Books with title The Hunter Maiden: Feminist Folktales from Around the World

"The Hunter Maiden" is a Southwestern Native American story where a resourceful daughter proves herself against both cultural double standards and malicious winter spirits. These high-spirited adventures feature a diverse cast of female protagonists handling adversity and injustice, from battling evil wizards in Russia to outsmarting tricky demons in South Africa. While many of the stories have been lost to mainstream media, these heroines are undeniably familiar to any reader lucky enough to know a smart, determined girl today.

The fourth volume in this beautifully illustrated anthology features traditional tales of heroic women from Russia to South Africa and beyond.Long before Suzanne Collins created Katniss Everdeen and Octavia Butler wrote Parable of the Sower, there were many traditional folktales full of adventure, intrigue, and intrepid female characters. Feminist Folktales from Around the World collects these forgotten classics and presents them with original artwork by designer and illustrator Suki Boynton.Volume four in the series, The Hunter Maiden features an introduction by Renee Watson, the New York Times bestselling author of Piecing Me Together. In these eleven adventures, a diverse cast of female protagonists lend their daring and determination to everything from battling evil wizards in Russia to outsmarting tricky demons in South Africa. In the title story, a young member of the Zuni Native American tribe proves her resourcefulness as she confronts cultural double standards and malicious winter spirits.

The first volume in this beautifully illustrated anthology features traditional tales of heroic women from Japan to Scotland and beyond.Long before Suzanne Collins created Katniss Everdeen and Octavia Butler wrote Parable of the Sower, there were many traditional folktales full of adventure, intrigue, and intrepid female characters. Feminist Folktales from Around the World collects these forgotten classics and presents them with original artwork by designer and illustrator Suki Boynton.Volume one in the series, Tatterhood features an introduction by Gayle Forman, the New York Times bestselling author of If I Stay. These twelves tales from Japan, Norway, Scotland, Sudan, and more, celebrate the cunning, hard work, and physical strength of their heroines. In these pages, a family of three women teaches a burly man how to wrestle, a girl battles a fearsome bear, and a young mother rescues her village from an elephant's stomach.

The third volume in this beautifully illustrated anthology features traditional tales of heroic women from China to Canada and beyond.Long before Suzanne Collins created Katniss Everdeen and Octavia Butler wrote Parable of the Sower, there were many traditional folktales full of adventure, intrigue, and intrepid female characters. Feminist Folktales from Around the World collects these forgotten classics and presents them with original artwork by designer and illustrator Suki Boynton.Volume three in the series, Sea Girl features an introduction by Daniel Jose Older, the New York Times bestselling author of The Book of Lost Saints. In legends from China, Finland, India, Canada, and more, brave heroines encounter monstrous rivers and ogres' nests while outsmarting desperate sharks and hungry tigers. They courageously save families and villages—and, most importantly, they always choose their own fate.

The Maid of the North weaves together tales about a woman's right to freedom of will and choice. In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

In this second volume of reissued classic folktales, a Punjabi woman outwits seven ruthless thieves, an Incan girl restores harmony to the empire, and a mischievous Norwegian lass thwarts her entitled landowner. Spanning several centuries and continents, the stories in Kamala recall how it's the dazzling courage, cleverness, and power of women that hold our world together.Ethel Johnston Phelps (1914-1984) held a master's degree in Medieval Literature, co-edited a Ricardian journal, and published several articles on fifteenth-century subjects. She compiled two anthologies of feminist folk tales from around the world, Tatterhood and The Maid of the North.

The feminist folktales collected in Sea Girl upend any notion that women are doomed to be sentimental, meek, or submissive. In these classic tales, heroines unflinchingly wade monstrous rivers, escape ogres' nests, and outsmart desperate sharks and hungry tigers. And while defending their families and villages, they always determine their own fate.Ethel Johnston Phelps (1914-1984) held a master's degree in medieval literature, coedited a Ricardian journal, and published several articles on fifteenth-century subjects. She compiled two anthologies of feminist folktales from around the world, Tatterhood and The Maid of the North.

The Maid of the North weaves together tales about a woman's right to freedom of will and choice. In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.