Books with title The Motor Girls on Crystal Bay: The Secret of the Red Oar

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The Motor Girls on Crystal Bay - or, The Secret of the Red Oar is presented here in a high quality paperback edition. This popular classic work by Margaret Penrose is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Margaret Penrose then we highly recommend this publication for your book collection.

About the Book These are titles about women who have been prominent in any field of endeavour, including education, literature, the arts, music, politics, medicine, science and technology. This also includes women who have been prominent in history, in women’s organizations, and part of the movement for women’s suffrage. Also in this Book Women's fiction focuses on women's life experiences that are generally marketed to female readers, and should not be confused with Women's writing, which relates to books written by women rather than for them specifically. There is no comparable maket for males. Women's fiction often describes a woman on the cusp of life changes, her personal development, and her transformative journey through her relationships with others, in particular her romantic relationship. Also in this Book Women's studies examines women’s lives and experiences, the social and cultural constructs of gender; systems of privilege and oppression; and relationships between power and gender. Subjects include feminist theory, standpoint theory, intersectionality, multiculturalism, transnational feminism, social justice, affect studies, agency, biopolitics, materialisms, and embodiment. About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again – worldwide.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> The Motor Girls On Crystal Bay, Or, The Secret Of The Red Oar; Volume 7 Of Motor Girls Series; Margaret Penrose<authors> Margaret Penrose, Goldsmith Publishing Company, Stratemeyer Syndicate<publisher> Goldsmith Pub. Co., 1914

“Now, sisters!” cautioned Cora, as she gazed at the Robinson twins, “don’t get on one another’s nerves. Let’s have another try at it. I’m sure if we go at it with some sort of system we’ll be able to get all the things in. And really we must hurry!” she exclaimed, looking at the clock on the mantel, which pointed to the hour of four. “I promised to have all the baggage ready for the man at five. That only gives us an hour——” “Cora Kimball!” “Only an hour!” “Why didn’t you tell us?” Thus the three girls exclaimed in startled tones as they fairly leaped from their chairs in their respective corners, and caught up various garments. Then, as the apparent hopelessness of the situation overcame them again, they looked at one another, at the trunks and suitcases that already held their fair share of articles, at the accumulation on the floor, and then they sighed in concert. “It’s no use,” spoke Bess Robinson. “I’m not going at all—at least not now.

Four girls sat on four chairs, in four different corners of the room. They sat on the chairs because they were really too tired to stand longer, and the reason for the occupancy of the corners of the apartment was self-evident. There was no other available space. For the center of the chamber was littered to overflowing with trunks, suitcases and valises, in various stages of being packed, and from them overflowed a variety of garments and other accessories of a journey. “Oh, dear!” sighed Cora Kimball, as she gazed helplessly about, “will we ever be finished, Bess?” “I don’t know,” was the equally discouraging reply. “It doesn’t seem so; does it?” “I’m sure I can’t get another thing in my suitcase,” spoke the smallest girl of all, who seemed to shrink back rather timidly into her corner, as 2 though she feared she might be put into a trunk by mistake. “Oh, Marita! You simply must get more in your suitcase!” exclaimed Cora, starting up. “Why, your trunk won’t begin to hold all the rest of your things unless you crowd more into the case.” “The only trouble, Cora,” sighed Marita, “is that the sides and top aren’t made of rubber.” “There’s an idea!” cried a plump girl, in the corner nearest the piano. “A rubber suitcase! What a boon it would be for week-ends, when one starts off with a Spartan resolution to take only one extra gown, and ends up with slipping two party dresses and the ‘fixings’ into one’s trunk. Oh, for a rubber suitcase!” “What’s the sense in sighing after the impossible?” asked the girl opposite the plump one. “Why don’t you finish packing, Bess?” “Why don’t you?” and the plump one rather glared at her more frail questioner.

Four girls sat on four chairs, in four different corners of the room. They sat on the chairs because they were really too tired to stand longer, and the reason for the occupancy of the corners of the apartment was self-evident. There was no other available space. For the center of the chamber was littered to overflowing with trunks, suitcases and valises, in various stages of being packed, and from them overflowed a variety of garments and other accessories of a journey.