Books with title The Ghost Clause

National Book Award Finalist Howard Norman delivers another “provocative . . . haunting”* novel, this time set in a Vermont village and featuring a missing child, a newly married private detective, and a highly relatable ghost (*Janet Maslin, New York Times)Simon Inescort is no longer bodily present in his marriage. It’s been several months since he keeled over the rail of a Nova Scotia–bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel—after revealing that the deed contains a “ghost clause,” an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home: “Every waking moment, I'm astonished I have any consciousness . . . What am I to call myself now, a revenant?” He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child, a local eleven-year-old, threatens the tenuous domestic equilibrium, as the weight of the case falls to Zachary, a rookie private detective with the Green Mountain Agency. The Ghost Clause is a heartrending, affirming portrait of two marriages—one in its afterlife, one new and erotically charged—and of the Vermont village life that sustains and remakes them.

National Book Award Finalist Howard Norman delivers another provocative, haunting novel, this time set in a Vermont village and featuring a missing child, a newly married private detective, and a highly relatable ghost. Simon Inescort is no longer bodily present in his marriage. It's been several months since he keeled over the rail of a Nova Scotia-bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel - after revealing that the deed contains a "ghost clause", an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home: "Every waking moment, I'm astonished I have any consciousness... What am I to call myself now, a revenant?" He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child, a local 11-year-old, threatens the tenuous domestic equilibrium, as the weight of the case falls to Zachary, a rookie private detective with the Green Mountain Agency. The Ghost Clause is a heartrending, affirming portrait of two marriages - one in its afterlife, one new and erotically charged - and of the Vermont village life that sustains and remakes them.

National Book Award finalist Howard Norman delivers another “provocative . . . haunting”* novel, this time set in a Vermont village and featuring a missing child, a newly married private detective, and a highly relatable ghost. *Janet Maslin, New York Times Simon Inescort is no longer bodily present in his marriage. It’s been several months since he keeled over the rail of a Nova Scotia–bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel—after revealing that the deed contains a “ghost clause,” an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home: “Every waking moment, I'm astonished I have any consciousness . . . What am I to call myself now, a revenant?” He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child, a local eleven-year-old, threatens the tenuous domestic equilibrium, as the weight of the case falls to Zachary, a rookie private detective with the Green Mountain Agency. The Ghost Clause is a heartrending, affirming portrait of two marriages—one in its afterlife, one new and erotically charged—and of the Vermont village life that sustains and remakes them.

Arthur "Artie" MacArthur is a tenacious twelve-year-old with good detective instincts, somewhat questionable judgment, and two very good friends: Jenny Adams—tofu-eating and quick-witted, with a large dose of common sense and a sarcastic wit; and Sam Franklin—bologna-eating, sports-loving, mystery-hating, but always there in a pinch. From Artie and Sam's outrageous sandwich-making contests (the sight and smell of which makes Jenny nauseous), to the danger that lurks around every corner once Artie and his friends decide to solve a case, the humor and excitement is nonstop.In The Ghost Car, a number of mysterious sightings of a priceless antique car stolen 25 years earlier from a local car show has the town in an uproar. Is it a "ghost" or the real car? And why, after all these years has it reappeared? Artie is determined to get to the bottom of it and find the car—and in the process solve a 25-year-old mystery the police say is hopeless.

The Ghost tells the tale of a beautiful opera star, Rosetta Rosa, whose beauty seems to cast a spell upon all those who meet her. When Carl Foster, a young doctor, sees Rosa at a London opera, and is instantly captivated, he soon finds himself plagued by mysterious happenings, and begins to see a malignant, spectral figure everywhere he turns. When another man enraptured by Rosa mysteriously dies, Carl begins to wonder whether loving her could bring with it a deadly curse. Moving between London and Paris, this fast-paced story draws the reader into a ghostly world of twists, turns, drama, and suspense.

Seneria was born to be the next Solaris, one of the two most powerful mages in the Seven Kingdoms. However, she never gets the respect she thinks she deserves. When she receives a threatening letter from the Ghost, the realm's number one mage enemy, she sees a perfect chance to prove herself. Seneria learns two things very quickly. One, being Solaris isn't as easy as she thought it would be; and two, the Ghost is nothing as simple as the rogue mage everyone assumed he was.

