Other editions of book Passing

Nella Larsen's powerful, thrilling, and tragic tale about the fluidity of racial identity that continues to resonate today. A New York Times Editors’ Choice Clare Kendry is living on the edge. Light-skinned, elegant, and ambitious, she is married to a racist white man unaware of her African American heritage, and has severed all ties to her past after deciding to “pass” as a white woman. Clare’s childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, and is simultaneously allured and repelled by Clare’s risky decision to engage in racial masquerade for personal and societal gain. After frequenting African American-centric gatherings together in Harlem, Clare’s interest in Irene turns into a homoerotic longing for Irene’s black identity that she abandoned and can never embrace again, and she is forced to grapple with her decision to pass for white in a way that is both tragic and telling. This edition features a new introduction by Emily Bernard and notes by Thadious M. Davis.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

2011 Reprint of 1928 Edition not reproduced with Optical Recognition Software. Clare and Irene were two childhood friends. They lost touch when Clare's father died and she moved in with two white aunts. By hiding that Clare was part-black, they allowed her to 'pass' as a white woman and marry a white racist. Irene lives in Harlem, commits herself to racial uplift, and marries a black doctor. The novel centers on the meeting of the two childhood friends later in life, and the unfolding of events as each woman is fascinated and seduced by the other's daring lifestyle. The end of the novel is famous for its ambiguity. Many see this novel as an example of the plot of the tragic mulatto, a common figure in early African-American literature. Recently, Passing has received renewed attention because of its close examination of racial and sexual ambiguities and liminal spaces. It has achieved canonical status in many American universities.

It was the last letter in Irene Redfield’s little pile of morning mail. After her other ordinary and clearly directed letters the long envelope of thin Italian paper with its almost illegible scrawl seemed out of place and alien. And there was, too, something mysterious and slightly furtive about it. A thin sly thing which bore no return address to betray the sender. Not that she hadn’t immediately known who its sender was. Some two years ago she had one very like it in outward appearance. Furtive, but yet in some peculiar, determined way a little flaunting. Purple ink. Foreign paper of extraordinary size. It had been, Irene noted, postmarked in New York the day before. Her brows came together in a tiny frown. The frown, however, was more from perplexity than from annoyance; though there was in her thoughts an element of both. She was wholly unable to comprehend such an attitude towards danger as she was sure the letter’s contents would reveal; and she disliked the idea of opening and reading it. This, she reflected, was of a piece with all that she knew of Clare Kendry. Stepping always on the edge of danger. Always aware, but not drawing back or turning aside. Certainly not because of any alarms or feeling of outrage on the part of others.- Taken from "Passing" written by Nella Larsen

In Larsen’s second novel, “Passing,” first published in 1929, the author revisits the theme of her first novel “Quicksand”, that being the struggle for racial identity by children of mixed-race. The novel details the lives of two childhood friends, Clare Kendry and Irene Redfield, both of whom are of mixed African and European ancestry and are “passing” as whites. The novel picks up in the lives of the two as they later reunite in adulthood. An ambiguous relation develops between the two as they share a fascination for how each other’s lives have transpired since they last knew each other. Larsen’s work has been lauded for its exploration of race, gender, class, and sexuality amongst African Americans in early part of the 20th century. Now considered as a major figure of the Harlem Renaissance, Larsen’s writing gives a firsthand insight into the struggle of African Americans during this era. This edition is printed on premium acid-free paper.

Nella Larsen is a central figure in African American, Modernist, and women’s literature. Larsen's status as a Harlem Renaissance woman writer was rivaled by only Zora Neale Hurston’s. This Norton Critical Edition of her electrifying 1929 novel includes Carla Kaplan’s detailed and thought-provoking introduction, thorough explanatory annotations, and a Note on the Text. An unusually rich “Background and Contexts” section connects the novel to the historical events of the day, most notably the sensational Rhinelander/Jones case of 1925. Fourteen contemporary reviews are reprinted, including those by Alice Dunbar-Nelson, Mary Griffin, and W. E. B. Du Bois. Published accounts from 1911 to 1935―by Langston Hughes, Juanita Ellsworth, and Caleb Johnson, among others―provide a nuanced view of the contemporary cultural dimensions of race and passing, both in America and abroad. Also included are Larsen’s statements on the novel and on passing, as well as a generous selection of her letters and her central writings on “The Tragic Mulatto(a)” in American literature. Additional perspective is provided by related Harlem Renaissance works. “Criticism” provides fifteen diverse critical interpretations, including those by Mary Helen Washington, Cheryl A. Wall, Deborah E. McDowell, David L. Blackmore, Kate Baldwin, and Catherine Rottenberg. A Chronology and Selected Bibliography are also included.

