Books with title The renaissance: studies in art and poetry

"The golden book of spirit and sense, the holy writ of beauty." — Oscar WildePublished to equal parts scandal and acclaim in 1873, The Renaissance inspired a generation of Oxford undergraduates, who adapted its credo of "arts for art's sake" for their Aesthetic Movement. Combining the skepticism of empirical philosophy, the materialism of 19th-century science, and the determinism of evolutionary theory, this book defies categorization and endures as an innovative example of cultural criticism.An Oxford don who led a quiet scholarly life, Walter Pater was shocked at the reactions his writings provoked. ("I wish they would not call me a hedonist," he remarked, "it gives such a wrong impression to those who do not know Greek.") His essays on the individuals he viewed as embodiments of the Renaissance spirit encompass artists whose careers span the Middle Ages through the 18th century. Pater's elegant, fluid prose examines the works of Pico della Mirandola, Leonardo, Michelangelo, Botticelli, and others. He crowns his compendium of reflections with his notorious Conclusion, in which he asserts that "to burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life."One of Victorian England's most talked about books, The Renaissance exerted a crucial influence on the art criticism of the past century, and it remains a work of unusual importance to those interested in art history and English literature.

Walter Pater (1839-1894) attained a B.A. degree in Classics from Queen's College, Oxford, followed soon after by a M.A. degree from Brasenose College, Oxford, where he was made a Fellow in 1865. That same year Pater toured Italy, where he discovered what would become a lifelong passion for masters of the Italian Renaissance like Leonardo da Vinci, Sandro Botticelli, Michelangelo, among many others. In 1877 he published "The Renaissance: Studies in Art and Poetry", which examines the French, Italian and German writers, painters and sculptors of the thirteenth to eighteen century. It is a collection of beautifully written essays on various artistic movements of the Renaissance, and concludes with Pater's urgent call to readers to experience life as fully as possible. For Pater, Victorian sensibilities suppressed true enjoyment in life. His "art for art's sake" philosophy found in this work became the manifesto of the Aesthetic Movement.

The Renaissance is a strikingly original and influential collection of essays in which Walker Pater gave memorable expression to an aesthetic view of life. It has never before been published in a scholarly edition. Donald L. Hill reproduces Pater's text of 1893, with a record of all verbal variations in other editions, from the early magazine versions to the Library Edition of 1910. Mr. Hill provides a full set of critical and explanatory notes on each of Pater's essays; headnotes outlining the story of its composition, publication, and reception; and an essay on the history of the book as a whole. Students of Pater and the Aesthetic Movement in England will find this new, annotated edition indispensable.

Oscar Wilde called this collection of essays the "holy writ of beauty." Published to great acclaim in 1837, it examines the work of Renaissance artists such as Winckelmann and the then neglected Botticelli, and includes a celebrated discussion of the Mona Lisa in a study of Da Vinci. The book strongly influenced art students and aesthetes of the day and is still valuable for the insights it offers and the beauty of the writing.

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