Books with title VICTORY: An Island Tale Joseph Conrad

One of the greatest English writers of the 19th century was a Polish-born man who couldn’t even speak English fluently until he had entered adulthood. Nevertheless, Joseph Conrad (1857-1924) went on to have a well-regarded literary career that bridged Romanticism and Modernism while also covering the zenith and twilight of the British empire. Conrad used his experience within the British empire to write novels and stories that often used the sea and navy as a setting, juxtaposing the individual human spirit with the collective duty and honor of the British navy. And though it was a second-language, Conrad mastered English prose.

Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work."The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section has an omniscient narrator.It has been adapted into film a number of times. (wikipedia.org)

There is, as every schoolboy knows in this scientific age, a very close chemical relation between coal and diamonds. It is the reason, I believe, why some people allude to coal as “black diamonds.” Both these commodities represent wealth; but coal is a much less portable form of property. There is, from that point of view, a deplorable lack of concentration in coal. Now, if a coal-mine could be put into one's waistcoat pocket—but it can't! At the same time, there is a fascination in coal, the supreme commodity of the age in which we are camped like bewildered travellers in a garish, unrestful hotel. And I suppose those two considerations, the practical and the mystical, prevented Heyst—Axel Heyst—from going away.

Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915,[1] through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work." The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section.

Excerpt from Victory: An Island TaleAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Victory: An Island Tale by Joseph Conrad. Victory: An Island Tale is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work." The last word of this novel was written on 29 May 1914. And that last word was the single word of the title. Those were the times of peace. Now that the moment of publication approaches I have been considering the discretion of altering the title-page. The word “Victory” the shining and tragic goal of noble effort, appeared too great, too august, to stand at the head of a mere novel. There was also the possibility of falling under the suspicion of commercial astuteness deceiving the public into the belief that the book had something to do with war. Of that, however, I was not afraid very much. What influenced my decision most were the obscure promptings of that pagan residuum of awe and wonder which lurks still at the bottom of our old humanity. “Victory” was the last word I had written in peace-time. It was the last literary thought which had occurred to me before the doors of the Temple of Janus flying open with a crash shook the minds, the hearts, the consciences of men all over the world. Such coincidence could not be treated lightly. And I made up my mind to let the word stand, in the same hopeful spirit in which some simple citizen of Old Rome would have “accepted the Omen.”