Books with title Trust No One

It's no coincidence when Grace Elland finds a vodka bottle next to the lifeless body of her boss, motivational speaker Sprague Witherspoon. The bottle is a terrifying - and deliberate - reminder of the horrors of her past. Grace retreats to her hometown to regroup and tries to put everything she's learned about positive thinking into practice - a process that is seriously challenged on the world's worst blind date. Awkward doesn't begin to describe her evening with venture-capitalist Julius Arkwright. She has nothing in common with a man who lives to make money, but the intense former Marine does have some skills that Grace can use - and he's the perfect man to help her when it becomes clear she is being stalked. As Witherspoon's financial empire continues to crumble around them, taking a deadly toll, Julius will help Grace step into her past to uncover a devious plan to destroy not only Grace, but everyone around her.

Jerry Grey is known to most of the world by his crime-writing pseudonym, Henry Cutter - a name that has been keeping readers at the edges of their seats for more than a decade. Recently diagnosed with early onset Alzheimer's at the age of 49, Jerry's crime-writing days are coming to an end. His 12 books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying?

Business is booming at Yeast of Eden. But with a deadly mystery taking over the seaside town of Santa Sofia, the Mexican bread shop can’t possibly leaven a killer’s appetite . . . For once, Ivy Culpepper feels fulfilled. An apprenticeship at Yeast of Eden has opened her world to time-honored baking techniques under owner Olaya Solis’s guidance—as well as the freshest small-town gossip, courtesy of chatty regulars known as the Blackbird Ladies. Ivy even begins accepting that she and restaurateur Miguel Baptista may never again rekindle their romance—despite the undeniable tension between them . . . But she’s tied to Miguel again when his trusted produce supplier goes missing. Old Hank Riviera’s financial troubles would make anyone consider running away forever. And with his relationship woes, there are plenty of people who might want to see Hank disappear. As Ivy, with the help of her octogenarian sidekick, turns to the loose-lipped Blackbird Ladies for leads, she soon finds herself caught in a web of lies stickier than a batch of Olaya’s popular pastries . . .

In this “outstanding psychological thriller” (Publishers Weekly, starred review) by the Edgar-nominated author of Joe Victim, a famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page.Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter—a name that has been keeping readers on the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying? Hailed by critics as a “masterful” (Publishers Weekly) writer who consistently offers “ferocious storytelling that makes you think and feel” (The Listener) and whose fiction evokes “Breaking Bad reworked by the Coen Brothers” (Kirkus Reviews), Paul Cleave takes us down a cleverly twisted path to determine the fine line between an author and his characters, between fact and fiction.

Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter - a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer's at the age of forty-nine, Jerry's crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying?

In this “outstanding psychological thriller” (Publishers Weekly, starred review) by the Edgar-nominated author of Joe Victim, a famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page.Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter—a name that has been keeping readers on the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying? Hailed by critics as a “masterful” (Publishers Weekly) writer who consistently offers “ferocious storytelling that makes you think and feel” (The Listener) and whose fiction evokes “Breaking Bad reworked by the Coen Brothers” (Kirkus Reviews), Paul Cleave takes us down a cleverly twisted path to determine the fine line between an author and his characters, between fact and fiction.

Business is booming at Yeast of Eden. But with a deadly mystery taking over the seaside town of Santa Sofia, the Mexican bread shop can’t possibly leaven a killer’s appetite . . . For once, Ivy Culpepper feels fulfilled. An apprenticeship at Yeast of Eden has opened her world to time-honored baking techniques under owner Olaya Solis’s guidance—as well as the freshest small-town gossip, courtesy of chatty regulars known as the Blackbird Ladies. Ivy even begins accepting that she and restaurateur Miguel Baptista may never again rekindle their romance—despite the undeniable tension between them . . . But she’s tied to Miguel again when his trusted produce supplier goes missing. Old Hank Riviera’s financial troubles would make anyone consider running away forever. And with his relationship woes, there are plenty of people who might want to see Hank disappear. As Ivy, with the help of her octogenarian sidekick, turns to the loose-lipped Blackbird Ladies for leads, she soon finds herself caught in a web of lies stickier than a batch of Olaya’s popular pastries . . .

A “powerhouse novel.” —Booklist “This thriller is one to remember.” —New York Journal of Books “Cleave’s whirligig plot mesmerizes.” —People magazine (People Pick) “This outstanding psychological thriller forces the reader to reconsider what is real.” —Publishers Weekly (starred review) “A vivid, jangled exploration of mental illness, dark imagination, and the nowhere territory in between.” —Kirkus Reviews In this exciting psychological thriller by the Edgar-nominated author of Joe Victim, a famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page.Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter—a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying? Hailed by critics as a “masterful” (Publishers Weekly) writer who consistently offers “ferocious storytelling that makes you think and feel” (The Listener) and whose fiction evokes “Breaking Bad reworked by the Coen Brothers” (Kirkus Reviews), Paul Cleave takes us down a cleverly twisted path to determine the fine line between an author and his characters, between fact and fiction.

Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter - a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer's at the age of forty-nine, Jerry's crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying?

For once, Ivy Culpepper feels fulfilled. An apprenticeship at Yeast of Eden has opened her world to the time-honored baking techniques of owner Olaya Solis -- as well as the freshest small-town gossip, courtesy of regulars known as the Blackbird Ladies. She's even accepting that she and restaurateur Miguel Baptista may never rekindle their romance. Then Miguel's trusted produce supplier goes missing and Ivy, along with her octogenarian sidekick, turns to the loose-lipped Blackbird Ladies for leads.

For once, Ivy Culpepper feels fulfilled. An apprenticeship at Yeast of Eden has opened her world to time-honored baking techniques under owner Olaya Solis’s guidance―as well as the freshest small-town gossip, courtesy of chatty regulars known as the Blackbird Ladies. Ivy even begins accepting that she and restaurateur Miguel Baptista may never again rekindle their romance―despite the undeniable tension between them. But she’s tied to Miguel again when his trusted produce supplier goes missing. Old Hank Riviera’s financial troubles would make anyone consider running away forever. And with his relationship woes, there are plenty of people who might want to see Hank disappear. As Ivy, with the help of her octogenarian sidekick, turns to the loose-lipped Blackbird Ladies for leads, she soon finds herself caught in a web of lies stickier than a batch of Olaya’s popular pastries.

Toby Oliver, a sarcastic twelve-year-old boy, hates bridges, boxes, being the new kid, and moving. So when his family’s latest move brings him to Ciferin, he sees it as just another link in an unending chain of frustrating relocations. But Ciferin is not an ordinary town. After all, most other towns have kids, seasons other than summer, teachers that answer questions, and people who talk to each other. Toby thinks he and his younger brother Kevin might have found some clues to the town’s past when they stumble across a silver box in the creek behind their house. But what do the three keys go to? Where did the old pocket watch come from? And what should they do with the list of rules? The one thing Toby is certain of is that he will have no trouble following rule number one: Trust No One.