Books with title The Flying Dutchman in Full Score

In The Flying Dutchman, finished in 1841 and first presented at Dresden in 1843, Wagner achieved the first true representation of his mature style as a German Romantic composer. As in his later works, the opera is based on legend, with a simple outline and a small number of profoundly significant characters. There is also a greater reliance on the use of leitmotivs than in his previous operas, and a textual and musical unity new to the composer's work.This edition has been directly reproduced from a limited edition prepared by the great conductor Felix Weingartner in 1896. It was the first engraved score; it corrected numerous errors in the original lithographed score and incorporates Wagner's revisions of 1846, 1852, and 1860. In addition, the text and stage directions appear in English as well as in German and Italian. Reprinted complete and unabridged in this sturdy, attractive volume, one of the finest, most authoritative editions of this memorable masterpiece is now available to all music lovers at a modest price.

The English National Opera Guides were originally conceived in partnership with the English National Opera and edited by Nicholas John, the ENO's dramaturg, who died tragically in an accident in the Alps. Most of the guides are devoted to a single opera, which is described in detail—with many articles that cover its history and information about the composer and his times. The complete libretto is included in both the original language and in a modern singing translation—except where the opera was written in English. Each has a thematic guide to the most important musical themes in musical notation and each guide is lavishly illustrated. They also contain a bibliography and a discography which is updated at each reprint. The ENO guides are widely regarded as the best series of their kind and excellent value.

The Flying Dutchman, one of the world's best-loved operas, now joins the incredibly popular Black Dog Opera Library. The perfect listening/reading combination, this book/CD package includes a world-class recording of the complete opera along with a full-color 144-page guide featuring the libretto, history, a synopsis and more. The Flying Dutchman spotlights world-renowned performers Peter Seiffert and Pinchas Steinberg. The book also details the life and work of the composer, the careers of the most famous and talented performers of all time and the nuances of the operas themselves.

When the curtain rises, a bevy of Norwegian Girls, among whom are Daland’s daughter, Senta and her nurse Mary, are discovered turning their spinning wheels and singing a spinning song. A picture of the “Flying Dutchman” adorns the wall, and Senta, after singing a ballad sketching in incoherent, passionate strains, a story of the subject of the picture, solemnly vows that she will become the means of terminating the torment, to which the “Flying Dutchman” is subjected, and who can only be saved by a woman unwaveringly constant in her love. During the confusion which ensues upon this avowal, the father’s arrival is announced. In the time intervening between this announcement and Daland’s arrival, Erik, Senta’s lover, pleads for his love, and endeavors to persuade Senta that her infatuation for a phantom lover will lead to her irretrievable ruin; but to no avail. Daland arrives and presents the “Flying Dutchman” to his daughter. Senta accepts him as her affianced husband.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From Wikipedia: Der fliegende Holländer (The Flying Dutchman), WWV 63, is a German language opera, with libretto and music by Richard Wagner. Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski (Aus den Memoiren des Herrn von Schnabelewopski).[1] The central theme is redemption through love. Wagner conducted the premiere at the Semper Oper in Dresden in 1843. This work shows early attempts at operatic styles that would characterise his later music dramas. In Der fliegende Holländer Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well-known ocean or storm motif before moving into the Dutchman and Senta motifs. Wagner originally wrote the work to be performed without intermission - an example of his efforts to break with tradition - and, while today's opera houses sometimes still follow this directive, it is also performed in a three-act version.