Books with title Trouble Is My Business

Private eye John Dalmas sets out to rescue a rich young playboy from the clutches of a fortune-hunting redhead and a blackmailing gambler. But as he through the seamy underside of L.A.'s wealth and glitz, he keeps bumping into dead bodies. Johnny Dalmas appeared in several of Raymond Chandler's early stories published in Dime Detective. By the time The Big Sleep was published in 1939 his character had evolved into Philip Marlowe. In this recording we have chosen to use the original name. Trouble Is My Business exhibits the hard-edged humor, taut languages, and unexpected plot twists that later made Philip Marloweg famous.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Chandler, Raymond (1950). Trouble is My Business. Vintage Books, 1988.Chandler, Raymond (1962). Raymond Chandler Speaking. Dorothy Gardiner and Kathrine Sorley Walker, eds. Houghton Mifflin. p. 24. ISBN 978-0-520-20835-3.Chandler, Raymond, (1969). Forward by Powell, Lawrence Clark. The Raymond Chandler Omnibus, Borzoi Books.Day, Barry, (2015). "The World of Raymond Chandler: In His Own Words". Vintage Books.Hiney, Tom (1997). Raymond Chandler: A Biography. Grove Press.Pronzini, Bill; Jack Adrian (eds). (1995). Hard-Boiled, An Anthology of American Crime Stories, Oxford University Press.In his introduction to Trouble Is My Business (1950), a collection of four of his short stories, Chandler provided insight on the formula for the detective story and how the pulp magazines differed from previous detective stories:The emotional basis of the standard detective story was and had always been that murder will out and justice will be done. Its technical basis was the relative insignificance of everything except the final denouement. What led up to that was more or less passage work. The denouement would justify everything. The technical basis of the Black Mask type of story on the other hand was that the scene outranked the plot, in the sense that a good plot was one which made good scenes. The ideal mystery was one you would read if the end was missing. We who tried to write it had the same point of view as the film makers. When I first went to Hollywood a very intelligent producer told me that you couldn't make a successful motion picture from a mystery story, because the whole point was a disclosure that took a few seconds of screen time while the audience was reaching for its hat. He was wrong, but only because he was thinking of the wrong kind of mystery.Chandler also described the struggle that writers of pulp fiction had in following the formula demanded by the editors of the pulp magazines:As I look back on my stories it would be absurd if I did not wish they had been better. But if they had been much better they would not have been published. If the formula had been a little less rigid, more of the writing of that time might have survived. Some of us tried pretty hard to break out of the formula, but we usually got caught and sent back. To exceed the limits of a formula without destroying it is the dream of every magazine writer who is not a hopeless hack.[21]Critics and writers, including W. H. Auden, Evelyn Waugh and Ian Fleming, greatly admired Chandler's prose.[8] In a radio discussion with Chandler, Fleming said that Chandler offered "some of the finest dialogue written in any prose today".[22] Contemporary mystery writer Paul Levine has described Chandler's style as the "literary equivalent of a quick punch to the gut."[23] Chandler's swift-moving, hardboiled style was inspired mostly by Dashiell Hammett, but his sharp and lyrical similes are original: "The muzzle of the Luger looked like the mouth of the Second Street tunnel"; "He had a heart as big as one of Mae West's hips"; "Dead men are heavier than broken hearts"; "I went back to the seasteps and moved down them as cautiously as a cat on a wet floor." Chandler's writing redefined the private eye fiction genre, led to the coining of the adjective "Chandleresque," and inevitably became the subject of parody and pastiche. Yet the detective Philip Marlowe is not a stereotypical tough guy, but a complex, sometimes sentimental man with few friends, who attended university, who speaks some Spanish and sometimes admires Mexicans, and who is a student of chess and classical music. He is a man who refuses a prospective client's fee for a job he considers unethical.The high regard in which Chandler is generally held today is in contrast to the critical sniping that stung the author during his lifetime. In a March 1942 letter to Blanche Knopf, published in Selected Letters of Raymond Chandler, he wrote, "The thing that rather gets me.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.