Other editions of book No Longer Human

In this final volume of No Longer Human, Yozo has been lulled into a sense of comfort with his new life and young wife. All that he holds dear is completely destroyed when he finds out that the person he loves is even potentially worse off than he. After his wife is sexually assualted by a business acquaintence, Yozo can no longer invision her as the beautiful pure woman that tamed his soul many months before. Now his wife is little more than a doll for charming men, and instead of confronting her or even devising a threat for divorse, Yozo simply moves on. But moving forward towards nothingness is not progess. It can only be seen as the end. From here on out Yozo's life is sub-human and when comic artist Usamaru Furuya realizes that, he is glad he has the opportunity to work and live his life as he pleases (even with the pressures of work constantly lurking).

In honor of the 100th birthday of Osamu Dazai, Usamaru Furuya retells Dazai's most important work No Longer Human in modern day Tokyo where modern vices can bring ruin to the self-loathing.Furuya's adaptation of No Longer Human takes place nearly seventy years after Dazai's original. Set in modern day Tokyo, Dazai's tale details the life of a young man originally from a well-off family from Japan's far north. Yozo Oba is a troubled soul incapable of revealing his true self to others. A weak constitution and the lingering trauma from some abuse administered by a relative forces him to uphold a facade of hollow jocularity since high school. The series is composed of three parts, referred to in the novel as "memorandums," which chronicle the life of Oba from his teens to late twenties. The comic is narrated by the artist, Furuya himself, making appearances at the start of each volume. In many ways, it could be said that Furuya has traveled a path that may be similar to Daza