Books with title The Nose: By Nikolai Gogol - Illustrated

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Nose by Nikolai Gogol 'The Nose' is considered one of Nikolai Gogol's most famous works, a bizarre story about a man's 'nose' that embodies the wizardry of his work. The Nose is universally hailed as one of Gogol’s classics. The Nose is a satirical story by Nikolai Gogol. Written between 1835 and 1836, it tells of a St. Petersburg official whose nose leaves his face and develops a life of its own. After disappearing from the Deputy Inspector's face, his nose shows up around town before returning to its proper place. Barber Ivan Yakovlevich finds a nose in his bread during breakfast. With horror he recognizes this nose as that of one of his regular customers, collegiate assessor Kovalyov. He tries to get rid of it by throwing it in the Neva River, but he is caught by a police officer. Dmitri Shostakovich's opera 'The Nose' first performed in 1930, is based on this story. A film based on this story was made by Alexandre Alexeieff and Claire Parker in 1963 and used pinscreen animation.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)Formatted for e-readerIllustratedAbout Taras Bulba by Nikolai GogolTaras Bulba by Nikolai Gogol is set sometime between the mid-sixteenth and early-seventeenth century, Gogol’s epic tale recounts both a bloody Cossack revolt against the Poles (led by the bold Taras Bulba of Ukrainian folk mythology) and the trials of Taras Bulba’s two sons. As Robert Kaplan writes "Taras Bulba has a Kiplingesque gusto . . . that makes it a pleasure to read, but central to its theme is an unredemptive, darkly evil violence that is far beyond anything that Kipling ever touched on. We need more works like Taras Bulba to better understand the emotional wellsprings of the threat we face today in places like the Middle East and Central Asia.” And the critic John Cournos has noted, “A clue to all Russian realism may be found in a Russian critic’s observation about Gogol: ‘Seldom has nature created a man so romantic in bent, yet so masterly in portraying all that is unromantic in life.’ But this statement does not cover the whole ground, for it is easy to see in almost all of Gogol’s work his ‘free Cossack soul’ trying to break through the shell of sordid today like some ancient demon, essentially Dionysian. So that his works, true though they are to our life, are at once a reproach, a protest, and a challenge, ever calling for joy, ancient joy, that is no more with us. And they have all the joy and sadness of the Ukrainian songs he loved so much.”

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)Formatted for e-readerIllustratedAbout Taras Bulba by Nikolai GogolTaras Bulba by Nikolai Gogol is set sometime between the mid-sixteenth and early-seventeenth century, Gogol’s epic tale recounts both a bloody Cossack revolt against the Poles (led by the bold Taras Bulba of Ukrainian folk mythology) and the trials of Taras Bulba’s two sons. As Robert Kaplan writes "Taras Bulba has a Kiplingesque gusto . . . that makes it a pleasure to read, but central to its theme is an unredemptive, darkly evil violence that is far beyond anything that Kipling ever touched on. We need more works like Taras Bulba to better understand the emotional wellsprings of the threat we face today in places like the Middle East and Central Asia.” And the critic John Cournos has noted, “A clue to all Russian realism may be found in a Russian critic’s observation about Gogol: ‘Seldom has nature created a man so romantic in bent, yet so masterly in portraying all that is unromantic in life.’ But this statement does not cover the whole ground, for it is easy to see in almost all of Gogol’s work his ‘free Cossack soul’ trying to break through the shell of sordid today like some ancient demon, essentially Dionysian. So that his works, true though they are to our life, are at once a reproach, a protest, and a challenge, ever calling for joy, ancient joy, that is no more with us. And they have all the joy and sadness of the Ukrainian songs he loved so much.”

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Taras Bulba by Nikolai GogolTaras Bulba by Nikolai Gogol is set sometime between the mid-sixteenth and early-seventeenth century, Gogol’s epic tale recounts both a bloody Cossack revolt against the Poles (led by the bold Taras Bulba of Ukrainian folk mythology) and the trials of Taras Bulba’s two sons. As Robert Kaplan writes "Taras Bulba has a Kiplingesque gusto . . . that makes it a pleasure to read, but central to its theme is an unredemptive, darkly evil violence that is far beyond anything that Kipling ever touched on. We need more works like Taras Bulba to better understand the emotional wellsprings of the threat we face today in places like the Middle East and Central Asia.” And the critic John Cournos has noted, “A clue to all Russian realism may be found in a Russian critic’s observation about Gogol: ‘Seldom has nature created a man so romantic in bent, yet so masterly in portraying all that is unromantic in life.’ But this statement does not cover the whole ground, for it is easy to see in almost all of Gogol’s work his ‘free Cossack soul’ trying to break through the shell of sordid today like some ancient demon, essentially Dionysian. So that his works, true though they are to our life, are at once a reproach, a protest, and a challenge, ever calling for joy, ancient joy, that is no more with us. And they have all the joy and sadness of the Ukrainian songs he loved so much.”

