Other editions of book The Hunting of the Snark: An Agony in Eight Fits

PREFACEIf—and the thing is wildly possible—the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.4) "Then the bowsprit got mixed with the rudder sometimes."In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History—I will take the more prosaic course of simply explaining how it happened.The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it—he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand—so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remonstrance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the "o" in "worry". Such is Human Perversity.

How is this book unique? Original & Unabridged EditionTablet and e-reader formattedShort Biography is also included15 Illustrations are included One of the best books to readBest fiction books of all timeBestselling NovelClassic historical fiction booksThe Hunting of the Snark (An Agony in 8 Fits) is typically categorized as a nonsense poem written by Lewis Carroll, the pen name of Charles Lutwidge Dodgson. Written from 1874 to 1876, the poem borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking Glass (1871). Henry Holiday, the illustrator of the poem, thought of it as a "tragedy". The plot follows a crew of ten trying to hunt the Snark, an animal which may turn out to be a highly dangerous Boojum. The only one of the crew to find the Snark quickly vanishes, leading the narrator to explain that it was a Boojum after all. The poem is dedicated to young Gertrude Chataway, whom Carroll met at the English seaside town Sandown in the Isle of Wight in 1875. Included with many copies of the first edition of the poem was Carroll's religious tract, An Easter Greeting to Every Child Who Loves "Alice".The Hunting of the Snark was published by Macmillan in the United Kingdom in late March 1876, with illustrations by Henry Holiday. It had mixed reviews from reviewers who found it strange. The first printing of The Hunting of the Snark consisted of 10,000 copies. There were two reprintings by the conclusion of the year; in total, the poem was reprinted 17 times between 1876 to 1908. Carroll often denied knowing the meaning behind the poem; however, in an 1896 reply to one letter, he agreed with one interpretation of the poem as an allegory for the search for happiness. Scholars have found various meanings in the poem, among them existential angst, an allegory for tuberculosis, and a mockery of the Tichborne case. The Hunting of the Snark has been alluded to in various works and has been adapted for musicals, opera, plays, and music.

"The Hunting of the Snark" is a nonsense poem written by Lewis Carroll. Written from 1874 to 1876, the poem borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking Glass. The plot follows a crew of ten trying to hunt the Snark, an animal which may turn out to be a highly dangerous Boojum; the only one of the crew to find the Snark quickly vanishes, leading the narrator to explain that it was a Boojum after all. Henry Holiday illustrated the poem, and the poem is dedicated to Gertrude Chataway, whom Carroll met as a young girl at the English seaside town Sandown in the Isle of Wight in 1875.Lewis Carroll was an English writer, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy.

"The Hunting of the Snark: An Agony in Eight Fits" by Lewis Carroll. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Hunting of the Snark (An Agony in 8 Fits) is a poem written by English writer Lewis Carroll. It is typically categorised as a nonsense poem. Written from 1874 to 1876, the poem borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking-Glass (1871).Illustrated by Henry Holiday.

Although best known as the author of Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass (1871), Lewis Carroll - the pen-name of Charles Lutwidge Dodgson, a mathematical lecturer at Christ Church, Oxford - was also an avid reader and writer of poetry. He greatly enjoyed the poems of Victorian writers such as Alfred, Lord Tennyson, and Christina Rossetti. His own poems were varied – some just humorous nonsense, some filled with hidden meanings, and some serious poems about love and life. Probably his best known is called “Jabberwocky,” with its opening line of “’Twas brillig, and the slithy toves…”, and its many invented words, some that have now entered the English language, such as “chortle” and “galumph”. Such nonsense verse is as popular now as it was when first published. His more serious poetry, it must be admitted, is generally inferior to his humorous verse and often over sentimental. Between 1860 and 1863 he contributed a dozen or more poems to College Rhymes, a pamphlet issued each term to members of Oxford and Cambridge universities, and which, for a time, he edited. In 1869, he compiled a book of poems, many of which he had already published elsewhere but now issued in revised form, together with one main new poem, which gives its title to the book, Phantasmagoria.One particular poem stands out from all the others that Carroll wrote. It has inspired parodies, continuations, musical adaptations, and a wide variety of interpretations. It is an epic nonsense poem written at a time when Carroll was struggling with his religious beliefs following the serious illness of his cousin and godson, Charlie Wilcox, who eventually died from tuberculosis. Although the poem concerns death and danger, it is filled with humour and whimsical ideas. Strangely, it was written backwards. After a night nursing his cousin, Carroll went for a long walk over the hills near Guildford, and a solitary line of verse came into his head – “For the Snark was a Boojum, you see!” The rest of the stanza, the last in the poem, came to him a few days later. Over a period of six months, the rest of poem was composed, ending up as 141 stanzas in 8 sections that Carroll called “fits.”