Rabbit ("Brother Rabbit") is the main character of the stories, a likable character, prone to tricks and trouble-making, who is often opposed by Br'er Fox and Br'er Bear. In one tale, Br'er Fox constructs a lump of tar and puts clothing on it. When Br'er Rabbit comes along he addresses the "tar baby" amiably but receives no response. Br'er Rabbit becomes offended by what he perceives as Tar Baby's lack of manners, punches it, and becomes stuck.

The volume containing an instalment of thirty-four negro legends, which was given to the public three years ago, was accompanied by an apology for both the matter and the manner. Perhaps such an apology is more necessary now than it was then; but the warm reception given to the book on all sides—by literary critics, as well as by ethnologists and students of folk-lore, in this country and in Europe—has led the author to believe that a volume embodying everything, or nearly everything, of importance in the oral literature of the negroes of the Southern States, would be as heartily welcomed. The thirty-four legends in the first volume were merely selections from the large body of plantation folk-lore familiar to the author from his childhood, and these selections were made less with an eye to their ethnological importance than with a view to presenting certain quaint and curious race characteristics, of which the world at large had had either vague or greatly exaggerated notions. The first book, therefore, must be the excuse and apology for the present volume. Indeed, the first book made the second a necessity; for, immediately upon its appearance, letters and correspondence began to pour in upon the author from all parts of the South. Much of this correspondence was very valuable, for it embodied legends that had escaped the author’s memory, and contained hints and suggestions that led to some very interesting discoveries. The result is, that the present volume is about as complete as it could be made under the circumstances, though there is no doubt of the existence of legends and myths, especially upon the rice plantations, and Sea Islands of the Georgia and Carolina seacoast, which, owing to the difficulties that stand in the way of those who attempt to gather them, are not included in this collection. It is safe to say, however, that the best and most characteristic of the legends current on the rice plantations and Sea Islands, are also current on the cotton plantations. Indeed, this has been abundantly verified in the correspondence of those who kindly consented to aid the author in his efforts to secure stories told by the negroes on the seacoast. The great majority of legends and stories collected and forwarded by these generous collaborators had already been collected among the negroes on the cotton plantations and uplands of Georgia and other Southern States. This will account for the comparatively meagre contribution which Daddy Jack, the old African of the rice plantations, makes towards the entertainment of the little boy.

Joel Chandler Harris (December 9, 1845 – July 3, 1908) was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories. Harris was born in Eatonton, Georgia, where he served as an apprentice on a plantation during his teenage years. He spent the majority of his adult life in Atlanta working as an associate editor at the Atlanta Constitution.Nights With Uncle Remus is a story-book dearly loved by children. Besides that, it is an important contribution to the study of Afro-American folk-lore, and through many years of popularity it has carried a long and learned Introduction, of great interest to students but rather forbidding in aspect to youthful readers. In this new edition, which has been prepared especially for children, and illustrated in colors by an artist who knows how to please them as well as their elders, the Introduction has been omitted, but the stories and their charming setting have been left intact.* Digitally remastered color illustrations (kid-friendly)* Clean table of contents for easy browsing* Fonts optimized for display on Kindle and other e-readers

"Nights With Uncle Remus: Myths and Legends of the Old Plantation" by Joel Chandler Harris. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A book based on the African-American oral storytelling traditions, revolutionary and inspirational. For more than a hundred years, the tales of Joel Chandler Harris have entertained and influenced both readers and writers. Nights with Uncle Remus gathers seventy-one of Harris's most popular narratives, featuring African American trickster tales, etiological myths, Sea Island legends, and chilling ghost stories. Told through the distinct voices of four slave storytellers, indispensable tales like "The Moon in the Mill-Pond" and other Brer Rabbit stories have inspired writers from Mark Twain to William Faulkner, Zora Neale Hurston to Toni Morrison, and helped revolutionize modern children's literature and folktale collecting.Great stories that worth being read, a book to get right now!

For more than a hundred years, the tales of Joel Chandler Harris have entertained and influenced both readers and writers. Nights with Uncle Remus gathers seventy-one of Harris's most popular narratives, featuring African American trickster tales, etiological myths, Sea Island legends, and chilling ghost stories. Told through the distinct voices of four slave storytellers, indispensable tales like "The Moon in the Mill-Pond" and other Brer Rabbit stories have inspired writers from Mark Twain to William Faulkner, Zora Neale Hurston to Toni Morrison, and helped revolutionize modern children's literature and folktale collecting.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

It had been raining all day so that Uncle Remus found it impossible to go out. The storm had begun, the old man declared, just as the chickens were crowing for day, and it had continued almost without intermission. The dark gray clouds had blotted out the sun, and the leafless limbs of the tall oaks surrendered themselves drearily to the fantastic gusts that drove the drizzle fitfully before them. The lady to whom Uncle Remus belonged had been thoughtful of the old man, and 'Tildy, the house-girl, had been commissioned to carry him his meals. This arrangement came to the knowledge of the little boy at supper time, and he lost no time in obtaining permission to accompany 'Tildy.

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