Nella Larsen’s distinctive and revealing novel about racial identity set in New York in 1929. Soon to be a major motion picture starring Tessa Thompson, Ruth Negga and Alexander Skarsgård. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Passing features an introduction by writer and academic, Christa Holm Vogelius.Irene Redfield, married to a successful physician, enjoys a comfortable life in Harlem, New York. Reluctantly, she renews her friendship with old school friend, Clare Kendry. Clare, who like Irene is light skinned, ‘passes’ as white and is married to a racist white man who has no idea about Clare’s racial heritage. Even though Irene knows that reigniting her friendship with Clare will lead to trouble, she can’t resist allowing Irene into her world. Irene in turn wants to rekindle her bonds with the African American community of her youth. As tensions mount between friends and between couples, this taut and mesmerizing narrative spins towards an unexpected end.

"Absolutely absorbing, fascinating, and indispensable." — Alice Walker"A work so fine, sensitive, and distinguished that it rises above race categories and becomes that rare object, a good novel." — The Saturday Review of LiteratureMarried to a successful physician and prominently ensconced in Harlem's vibrant society of the 1920s, Irene Redfield leads a charmed existence-until she is shaken out of it by a chance encounter with a childhood friend who has been "passing for white." An important figure in the Harlem Renaissance, Nella Larsen was the first African-American woman to be awarded a Guggenheim fellowship. Her fictional portraits of women seeking their identities through a fog of racial confusion were informed by her own Danish-West Indian parentage, and Passing offers fascinating psychological insights into issues of race and gender.

SOON TO BE A MAJOR MOTION PICTURE • Two women in 1920s New York discover how fluid and dangerous our perceptions of race can be in this electrifying classic of the Harlem Renaissance—with an introduction by Kaitlyn Greenidge, author of We Love You, Charlie Freeman, finalist for the 2016 Center for Fiction First Novel Prize Irene Redfield is living an affluent, enviable life with her husband and children in the thriving African American enclave of Harlem in the 1920s. That is, until she runs into her childhood friend, Clare Kendry. Since they last saw each other, Clare, who is similarly light-skinned, has been “passing” for a white woman, married to a racist man who does not know about his wife’s real identity, which she has chosen to hide from the rest of the world. Irene is both fascinated and repulsed by Clare’s dangerous secret, and in turn, Clare yearns for Irene’s sense of ease and security with her Black identity and community, which Clare gave up in pursuit of a more advantageous life, and which she can never embrace again. As the two women grow close, Clare begins to insert herself and her deception into every part of Irene’s stable existence, and their complex reunion sets off a chain of events that dynamically alters both women forever. In this psychologically gripping and chilling novel, Nella Larsen explores the blurriness of race, sacrifice, alienation, and desire that defined her own experience as a woman of mixed race, issues that still powerfully resonate today. Ultimately, Larsen forces us to consider whether we can ever truly choose who we are. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.Praise for Passing“The genius of this book is that its protagonists . . . are complex and fully realized. . . . The work of a highly talented and thoughtful writer.”—Richard Bernstein, The New York Times

First published to critical acclaim in 1929, Passing is a remarkable exploration of the shifting racial and sexual boundaries in 1920s New York, and still carries relevance today as a modern classic. Irene Redfield is a woman with an enviable life. She and her successful husband, Brian, share a comfortable Harlem townhouse with their sons. But everything changes on the day she encounters a long-lost childhood friend. Clare Kendry - light-skinned, charming and beautiful - tells Irene how she left behind the black neighbourhood of her adolescence and began passing for white, hiding her true identity from everyone, including her racist husband....

Nella Larsen was an important writer associated with the Harlem Renaissance. While she was not prolific her work was powerful and critically acclaimed. Passing confronts the reality of racial passing. The novel focuses on two childhood friends Clare and Irene, both of whom are light skinned enough to pass as white, who have reconnected with one another after many years apart. Clare has chosen to pass while Irene has embraced her racial heritage and become an important member of her community. The Novel examines how people pass on many different levels and in many different ways. Some forms of passing are perfectly acceptable while others can lead to disaster.

The powerful, thrilling, and tragic tale about the fluidity of racial identity that continues to resonate today, now a part of the Penguin Vitae series, with an introduction by Emily Bernard. A Penguin Classic HardcoverClare Kendry is living on the edge. Light-skinned, elegant, and ambitious, she is married to a racist white man unaware of her African American heritage, and has severed all ties to her past after deciding to "pass" as a white woman. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, and is simultaneously allured and repelled by Clare's risky decision to engage in racial masquerade for personal and societal gain. After frequenting African American-centric gatherings together in Harlem, Clare's interest in Irene turns into a homoerotic longing for Irene's black identity that she abandoned and can never embrace again, and she is forced to grapple with her decision to pass for white in a way that is both tragic and telling.Penguin Classics launches a new hardcover series with five American classics that are relevant and timeless in their power, and part of a dynamic and diverse landscape of classic fiction and nonfiction from almost seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.