Books with title The Sketch Book of Geoffrey Crayon, Gent.

In The Sketch-Book (1820-21), Irving explores the uneasy relationship of an American writer to English literary traditions. In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by American author Washington Irving. Published serially throughout 1819 and 1820, and was published in one volume in 1894 by Altemus' Bookbindery. The collection includes two of Washington's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker, "The Legend of Sleepy Hollow" and "Rip Van Winkle." It also marks Irving's first use of the pseudonym "Geoffrey Crayon," which he would continue to employ throughout his literary career. Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow" - the pieces which made both Irving and The Sketch Book famous - other tales include "Roscoe", "The Broken Heart", "The Art of Book-making", "A Royal Poet", "The Spectre Bridegroom", "Westminster Abbey", "Little Britain", and "John Bull", His stories were highly influenced by German folktales[1] , with "The Legend of Sleepy Hollow" being inspired by a folktale recorded by Karl Musäus. Stories range from the maudlin (such as "The Wife" and "The Widow and Her Son") to the picaresque ("Little Britain") and the comical ("The Mutability of Literature"), but the common thread running through The Sketch Book - and a key part of its attraction to readers - is the personality of Irving's pseudonymous narrator, Geoffrey Crayon. Erudite, charming, and never one to make himself more interesting than his tales, Crayon holds The Sketch Book together through the sheer power of his personality - and Irving would, for the rest of his life, seamlessly enmesh Crayon's persona with his own public reputation.

I am of this mind with Homer, that as the snaile that crept out of her shel was turned eftsoones into a toad I and thereby was forced to make a stoole to sit on; so the traveller that stragleth from his owne country is in a short time transformed into so monstrous a shape, that he is faine to alter his mansion with his manners, and to live where he can, not where he would.—LYLY'S EUPHUES.

In The Sketch-Book (1820-21), Irving explores the uneasy relationship of an American writer to English literary traditions. In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

The Sketch Book of Geoffrey Crayon is the compilation of 34 short stories and essays by Washington Irving. It includes some of his most famous stories, such as The Legend of Sleepy Hollow and Rip Van Winkle, and was one of the first works of American fiction to become popular in Britain and Europe. The tone of the stories varies widely, and they are held together by the powerful charm of their narrator, Geoffrey Crayon.