Other editions of book Indian Fairy Tales

Soils and national characteristics differ, but fairy tales are the same in plot and incidents the world over. So proved the leading British folklorist Joseph Jacobs (1854–1916) with this now classic volume of 29 traditional tales from India, including some of the oldest recorded tales known."The Lion and the Crane," "How the Raja's Son Won the Princess Labam," "The Broken Pot," "The Tiger, the Brahman, and the Jackal," "The Talkative Tortoise," "The Ass in the Lion's Skin," "Why the Fish Laughed," "Sun, Moon, and Wind Go Out to Dinner," "The Prince and the Fakir," and all the other stories make delightful reading or listening for youngsters who are tired of the same familiar old favorites. John D. Batten's nine full-page plates and his 37 other drawings are reproduced from the original edition.

Soils and national characters differ; but fairy tales are the same in plot and incidents, if not in treatment. The majority of the tales in this volume have been known in the West in some form or other, and the problem arises how to account for their simultaneous existence in farthest West and East. Some—as Benfey in Germany, M. Cosquin in France, and Mr. Clouston in England—have declared that India is the Home of the Fairy Tale, and that all European fairy tales have been brought from thence by Crusaders, by Mongol missionaries, by Gipsies, by Jews, by traders, by travellers. The question is still before the courts, and one can only deal with it as an advocate. So far as my instructions go, I should be prepared, within certain limits, to hold a brief for India. So far as the children of Europe have their fairy stories in common, these—and they form more than a third of the whole—are derived from India. In particular, the majority of the Drolls or comic tales and jingles can be traced, without much difficulty, back to the Indian peninsula...

Soils and national characteristics differ, but fairy tales are the same in plot and incidents the world over. So proved the leading British folklorist Joseph Jacobs (1854–1916) with this now classic volume of 29 traditional tales from India, including some of the oldest recorded tales known."The Lion and the Crane," "How the Raja's Son Won the Princess Labam," "The Broken Pot," "The Tiger, the Brahman, and the Jackal," "The Talkative Tortoise," "The Ass in the Lion's Skin," "Why the Fish Laughed," "Sun, Moon, and Wind Go Out to Dinner," "The Prince and the Fakir," and all the other stories make delightful reading or listening for youngsters who are tired of the same familiar old favorites. John D. Batten's nine full-page plates and his 37 other drawings are reproduced from the original edition.

A collection of Indian folklore, retold for younger readers 'of all ages', includes many stories from the Jataka, a Buddhist compilation of fables.The Lion and the CraneHow the Raja's Son won the Princess LabamThe LambikinPunchkinThe Broken PotThe Magic FiddleThe Cruel Crane OutwittedLoving LailiThe Tiger, The Brahman, and the JackalThe Soothsayers SonHarisarmanThe Charmed RingThe Talkative TortoiseA Lac of Rupees for a Piece of AdviceThe Gold-Giving SerpentThe Son of Seven QueensA Lesson for KingsPride Goeth Before a FallRaja RasaluThe Ass in the Lion's SkinThe Farmer and the Money-LenderThe Boy who had a Moon on his Forehead and a Star on his ChinThe Prince and the FakirWhy the Fish LaughedThe Demon with the Matted HairThe Ivory City and its Fairy PrincessSun, Moon, and Wind go out to DinnerHow the Wicked Sons were DupedThe Pigeon and the Crow

From the extreme West of the Indo-European world, we go this year to the extreme East. From the soft rain and green turf of Gaeldom, we seek the garish sun and arid soil of the Hindoo. In the Land of Ire, the belief in fairies, gnomes, ogres and monsters is all but dead; in the Land of Ind it still flourishes in all the vigour of animism.Soils and national characters differ; but fairy tales are the same in plot and incidents, if not in treatment. The majority of the tales in this volume have been known in the West in some form or other, and the problem arises how to account for their simultaneous existence in farthest West and East. Some—as Benfey in Germany, M. Cosquin in France, and Mr. Clouston in England—have declared that India is the Home of the Fairy Tale, and that all European fairy tales have been brought from thence by Crusaders, by Mongol missionaries, by Gipsies, by Jews, by traders, by travellers. The question is still before the courts, and one can only deal with it as an advocate. So far as my instructions go, I should be prepared, within certain limits, to hold a brief for India. So far as the children of Europe have their fairy stories in common, these—and they form more than a third of the whole—are derived from India. In particular, the majority of the Drolls or comic tales and jingles can be traced, without much difficulty, back to the Indian peninsula.

