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Books with title Uncle Remus: Legends of the Old Plantation

  • Nights With Uncle Remus Myths and Legends of the Old Plantation

    Joel Chandler Harris

    eBook (, March 30, 2011)
    This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
  • Nights With Uncle Remus Myths and Legends of the Old Plantation

    Joel Chandler Harris

    eBook (, March 30, 2011)
    This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
  • Nights With Uncle Remus Myths and Legends of the Old Plantation

    Joel Chandler Harris

    eBook (, March 30, 2011)
    This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
  • Nights With Uncle Remus: Myths and Legends of the Old Plantation

    Joel Chandler Harris

    eBook (anboco, Aug. 29, 2016)
    Uncle Remus is a collection of animal stories, songs, and oral folklore, collected from southern African-Americans. Many of the stories are didactic, much like those of Aesop's Fables and Jean de La Fontaine's stories. Uncle Remus is a kindly old former slave who serves as a storytelling device, passing on the folktales to children gathered around him.The stories are written in an eye dialect devised by Harris to represent a Deep South Gullah dialect. The genre of stories is the trickster tale. At the time of Harris' publication, his work was praised for its ability to capture plantation negro dialect.Br'er Rabbit ("Brother Rabbit") is the main character of the stories, a likable character, prone to tricks and trouble-making, who is often opposed by Br'er Fox and Br'er Bear. In one tale, Br'er Fox constructs a lump of tar and puts clothing on it. When Br'er Rabbit comes along he addresses the "tar baby" amiably but receives no response. Br'er Rabbit becomes offended by what he perceives as Tar Baby's lack of manners, punches it, and becomes stuck.
  • Told by Uncle Remus New Stories of the Old Plantation

    Joel Chandler Harris

    eBook (, Oct. 3, 2017)
    This little boy was not like the other little boy. He was more like a girl in his refinement; all the boyishness had been taken out of him by that mysterious course of discipline that some mothers know how to apply. He seemed to belong to a different age—to a different time; just how or why, it would be impossible to say. Still, the fact was so plain that any one old enough and wise enough to compare the two little boys—one the father of the other—could not fail to see the difference; and it was a difference not wholly on the surface. Miss Sally, the grandmother, could see it, and Uncle Remus could see it; but for all the rest the tendencies and characteristics of this later little boy were a matter of course.
  • TOLD BY UNCLE REMUS New Stories of the Old Plantation

    Joel Chandler Harris, J. M. Conde and Frank Uerbeck A. B. Frost

    Hardcover (Grosset and Dunlap, Aug. 16, 1905)
    TOLD BY UNCLE REMUS NEW STORIES OF THE OLD PLANTATION JOEL CHANDLER HARRIS 1905 EDITION COLLECTIBLE BOOKS
  • Uncle Remus: Legends of the Old Plantation

    Joel Chandler Harris, Fritz Eichenberg

    Hardcover (Peter Pauper Press, March 15, 1950)
    None
  • Nights With Uncle Remus: Myths and Legends of the Old Plantation

    Joel Chandler Harris

    eBook (Library of Alexandria, Aug. 26, 2016)
    The volume containing an instalment of thirty-four negro legends, which was given to the public three years ago, was accompanied by an apology for both the matter and the manner. Perhaps such an apology is more necessary now than it was then; but the warm reception given to the book on all sides—by literary critics, as well as by ethnologists and students of folk-lore, in this country and in Europe—has led the author to believe that a volume embodying everything, or nearly everything, of importance in the oral literature of the negroes of the Southern States, would be as heartily welcomed. The thirty-four legends in the first volume were merely selections from the large body of plantation folk-lore familiar to the author from his childhood, and these selections were made less with an eye to their ethnological importance than with a view to presenting certain quaint and curious race characteristics, of which the world at large had had either vague or greatly exaggerated notions. The first book, therefore, must be the excuse and apology for the present volume. Indeed, the first book made the second a necessity; for, immediately upon its appearance, letters and correspondence began to pour in upon the author from all parts of the South. Much of this correspondence was very valuable, for it embodied legends that had escaped the author’s memory, and contained hints and suggestions that led to some very interesting discoveries. The result is, that the present volume is about as complete as it could be made under the circumstances, though there is no doubt of the existence of legends and myths, especially upon the rice plantations, and Sea Islands of the Georgia and Carolina seacoast, which, owing to the difficulties that stand in the way of those who attempt to gather them, are not included in this collection. It is safe to say, however, that the best and most characteristic of the legends current on the rice plantations and Sea Islands, are also current on the cotton plantations. Indeed, this has been abundantly verified in the correspondence of those who kindly consented to aid the author in his efforts to secure stories told by the negroes on the seacoast. The great majority of legends and stories collected and forwarded by these generous collaborators had already been collected among the negroes on the cotton plantations and uplands of Georgia and other Southern States. This will account for the comparatively meagre contribution which Daddy Jack, the old African of the rice plantations, makes towards the entertainment of the little boy.
  • Nights With Uncle Remus: Myths and Legends of the Old Plantation

    Joel Chandler Harris

    Paperback (CreateSpace Independent Publishing Platform, Feb. 23, 2016)
    Joel Chandler Harris (December 9, 1848 – July 3, 1908) was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories.
  • Nights With Uncle Remus: Myths and Legends of the Old Plantation

    Joel Chandler Harris

    eBook (Good Press, Jan. 9, 2020)
    "Nights With Uncle Remus: Myths and Legends of the Old Plantation" by Joel Chandler Harris. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
  • Told by Uncle Remus: New Stories of the Old Plantation

    Joel Chandler Harris

    Paperback (Forgotten Books, June 4, 2015)
    Excerpt from Told by Uncle Remus: New Stories of the Old PlantationTold By Uncle Remus: New Stories of the Old Plantation was written by Joel Chandler Harris. This is a 343 page book, containing 62249 words and 58 pictures. Search Inside is enabled for this title.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.