Books with title The Making of a Marchioness and The Methods of Lady Waldenhurst

First published in 1901 as The Making of a Marchioness followed by its sequel The Methods of Lady Walderhurst, the two novels were combined into Emily Fox-Seton who is the two works' primary character. The story follows thirty-something Emily who lives alone, humbly and happily, in a tiny apartment and on a meager income. She is the one that everyone counts on but no one goes out of their way to accommodate. Her fortune changes, however, and the second half chronicles her adaptation to her new life and the dangers that arise from those who stand to lose most from her new circumstances.

This two-part adult fairytale by the author of The Secret Garden combines a charming Cinderella tale with an ironic look at class structure and the Edwardian marriage market in turn-of-the-century London. Emily Fox-Seton is distantly related to aristocracy, but her income is poor, and she is struggling to make ends meet while maintaining respectability. When she is offered the chance to serve the aristocracy in their beautiful garden estates, she readily agrees. There, she is witness to the comic pageantry of the Marquis of Walderhurst being openly pursued by three eligible unmarried ladies: an heiress, a debutant and a widow. But to Emily’s surprise, it is she that receives his attentions. The Marquis is no fairy prince, but he just might be one for Emily. But will his heir accept her?

Emily Fox-Seton "When Miss Fox-Seton descended from the twopenny bus as it drew up, she gathered her trim tailor-made skirt about her with neatness and decorum, being well used to getting in and out of twopenny buses and to making her way across muddy London streets. A woman whose tailor-made suit must last two or three years soon learns how to protect it from splashes, and how to aid it to retain the freshness of its folds. During her trudging about this morning in the wet, Emily Fox-Seton had been very careful, and, in fact, was returning to Mortimer Street as unspotted as she had left it. She had been thinking a good deal about her dress - this particular faithful one which she had already worn through a twelvemonth." Emily Fox-Seton has a beautiful glossy cover and a blank page for the dedication.

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Frances Hodgson Burnett worked on two books simultaneously: The Shuttle, a longer and more complicated book; and The Making of a Marchioness, which she wrote in a few weeks and published to good reviews. it is about the rejuvenating effects of Americans and American money on a somewhat decadent English aristocracy. The Making of a Marchioness (1901) It was originally published in two parts: the first tells the fairy tale-like story of how our heroine, Emily Fox-Seton, became the Marchioness of Walderhurst. The second, originally titled The Methods of Lady Walderhurst, is a down-to-earth portrayal of the realities of Victorian marriage, with a bit of a Victorian sensation vibe to it. The Shuttle (1907) It was begun in 1900 but frequently abandoned while its author, Frances Hodgson Burnett, wrote several other books, including, most famously, The Making of a Marchioness. The Shuttle is about American heiresses marrying English aristocrats; by extension it is about the effect of American energy and dynamism rejuvenating a somewhat decadent English aristocracy: Rosalie Vanderpoel, the daughter of an American multimillionaire marries an impoverished English baronet and goes to live in England. She all but loses contact with her family in America. Years later her younger sister Bettina, beautiful, intelligent and extremely rich, goes to England to find what has happened to her sister. She finds Rosalie shabby and dispirited, cowed by her husband's ill treatment. Bettina sets about to rectify matters…Frances Eliza Hodgson Burnett (1849–1924) was an English-American playwright and author. She is best known for her children's stories, in particular Little Lord Fauntleroy , A Little Princess, and The Secret Garden.

This two-part adult fairytale by the author of The Secret Garden combines a charming Cinderella tale with an ironic look at class structure and the Edwardian marriage market in turn-of-the-century London. Emily Fox-Seton is a simple but good-hearted woman struggling to make ends meet while maintaining the dignity of one distantly related to the aristocracy. The Marquis of Walderhurst is an awkward but eligible bachelor being comically pursued by a pageant of unmarried ladies. When the Marquis surprises everybody by giving his attentions to Emily, he makes himself a fairy tale prince in her eyes. But marrying her prince is not the end of Emily's troubles, as the forces of envy are more cunning and more dangerous than she can yet understand. Will Emily's innocence be her downfall after all?

Burnett's two-part rags-to-riches tale, Emily Fox-Seton (1901), presents the story of a well-mannered but impoverished lady who is distantly related to the aristocracy. As she gets a job as a servant to her wealthy relatives, she is joyous beyond words, and the attentions she receives from a wealthy Marquis go a long way in appeasing for the harrowing past. The work follows her post-nuptial life and the troubles brought on by Alec Osborn.

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