‘Indian Fairy Tales’ is a collection of twenty-nine classic Indian stories, collated by Joseph Jacobs, and accompanied by the masterful black-and-white illustrations of John D. Batten. It includes such tales as ‘The Lion and the Crane’, ‘How the Raja’s Son won the Princess Labam’, ‘The Magic Fiddle’, ‘The Tiger, the Brahman and the Jackal’, ‘The Soothsayer’s Son’, ‘The Gold-giving Serpent’, and many more. Joseph Jacobs (1854 – 1916), was an Australian folklorist, literary critic, historian and writer of English literature, who became a notable collector and publisher of English folklore. Heavily influenced by the Brothers Grimm and the romantic nationalism ubiquitous in his contemporary folklorists, Jacobs was responsible for introducing English fairy tales to English children, who had previously chiefly enjoyed those derived from French and German folklore.John Dickson Batten (1860 – 1932), was a British figure painter, as well as a book illustrator and printmaker. He illustrated almost all of Jacob’s works, including, English Fairy Tales (1890), Celtic Fairy Tales (1892), Indian Fairy Tales (1912), and European Folk and Fairy Tales (1916). In addition, Batten is also celebrated for his delicately rendered imaginings of Arabian Nights and Dante’s Inferno. Presented alongside the text, his illustrations further refine and elucidate Joseph Jacob’s enchanting narratives.Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s classics and fairy tales – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

A rich and enchanting collection of 29 stories from the “home of the fairy tale.” An exciting and entertaining collection of stores, full of the color and enchantment of India, written for the amusement of children everywhere. Its universal appeal like in the striking similarities between Indian tales and those of European myth and legend, characters often having counterparts in Western tradition. Especially selected and retold to offer the best of India, these stories speak of snow-capped mountains, meandering rivers, the ocean, the blue heavens, the exquisite flora and fauna, and characters from paupers to princes. The tales of courage and sacrifice, love and adventure, magic and death offer both spellbinding entertainment as well as answers to fundamental questions of life. This enchanting book will be treasured not only by children who enjoy reading of adventure and heroism, but also by parents and educators looking for new ways to respond to the age-old request to "Tell Me a Story". CONTENTS: Preface The Lion and the Crane How the Raja's Son won the Princess Labam The Lambikin Punchkin The Broken Pot The Magic Fiddle The Cruel Crane Outwitted Loving Laili The Tiger, The Brahman, and the Jackal The Soothsayers Son Harisarman The Charmed Ring The Talkative Tortoise A Lac of Rupees for a Piece of Advice The Gold-Giving Serpent The Son of Seven Queens A Lesson for Kings Pride Goeth Before a Fall Raja Rasalu The Ass in the Lion's Skin The Farmer and the Money-Lender The Boy who had a Moon on his Forehead and a Star on his Chin The Prince and the Fakir Why the Fish Laughed The Demon with the Matted Hair The Ivory City and its Fairy Princess Sun, Moon, and Wind go out to Dinner How the Wicked Sons were Duped The Pigeon and the Crow General Notes Story Notes

ndian Fairy Tales is part of a series written by the Australian born folklorist Joseph Jacobs. In this book feature 30 stories taken from popular South Asian oral history united with John D. Batten's black and white drawings, full of movement and energy. Many of the earliest children's books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality editions, using the original text and artwork so these works can delight another generation of children. John Dickson Batten (1860-1932) was a British painter, illustrator and print maker who was a leading light in the Art Nouveau movement. He illustrated a series of fairy tale books written by Joseph Jacobs as well as English language versions of Arabian Nights and Dante's Inferno. His illustrations are strongly influenced by the printmakers of Japan and are characterised by an intense romanticism and refined technique.

Indian Fairy Tales is an enchanting book filled with magical ancient tales from exotic india. Rich with cultural significance and wonder, this is a real treat for lovers of stories and tales. Joseph Jacobs was a dedicated historian who compiled this selection of wonderous tales, this book was many years in the making and is a glorious offering to world literature.

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