Other editions of book Tales of the Caravan, Inn, and Palace

In introducing to American readers these charming and unique Tales, a few details may properly be given of their author's life and literary work. The record, though brief, is one of unusual interest.Wilhelm Hauff was born at Stuttgart, Germany, in 1802, and received his education at Tuebingen. He graduated from the University, in 1824, with the degree of Doctor of Philosophy; and for the following two years filled the position of tutor in a nobleman's family. It was during the leisure hours afforded by this occupation that he composed the greater part of the works upon which his fame rests. In 1826 he published his "Maerchenalmanach auf das Jahr 1826, fuer Soehne und Toechter gebildeter Staende," a translation of which is herewith tendered the American public, under the changed and abbreviated title of: "Tales of the Caravan, Inn, and Palace." In the same year, and closely following the "Fairy Tales," came "Mittheilungen aus den Memoiren des Satan," "Der Mann im Monde," a second volume of "Satan's Memoirs," and a collection of short tales. These volumes appeared in such rapid succession as to obscure for a time the brilliancy of the "Fairy Tales;" but later editions of them acquired a widespread circulation, while their popularity is so constantly on the increase as to suggest the thought that in time they may prove a formidable rival of the "Arabian Nights," in the regards of the young, the world over.The publication of "The Man in the Moon" gave Hauff a national reputation; but when his "Lichtenstein, eine romantische Sage" appeared, shortly afterward, the Wuertembergers hailed him as the coming Walter Scott of Germany. Whether he would have merited this fond and proud prediction of his countrymen, can not now be told.

William Hauff was born in Germany in 1802 and died in 1827, barely 25 years old, but the author of several well received works, including the Fairy Tales (early fairy tales with content that is not common), novels and poems - very much in the Brothers Grimm tradition. In some he uses the device of having a continuing story, or a story from each member of a group, in one case, the Sheik's slaves. A portion is "Arabian Nights" in style - there are evil witches and enchanted dwarves who change back into handsome young men.

Once upon a time, a large caravan moved slowly over the desert. On the vast plain, where nothing was to be seen but sand and sky, might have been heard in the far distance the tinkling bells of the camels and the ringing hoof beats of horses. A thick cloud of dust that moved before it indicated the approach of the caravan; and when a breeze parted this cloud, gleaming weapons and brilliantly colored garments dazzled the eye. Thus was the caravan revealed to a man who galloped towards it from one side. He rode a fine Arabian horse, covered with a tiger skin; from the deep-red trappings depended little silver bells, while on the horse's head waved a plume of heron feathers. The horseman was of stately bearing, and his attire corresponded in richness with that of his horse. A white turban, richly embroidered with gold, covered his head; his coat and Turkish trousers were of scarlet; while a curved sword, with a rich hilt, hung at his side. He had pulled the turban down well over his face; and this, with the black eyes that flashed from beneath the bushy brows, together with the long beard that hung straight down from his Roman nose, gave him a fierce and uncouth appearance.

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Excerpt from Tales of the Caravan, Inn, and PalaceIn introducing to American readers these charming and unique Tales, a few details may properly be given of their author's life and literary work. The record, though brief, is one of unusual interest.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.