Why buy our paperbacks? Standard Font size of 10 for all books High Quality Paper Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated About The Nose by Nikolai Gogol The Nose" is a satirical short story by Nikolai Gogol written during his time living in St. Petersburg. During this time, Gogol's works were primarily focused on surrealism and the grotesque, with a romantic twist. Written between 1835 and 1836, "The Nose" tells the story of a St. Petersburg official whose nose leaves his face and develops a life of its own. "The Nose" was originally published in The Contemporary, a literary journal owned by Alexander Pushkin. The use of a nose as the main source of conflict in the story could have been due to Gogol's own experience with an oddly shaped nose, which was often the subject of self-deprecating jokes in letters. The use of iconic landmarks in the story, as well as the sheer absurdity of the story, has made "The Nose" an important part of St. Petersburg's literary tradition.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Dead Souls by Nikolai GogolDead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The purpose of the novel was to demonstrate the flaws and faults of the Russian mentality and character. Gogol portrayed those defects through Pavel Ivanovich Chichikov (the main character) and the people whom he encounters in his endeavours. These people are typical of the Russian middle-class of the time. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form. The first part of the novel was intended to represent a modern-day Inferno of the Divine Comedy.[citation needed] Gogol reveals to his readers an encompassing picture of the ailing social system in Russia after the war of 1812. As in many of Gogol's short stories, the social criticism of Dead Souls is communicated primarily through absurd and hilarious satire. Unlike the short stories, however, Dead Souls was meant to offer solutions rather than simply point out problems. This grander scheme was largely unrealized at Gogol's death; the work was never completed, and it is primarily the earlier, darker part of the novel that is remembered.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Taras Bulba by Nikolai GogolTaras Bulba by Nikolai Gogol is set sometime between the mid-sixteenth and early-seventeenth century, Gogol’s epic tale recounts both a bloody Cossack revolt against the Poles (led by the bold Taras Bulba of Ukrainian folk mythology) and the trials of Taras Bulba’s two sons. As Robert Kaplan writes "Taras Bulba has a Kiplingesque gusto . . . that makes it a pleasure to read, but central to its theme is an unredemptive, darkly evil violence that is far beyond anything that Kipling ever touched on. We need more works like Taras Bulba to better understand the emotional wellsprings of the threat we face today in places like the Middle East and Central Asia.” And the critic John Cournos has noted, “A clue to all Russian realism may be found in a Russian critic’s observation about Gogol: ‘Seldom has nature created a man so romantic in bent, yet so masterly in portraying all that is unromantic in life.’ But this statement does not cover the whole ground, for it is easy to see in almost all of Gogol’s work his ‘free Cossack soul’ trying to break through the shell of sordid today like some ancient demon, essentially Dionysian. So that his works, true though they are to our life, are at once a reproach, a protest, and a challenge, ever calling for joy, ancient joy, that is no more with us. And they have all the joy and sadness of the Ukrainian songs he loved so much.”

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Dead Souls by Nikolai GogolDead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The purpose of the novel was to demonstrate the flaws and faults of the Russian mentality and character. Gogol portrayed those defects through Pavel Ivanovich Chichikov (the main character) and the people whom he encounters in his endeavours. These people are typical of the Russian middle-class of the time. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form. The first part of the novel was intended to represent a modern-day Inferno of the Divine Comedy.[citation needed] Gogol reveals to his readers an encompassing picture of the ailing social system in Russia after the war of 1812. As in many of Gogol's short stories, the social criticism of Dead Souls is communicated primarily through absurd and hilarious satire. Unlike the short stories, however, Dead Souls was meant to offer solutions rather than simply point out problems. This grander scheme was largely unrealized at Gogol's death; the work was never completed, and it is primarily the earlier, darker part of the novel that is remembered.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Dead Souls by Nikolai GogolDead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The purpose of the novel was to demonstrate the flaws and faults of the Russian mentality and character. Gogol portrayed those defects through Pavel Ivanovich Chichikov (the main character) and the people whom he encounters in his endeavours. These people are typical of the Russian middle-class of the time. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form. The first part of the novel was intended to represent a modern-day Inferno of the Divine Comedy.[citation needed] Gogol reveals to his readers an encompassing picture of the ailing social system in Russia after the war of 1812. As in many of Gogol's short stories, the social criticism of Dead Souls is communicated primarily through absurd and hilarious satire. Unlike the short stories, however, Dead Souls was meant to offer solutions rather than simply point out problems. This grander scheme was largely unrealized at Gogol's death; the work was never completed, and it is primarily the earlier, darker part of the novel that is remembered.

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Taras Bulba by Nikolai Gogol Taras Bulba by Nikolai Gogol is set sometime between the mid-sixteenth and early-seventeenth century, Gogol’s epic tale recounts both a bloody Cossack revolt against the Poles (led by the bold Taras Bulba of Ukrainian folk mythology) and the trials of Taras Bulba’s two sons. As Robert Kaplan writes "Taras Bulba has a Kiplingesque gusto . . . that makes it a pleasure to read, but central to its theme is an unredemptive, darkly evil violence that is far beyond anything that Kipling ever touched on. We need more works like Taras Bulba to better understand the emotional wellsprings of the threat we face today in places like the Middle East and Central Asia.” And the critic John Cournos has noted, “A clue to all Russian realism may be found in a Russian critic’s observation about Gogol: ‘Seldom has nature created a man so romantic in bent, yet so masterly in portraying all that is unromantic in life.’ But this statement does not cover the whole ground, for it is easy to see in almost all of Gogol’s work his ‘free Cossack soul’ trying to break through the shell of sordid today like some ancient demon, essentially Dionysian. So that his works, true though they are to our life, are at once a reproach, a protest, and a challenge, ever calling for joy, ancient joy, that is no more with us. And they have all the joy and sadness of the Ukrainian songs he loved so much.”