Other editions of book Selected Poems Of Robert Browning

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Selected Poems By Robert Browning ContentsMy StarIncident of the French CampHome Thoughts from AbroadRabbi Ben EzraMemorabiliaAbt VoglerThe Lost LeaderThe Boy and the AngelAndrea del Sarto"Good News from Ghent"By the FiresideMy Last DuchessIntroductionRobert Browning was born at Camberwell, a suburb of London, May 7, 1812. From his earliest years he was fond of writing verses, and when twelve years of age had produced poems enough to form a volume. His first published poem, "Pauline," appeared in 18333, but his real introduction to the public was through "Paracelsus," a drama, published in 1835. In 1837 the tragedy of "Strafford" was unsuccessfully presented at Drury Lane Theater. In 1840 the epic "Sordello" was published, one of his most characteristic and most difficult works. In 1841-1846 appeared the series of "Bells and Pomegranates," in eight shilling parts, containing much of his finest poetry, including the tragedy "A Blot in the 'Scutcheon" and the graceful dramatic poem "Pippa Passes." In 1846 he was married to the distinguished poetess, Elizabeth Barrett, and soon after established his home in Italy. "Christmas Eve and Easter Day" appeared in 1850, followed by two volumes of short poems, "Men and Women," 1855, and "Dramatis Personae," 1864. His greatest work, "The Ring and teh Book," appeared in 1868-9, closely followed by many other important poems, chief of which are "Fifine at the Fair," 1872; "Red Cotton Night-cap country," 1873; "Aristophanes' Apology" and "The Inn Album," 1875. Most important of his latest works are "Dramatic Idyls," 1879-80; "Jocoseria," 1883; "Ferishtah's Fancies," 1885; and "Parleyings with Certain People of Importance in their Day," 1887.The first and perhaps the final impression we receive from the works of Robert Browning is that of a great nature, an immense personality. The poet in him is made up of many men. He is dramatist, humorist, lyrist, painter, musician, philosopher, and scholar, each in full measure, and he includes and dominates them all. In richness of nature, in scope and penetration of mind and vision, in all the potentialities of poetry, he is probably second among English poets to Shakespeare alone. In art, in the power of...------------------------------------------------------------------------------------------------------------------------------------------ Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices. This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making. We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.

Excerpt from Selected Poems of Robert Browning This new form of drama is the drama as we see it in Mr. Brown ing, a drama of the interior, a tragedy or comedy of the soul. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Biography of Robert Browning Robert Browning poet The son of Robert Browning, a Bank of England clerk, and Sarah Anna Wiedemann, of Scottish-German descent, Browning received little formal education. His learning was gleaned mainly from his Father's library at home in Camberwell, South London, where he learnt something, with his Father's help, of Latin and Greek and also read Shelly, Byron and Keats. Though he attended lectures at the University of London in 1828, Browning left after only one session. Apart from a visit to St Petersburg in 1834 and two visits to Italy in 1838 and 1844, Browning lived with his parents in London until his marriage of 1846. It was during this period that most of the plays and the earlier poems were written and, excepting Strafford, published at his family's expense. After the secretly held marriage to Elizabeth Barrett in 1846, Browning and wife travelled to Italy where they were, apart from brief holidays in France and England, to spend most of their married life together. In 1849 the couple had a son, Robert 'Pen' Browning, and it was Elizabeth who, during this time, was most productive. After her death in 1861, Browning returned to England with his son, where he achieved popular acclaim for his Dramatis Personae and The Ring and the Book. He spent the remainder of his life, excepting holidays in France, Scotland, Italy and Switzerland, in London where he wrote a number of dramatic poems, the two series of Dramatic Idylls (1879,1880) and poems on primarily classical subjects: Balaustion's Adventure (1871) and Aristophone's Apology (1875). He died in Venice whilst holidaying in 1889 and was buried at Westminster Abbey.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1887 edition. Excerpt: ...men! at a word--Praise them, it boils, or blame them, it boils too. I, painting from myself and to myself, 90 Know what I do, am unmoved by men's blame Or their praise either. Somebody remarks Morello's outline there is wrongly traced, His hue mistaken; what of that? or else, Rightly traced and well ordered; what of that? 95 Speak as they please, what does the mountain care? Ah, but a man's reach should exceed his grasp, 82. Low-pulsed forthright craftsman's hand.--" Andrpa del Sarto's was, after all, but the 4 low-pulsed forthright craftsman's hand.' and therefore his perfect art does not touch our hearts like that of Fra Bartolomnieo, who occupies about the same positiou with regard to the great masters of the century as Andrea del Sarto. Fra Bartolomnieo spoke from his heart. Ife was moved by the spirit, so to speak, to express his pure and holy thoughts in beautiful language, and the ideal that presented itself to his mind, and from which he, equally with Raphael, worked, approached almost as closely as Raphael's to that abstract beauty after which they both longed. Andrea, del Sarto had no such longing: he was content with'the loveliness of earth. This he could understand and imitate in its fullest perfection, and therefore he troubled himself but little about the 4 wondrous paterne ' laid up in heaven. Many of bis Madonnas have greater beauty, strictly speaking, than those of Bartolommeo. or even of Raphael: but we miss in them that mysterious spiritual loveliness that gives the latter their chief charm."--HeatoiVs Iiisio7/ of Painting. 93. Morello.--The highest ppur of the Apennines to the north of Florence. 96. What does the mountain care?--Itis beyond their criticism. 97. A man's reach should exceed his grasp.--44...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.