Other editions of book The Congo Rovers: A Story of the Slave Squadron

My first Appearance in Uniform. “Um!” ejaculated my father as he thoughtfully removed his double eye-glass from his nose with one hand, and with the other passed a letter to me across the breakfast-table—“Um! this letter will interest you, Dick. It is from Captain Vernon.” My heart leapt with sudden excitement, and my hand trembled as I stretched it out for the proffered epistle. The mention of Captain Vernon’s name, together with the announcement that the subject-matter of the letter was of interest to me, prepared me in a great measure for the intelligence it conveyed; which was to the effect that the writer, having been appointed to the command of the sloop-of-war Daphne, now found himself in a position to fulfil a promise of some standing to his dear and honoured friend Dr Hawkesley (my father) by receiving his son (myself) on board the sloop, with the rating of midshipman. The sloop, the letter went on to say, was commissioned for service on the west coast of Africa; and if I decided to join her no time should be lost in procuring my outfit, as the Daphne was under orders to sail on the —; just four days from the date of the receipt of the letter. “Well, Dick, what do you think of Captain Vernon’s proposal?” inquired my father somewhat sadly, as I concluded my perusal of the letter and raised my eyes to his. “Oh, father!” I exclaimed eagerly, “I hope you will consent to let me go. Perhaps I may never have another such an opportunity; and I am quite sure I shall never care to be anything but a sailor.” “Ah! yes—the old, old story,” murmured my father, shaking his head dubiously. “Thousands of lads have told their fathers exactly the same thing, and have lived to bitterly regret their choice of a profession. Look at my life. I have to run about in all weathers; to take my meals when and how I can; there is not a single hour in the twenty-four that I can call my own; it is a rare thing for me to get a night of undisturbed rest; it is a hard, anxious, harassing life that I lead—you have often said so yourself, and urged it as one of the reasons why you object to follow in my footsteps. But I tell you, Dick, that my life—ay, or the life even of the poorest country practitioner, for that matter—is one of ease and luxury compared with that of a sailor. But I have said all this to you over and over again, without convincing you; and I hardly dare hope that I shall be more successful now; so, if you are really quite resolved to go to sea, I will offer no further objections. It is true that you will be going to an unhealthy climate; but God is just as well able to preserve you there as He is here; and then, again, you have a strong healthy constitution, which, fortified with such preservative medicines as I can supply, will, I hope, enable you to withstand the malaria and to return to us in safety. Now, what do you say—are you still resolved to go?” “Quite,” I replied emphatically. “Now that you have given your consent the last obstacle is removed, and I can follow with a light heart the bent of my own inclinations.” “Very well, then,” said my father, rising from the table and pushing back his chair. “That question being settled, we had better call upon Mr Shears forthwith and give the order for your uniform and outfit. There is no time to lose; and since go you will, I would very much rather you went with Vernon than with anyone else.” The above conversation took place, as already stated, in the breakfast-room of my father’s house.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

William Joseph Cosens Lancaster (1851-1922) was a civil engineer who specialised in seas and harbours. He wrote Juvenile Adventures under the pseudonym Harry Collingwood. His works include: The Secret of the Sands (1879), Under the Meteor Flag: Log of a Midshipman During the French Revolutionary War (1884), The Voyage of the Aurora (1885), The Pirate Island: A Story of the West African Coast (1885), The Congo Rovers: A Story of the Slave Squadron (1886), The Log of the Flying Fish: A Story of Aerial and Submarine Peril and Adventure (1887), The Rover's Secret: A Tale of the Pirate Cays and Lagoons of Cuba (1888), The Missing Merchantman (1889), The Doctor of the Juliet (1892), Jack Beresford's Yarn (1896), For Treasure Bound (1897), The Log of a Privateersman (1897), The Homeward Voyage (1897), An Ocean Chase (1898), A Pirate of the Caribbees (1898), The Castaways (1899), Across the Spanish Main (1906), Dick Leslie's Luck (1906), Geoffrey Harrington's Adventures (1907), Blue and Grey (1908), With Airship and Submarine (1908), A Middy in Command: A Tale of the Slave Squadron (1909) and Two Gallant Sons of Devon (1913).

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.