Books with title The Prussian Officer

This Edition Features● A Detailed Biography of D.H. Lawrence● A Fully Interactive Table of Contents● Superior Kindle FormattingThe Prussian Officer (1914) tells the narrative of a captain and his orderly. Having wasted his youth with gambling, the captain has been left with only his military career, and though he has taken on mistresses throughout his life, he remains single. His young orderly is involved in a relationship with a young woman, and the captain, feeling sexual tension with regards to the young man, prevents the orderly from engaging in the relationship by taking up his evenings. These evenings lead to the captain abusing his orderly and leaving large, painful bruises on his thighs, making it hard for the orderly to walk. What follows is both memorable and tragic. Seahorse Classics brings great works of literature to life in digital format, upholding the highest standards in e-book production and celebrating reading in all its forms. Look for more titles in the Seahorse Classics collection to build your digital library.

The son of a miner, the prolific novelist, poet, and travel writer David Herbert Lawrence was born in Eastwood, Nottinghamshire, in 1885. He attended Nottingham University and found employment as a schoolteacher. His first novel, The White Peacock, was published in 1911, the same year his beloved mother died and he quit teaching after contracting pneumonia. The next year Lawrence published Sons and Lovers and ran off to Germany with Frieda Weekley, his former tutor's wife. His masterpieces The Rainbow and Women in Love were completed in quick succession, but the first was suppressed as indecent and the second was not published until 1920. Lawrence's lyrical writings challenged convention, promoting a return to an ideal of nature where sex is seen as a sacrament. In 1928 Lawrence's final novel, Lady Chatterley's Lover, was banned in England and the United States for indecency. He died of tuberculosis in 1930 in Venice.

David Herbert Lawrence (11 September 1885 - 2 March 1930) was an important and controversial English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour. Lawrence's unsettling opinions earned him many enemies and he endured hardships, official persecution, censorship and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works.Lawrence only became really famous after his death. His reputation lapsed in the 1930s: he had written too unconventionally and made too many enemies. By the 1960s he was widely seen as one of the great novelists of the twentieth century. By the 1990s his reputation was again in decline; neither a modernist revolutionary like Joyce, nor – like Virginia Woolf – reacting as a woman against the social and literary world which confined her, Lawrence occupied a problematic position in the writing history of the century: and he was unthinkingly branded both fascist and sexist. The republication of his work in a scholarly edition – and in particular the publication in full of the letters which are one of his greatest achievements – ensures that he will be seen differently in future. He was a writer far more concerned with the careful revision and linguistic precision of his work than his early reputation as an uneducated and unthinking genius suggested; he was ahead of his time in many of his attitudes to the individual and society; and he was a writer who explored an extraordinary range of subjects, in particular the need for a language of relationship which does not depend upon love. He was also precise about what he saw as the malign influence of Freud, and strikingly modern in his expression of man's need to be ecologically aware. He never believed in right-wing governments and hated the fascism he saw in Italy and Germany, though he always believed in human beings' need for authority; his writing certainly concentrated on female sexuality, but that was his particular (and in his period a strikingly original) focus. He was a writer who constantly struggled to find and to articulate the experience, not of a body or mind or spirit, but of the whole person. This was what he wrote about most tellingly, and what he himself insisted on remaining, to the end of his life.

Lawrence drew on his knowledge of Prussia from his time in Germany and his wife's relations (which included the air ace, Baron von Richthofen) to write this story of Prussian army life. The story works on various levels. There is an anti-militarism theme, unpopular as the nation drew near to war and an examination of latent homosexuality as the officer in the story struggles with his feelings for his orderly, which he can only express through brutality. The young soldier is driven beyond breaking point but finds a kind of redemption in his final return to natural surroundings and, symbolically, he finds equality in death with his tormentor as they are put side by side in the mortuary.

Because of his frank and honest portrayal of human sexuality in the controversial works for which he is best known, e.g. "Lady Chatterley’s Lover" and "Women in Love", D. H. Lawrence was not widely respected in his day. In fact at the time of his death he was considered little more than a pornographer. However E. M. Forester challenged this portrayal calling Lawrence "The greatest imaginative novelist of our generation", and with his extended reflection upon the dehumanizing effects of modernity and industrialization, Lawrence has ultimately secured his position as one of the greatest writers in the English language. "The Prussian Officer and Other Stories" is a collection of his short stories first published in 1914 which exhibit this great literary talent. The stories of this volume include the following tales: The Prussian Officer, The Thorn in the Flesh, Daughters of the Vicar, A Fragment of Stained Glass, The Shades of Spring, Second Best, The Shadow in the Rose Garden, Goose Fair, The White Stocking, A

D. H. Lawrence’s first collection of short stories, The Prussian Officer and Other Stories, was published in England in 1914, and contains some of his best works, chronicling accounts of the time and place—from old mining communities to pre–First World War Germany. This definitive edition of these writings presents Lawrence’s stories as he intended them. They have been cleaned of corruptions and errors, as well as providing a history of each story and of the whole collection. ABOUT THE SERIES “The Cambridge edition… has restored—perhaps created—texts which are authoritative enough to stand for another fifty years.” (Literary Review) D. H. Lawrence is one of the great writers of the twentieth century—yet the texts of his writings, whether published during his lifetime or since, are textually corrupt. He was forced to accept the often-stringent house-styling of his printers, not to mention intrusive editing due to his publishers’ timidity. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence. The Cambridge Edition provides texts of all of his works, which are as close as can now be determined to those he would have wished to see printed. The texts are established through rigorous collation of all extant materials, from draft manuscripts to first book publication, identifying errors made by copyists, typists and printers; house-styling by printers; and censorship and bowdlerization by publishers. The Cambridge Editions were published between 1979 and 2011. This is the first time they have been available in eBook form.

The Prussian Officer tells the narrative of a Captain and his orderly. Having wasted his youth with gambling, the captain has been left with only his military career, and though he has taken on mistresses throughout his life, he remains single. His young orderly is involved in a relationship with a young woman, and the captain, feeling sexual tension with regards to the young man, prevents the orderly from engaging in the relationship by taking up his evenings. These evenings lead to the captain abusing his orderly and leaving large, painful bruises on his thighs, making it hard for the orderly to walk. Whilst isolated in a forest during manoeuvres, the orderly takes out murderous revenge on the captain, but finds himself in a daze seemingly due both to the pain of the bruises and thirst.

The first narrative in the collection is "The Prussian Officer", which tells of a Captain and his orderly. Having wasted his youth gambling, the captain has been left with only his military career, and though he has taken on mistresses throughout his life, he remains single. His young orderly is involved in a relationship with a young woman, and the captain, feeling sexual tension towards the young man, prevents the orderly from engaging in the relationship by taking up his evenings.