The novel opens with Carl Foster, a recently qualified doctor, coming to London to try and make his fortune. He meets a famous tenor, Signor Alresca, who suffers a dreadful injury backstage and Foster tends to him. He thus meets the lead soprano, Rosetta Rosa, and falls hopelessly in love with her.Alresca takes Foster under his wing and they travel to Alresca's home in Bruges. It is clear to Foster that Alresca has some strange obsession. Foster also notices a stranger who seems to be dogging his footsteps.Things take an even more sinister turn when Alresca inexplicably dies. . .

The novel opens with Carl Foster, a recently qualified doctor, coming to London to try and make his fortune. He meets a famous tenor, Signor Alresca, who suffers a dreadful injury backstage and Foster tends to him. He thus meets the lead soprano, Rosetta Rosa, and falls hopelessly in love with her. Alresca takes Foster under his wing and they travel to Alresca's home in Bruges. It is clear to Foster that Alresca has some strange obsession. Foster also notices a stranger who seems to be dogging his footsteps. Things take an even more sinister turn when Alresca inexplicably dies. . . Enoch Arnold Bennett was born in Hanley, Stoke-on-Trent on the 27th May 1867. His infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist. His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up. Bennett did not pursue a career as a writer until after leaving his father's practice and moving to London in 1889 when he won a literary competition conducted by the magazine "Tit Bits". Encouraged to take up journalism full-time, he became assistant editor of "Woman" in 1894. Just over four years later his first novel, "A Man from the North", was published to critical acclaim. This was followed in 1902 by "Anna of the Five Towns", the first of a succession of stories which detailed life in the Potteries and displayed his unique vision of life in its towns. Between the end of 1903 and 1911 Bennett lived mainly in Paris. In Paris he met Marguerite Soulié whom he married in 1907. During his eight years in Paris he continued to enjoy critical success with the publication of many novels including "The Old Wives' Tale" (1908). After a visit to America in 1911, where he was acclaimed as no other visiting writer had been since Dickens, he returned to England where the "Old Wives' Tale" was reappraised and hailed to be a masterpiece. In 1921 he separated from Marguerite. The following year he fell in love with the actress Dorothy Cheston. They lived together until his death. She changed her last name to Bennett, although they were never legally married. They had one child, Virginia, born in 1926. In 1931 he became ill during a trip to France, returned to London, and died of typhoid fever. His ashes are buried in Burslem cemetery. Their daughter, Virginia Eldin, who eventually went to live in France, became President of the Arnold Bennett Society. Although Arnold Bennett never returned to the Potteries to live, he never forgot the debt which he owed to his birthplace for giving him a unique setting for so many of his novels, a setting which he enhanced with his penetrating description of people and places. (Bennett made up names for his Five Towns, but these names left nobody in doubt about the true identity of the towns. His Turnhill is really Tunstall, Bursley is Burslem, Hanbridge is Hanley, Knype is Stoke, and Longshaw is Longton.) It is perhaps unfortunate that Bennett felt that "The Five Towns" sounded better than "The Six Towns", and thus relegated the sixth town of the Potteries, the town of Fenton, almost to oblivion. As a chronicler of The Potteries he assured a permanent place in English literature for the district. His penultimate novel, The Imperial Palace, was set in the Savoy Hotel. To mark the book's importance as a great literary work, the hotel created the Omelette Arnold Bennett, which has remained on its menu ever since.

First published in 1907, The Ghost was the first of many "fantasias on modern times" written by Arnold Bennett. These illustrated his ability to produce not only realistic novels, perfected in his portrayals of provincial English life set in the Staffordshire scenery of his childhood, but also more sensational stories, written after his move to London where he developed a far more cosmopolitan interest. A supernatural story, The Ghost tells the tale of a beautiful opera star, Rosetta Rosa, whose beauty seems to cast a spell upon all those who meet her. When Carl Foster, a young doctor, sees Rosa at a London opera, and is instantly captivated, he soon finds himself plagued by mysterious happenings, and begins to see a malignant, spectral figure everywhere he turns. When another man enraptured by Rosa mysteriously dies, Carl begins to wonder whether loving her could bring with it a deadly curse. Moving between London and Paris, this fast-paced story draws the reader into a ghostly world of twists, turns, drama, and suspense.

Seneria was born to be the next Solaris, one of the two most powerful mages in the Seven Kingdoms. However, she never gets the respect she thinks she deserves. When she receives a threatening letter from the Ghost, the realm's number one mage enemy, she sees a perfect chance to prove herself. Seneria learns two things very quickly. One, being Solaris isn't as easy as she thought it would be; and two, the Ghost is nothing as simple as the rogue mage everyone assumed he was.