Other editions of book Andersen's Fairy Tales

Hans Christian Andersen (often referred to in Scandinavia as H. C. Andersen; April 2, 1805 - August 4, 1875) was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children; his stories - called eventyr, or "fairy-tales" - express themes that transcend age and nationality. Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. Contents: The Emperor's New Clothes, The Swineherd, The Real Princess, The Shoes of Fortune, The Fir Tree, The Snow Queen, The Leap Frog, The Elderbush, The Bell, The Old House, The Happy Family, The Story of a Mother, The False Collar, The Shadow, The Little Match Girl, The Dream of Little Tuk, The Naughty Boy, The Red Shoes.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Andersen's Fairy Tales by Hans Christian AndersenAndersen's Fairy Tales The Little Mermaid, The Ugly Duckling, The Snow Queen, The Real Princess and a host of other wonderful tales which form so much a part of childhood are part of Andersen's Fairy Tales, by Hans Christian Andersen. This volume contains eighteen selected stories. Some of them are old familiar friends, while others maybe new to some readers, but all of them equally enchanting and enthralling. Today, these stories are known almost everywhere in the world and have been translated into hundreds of languages. Their appeal is not just for children or young readers. As folktales and typical Scandinavian legends, they are a fascinating glimpse into the myths and legends, culture and ethos of the Northern Lands. Since their publication in 1835, they have continued to inspire and delight generations of children and adults. Hans Christian Andersen was a Danish author whose work included plays, poetry, travelogues, novels and stories. Born in a noble Danish family, he was inspired to transcribe the tales he had heard as a child from people around him. The stories he selected were interesting, imaginative and unique. Some of them like The Little Mermaid were poignant and were not strictly just for a young audience. In fact, the story went on to capture public imagination to such an extent that today one of the most iconic monuments of Copenhagen is the statue of the Little Mermaid on the Langeline Promenade, which draws thousands of visitors every year. Andersen's first foray into writing fairytales did not meet with much success because translating them from the original Danish was quite difficult and it had only restricted readership. However, in 1845, he reached out to the rest of the world through a brilliant translation of The Little Mermaid in Bentley's Miscellany magazine. Great success followed as his stories began appearing in various English magazines and journals and a whole generation of young English speaking children discovered the treasures of Scandinavia. The stories have continued to enthrall people in many fields. Music, opera, art, literature, drama, film and television have become richer by the addition of various versions of Andersen's tales and his name has become a byword for the genre. He also inspired hundreds of other writers to come out with folktales and stories designed to captivate the imagination of young and old. Stories like The Tinder-Box convey a feeling of mystery and awe, while The Nightingale provides pathos and beauty.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Andersen's Fairy Tales by Hans Christian AndersenAndersen's Fairy Tales The Little Mermaid, The Ugly Duckling, The Snow Queen, The Real Princess and a host of other wonderful tales which form so much a part of childhood are part of Andersen's Fairy Tales, by Hans Christian Andersen. This volume contains eighteen selected stories. Some of them are old familiar friends, while others maybe new to some readers, but all of them equally enchanting and enthralling. Today, these stories are known almost everywhere in the world and have been translated into hundreds of languages. Their appeal is not just for children or young readers. As folktales and typical Scandinavian legends, they are a fascinating glimpse into the myths and legends, culture and ethos of the Northern Lands. Since their publication in 1835, they have continued to inspire and delight generations of children and adults. Hans Christian Andersen was a Danish author whose work included plays, poetry, travelogues, novels and stories. Born in a noble Danish family, he was inspired to transcribe the tales he had heard as a child from people around him. The stories he selected were interesting, imaginative and unique. Some of them like The Little Mermaid were poignant and were not strictly just for a young audience. In fact, the story went on to capture public imagination to such an extent that today one of the most iconic monuments of Copenhagen is the statue of the Little Mermaid on the Langeline Promenade, which draws thousands of visitors every year. Andersen's first foray into writing fairytales did not meet with much success because translating them from the original Danish was quite difficult and it had only restricted readership. However, in 1845, he reached out to the rest of the world through a brilliant translation of The Little Mermaid in Bentley's Miscellany magazine. Great success followed as his stories began appearing in various English magazines and journals and a whole generation of young English speaking children discovered the treasures of Scandinavia. The stories have continued to enthrall people in many fields. Music, opera, art, literature, drama, film and television have become richer by the addition of various versions of Andersen's tales and his name has become a byword for the genre. He also inspired hundreds of other writers to come out with folktales and stories designed to captivate the imagination of young and old. Stories like The Tinder-Box convey a feeling of mystery and awe, while The Nightingale provides pathos and beauty.

Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. He had a different suit for each hour of the day; and as of any other king or emperor, one is accustomed to say, “he is sitting in council,” it was always said of him, “The Emperor is sitting in his wardrobe.” Time passed merrily in the large town which was his capital; strangers arrived every day at the court. One day, two rogues, calling themselves weavers, made their appearance. They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character. “These must, indeed, be splendid clothes!” thought the Emperor. “Had I such a suit, I might at once find out what men in my realms are unfit for their office, and also be able to distinguish the wise from the foolish! This stuff must be woven for me immediately.” And he caused large sums of money to be given to both the weavers in order that they might begin their work directly. So the two pretended weavers set up two looms, and affected to work very busily, though in reality they did nothing at all. They asked for the most delicate silk and the purest gold thread; put both into their own knapsacks; and then continued their pretended work at the empty looms until late at night. “I should like to know how the weavers are getting on with my cloth,” said the Emperor to himself, after some little time had elapsed; he was, however, rather embarrassed, when he remembered that a simpleton, or one unfit for his office, would be unable to see the manufacture. To be sure, he thought he had nothing to risk in his own person; but yet, he would prefer sending somebody else, to bring him intelligence about the weavers, and their work, before he troubled himself in the affair. All the people throughout the city had heard of the wonderful property the cloth was to possess; and all were anxious to learn how wise, or how ignorant, their neighbors might prove to be. “I will send my faithful old minister to the weavers,” said the Emperor at last, after some deliberation, “he will be best able to see how the cloth looks; for he is a man of sense, and no one can be more suitable for his office than he is.” So the faithful old minister went into the hall, where the knaves were working with all their might, at their empty looms. “What can be the meaning of this?” thought the old man, opening his eyes very wide. “I cannot discover the least bit of thread on the looms.” However, he did not express his thoughts aloud. The impostors requested him very courteously to be so good as to come nearer their looms; and then asked him whether the design pleased him, and whether the colors were not very beautiful; at the same time pointing to the empty frames. The poor old minister looked and looked, he could not discover anything on the looms, for a very good reason, viz: there was nothing there. “What!” thought he again. “Is it possible that I am a simpleton? I have never thought so myself; and no one must know it now if I am so. Can it be, that I am unfit for my office? No, that must not be said either. I will never confess that I could not see the stuff.” “Well, Sir Minister!” said one of the knaves, still pretending to work. “You do not say whether the stuff pleases you.” “Oh, it is excellent!” replied the old minister, looking at the loom through his spectacles. “This pattern, and the colors, yes, I will tell the Emperor without delay, how very beautiful I think them.”

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Andersen's Fairy Tales by Hans Christian Andersen Andersen's Fairy Tales The Little Mermaid, The Ugly Duckling, The Snow Queen, The Real Princess and a host of other wonderful tales which form so much a part of childhood are part of Andersen's Fairy Tales, by Hans Christian Andersen. This volume contains eighteen selected stories. Some of them are old familiar friends, while others maybe new to some readers, but all of them equally enchanting and enthralling. Today, these stories are known almost everywhere in the world and have been translated into hundreds of languages. Their appeal is not just for children or young readers. As folktales and typical Scandinavian legends, they are a fascinating glimpse into the myths and legends, culture and ethos of the Northern Lands. Since their publication in 1835, they have continued to inspire and delight generations of children and adults. Hans Christian Andersen was a Danish author whose work included plays, poetry, travelogues, novels and stories. Born in a noble Danish family, he was inspired to transcribe the tales he had heard as a child from people around him. The stories he selected were interesting, imaginative and unique. Some of them like The Little Mermaid were poignant and were not strictly just for a young audience. In fact, the story went on to capture public imagination to such an extent that today one of the most iconic monuments of Copenhagen is the statue of the Little Mermaid on the Langeline Promenade, which draws thousands of visitors every year. Andersen's first foray into writing fairytales did not meet with much success because translating them from the original Danish was quite difficult and it had only restricted readership. However, in 1845, he reached out to the rest of the world through a brilliant translation of The Little Mermaid in Bentley's Miscellany magazine. Great success followed as his stories began appearing in various English magazines and journals and a whole generation of young English speaking children discovered the treasures of Scandinavia. The stories have continued to enthrall people in many fields. Music, opera, art, literature, drama, film and television have become richer by the addition of various versions of Andersen's tales and his name has become a byword for the genre. He also inspired hundreds of other writers to come out with folktales and stories designed to captivate the imagination of young and old. Stories like The Tinder-Box convey a feeling of mystery and awe, while The Nightingale provides pathos and beauty.

Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well.Some of his most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Snow Queen", "The Ugly Duckling", "Thumbelina", and many more. His stories have inspired ballets, both animated and live-action films, and plays.