Books with title The Fairy Tales of Charles Perrault

Charles Perrault must have been as charming a fellow as a man could meet. He was one of the best-liked personages of his own great age, and he has remained ever since a prime favourite of mankind. We are fortunate in knowing a great deal about his varied life, deriving our knowledge mainly from D'Alembert's history of the French Academy and from his own memoirs, which were written for his grandchildren, but not published till sixty-six years after his death. We should, I think, be more fortunate still if the memoirs had not ceased in mid-career, or if their author had permitted himself to write of his family affairs without reserve or restraint, in the approved manner of modern autobiography. We should like, for example, to know much more than we do about the wife and the two sons to whom he was so devoted.

The Fairy Tales of Charles Perrault was a timeless juvenile and young-adult fiction written by Charles Perraultwhose name is familiar to the young and old all over the world.The Fairy Tales of Charles Perrault (Complete Original Illustrations) is the complete works of The Fairy Tales of Charles Perrault which contains 10 classic fairy tales listed below:1.Little Red Riding Hood2.The Fairy3.Blue Beard4.The Sleeping Beauty in the Wood5.The Master Cat; or, Puss in Boots6.Cinderella; or, The Little Glass Slipper7.Riquet with the Tuft8.Little Thumb9.The Ridiculous Wishes10.Donkey-skinAll 10 fairy tales in this book come with original illustrations by Harry Clarke with enchanting color plates and his fascinating black and white line drawings. This available digital version, by World Signature Series, also includes active table of contents and links to free, full-length audio recordings which can be downloaded for offline use. Tag: Little Red Riding-Hood, The Fairy, Blue Beard, The Sleeping Beauty in the Wood, The Master Cat; or, Puss in Boots, Cinderella; or, The Little Glass Slipper, Riquet with the Tuft, Little Thumb, The Ridiculous Wishes, Donkey-skin, disney fairy books, bedtime fairy stories, classic bedtime stories, classic fairy tales, disney bedtime stories, short bedtime stories, little red riding hood

CHARLES PERRAULT (12 January 1628 - 16 May 1703) was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from pre-existing folk tales. The best known of his tales include Le Petit Chaperon Rouge (Little Red Riding Hood), Cendrillon (Cinderella), Le Chat Botté (Puss in Boots), La Belle au bois Dormant (The Sleeping Beauty), and Barbe Bleue (Bluebeard). Some of Perrault's versions of old stories may have influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have been adapted to opera, ballet (such as Tchaikovsky's The Sleeping Beauty), theatre, and film. Perrault was an influential figure in the 17th-century French literary scene, and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns.This edition is an athoritative translation by Robert Samber and J. E. Mansion, with the original color illustrations and ornamentations by Harry Clarke.

Born in 1628, Parisian Charles Perrault was aptly credited as being the “father” of a then-new literary genre: the fairy tale. Often drawing from his own surroundings (the Chateau Ussé was the model for "Sleeping Beauty", while the Marquis of the Château d'Oiron inspired the delightful "Puss-in-Boots"), Perrault originally penned the tales as moral stories for his own three children. Often retold, imitated, softened and animated, Perrault’s much grittier original fairy tales are certain to awaken the listener to a study of courage, betrayal, redemption and love…in short, all the complexities of the human story.

Here are the original eight stories from the 1697 volume Contes de temps passé by the great Charles Perrault (1628–1703) in a translation that retains the charming and unsentimental simplicity that has won Perrault a permanent position in French literature. These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

Eight of the twelve tales in this book are from the master hand of Charles Perrault (1628-1703). Although Perrault enjoyed much distinction in the French literary circle of the late seventeenth century, his fame today rests upon his authorship of the traditional 'Tales of Mother Goose', or 'Stories of Olden Times'. And it is true to say that as long as there are children to listen spellbound to the adventures of 'Cinderella', 'Red Riding Hood', and that arch rogue 'Puss in Boots', his memory will endure. Three of the tales, 'The Ridiculous Wishes', 'Donkey-Skin' and 'Patient Griselda', are seldom included in Perrault collections as they were written in a very florid verse form. Not only Perrault, but Boccaccio, Chaucer and others have used the story of 'Patient Griselda'. The last story, 'Beauty and the Beast', again not by Perrault (it was penned by Mme. Leprince de Beaumont 1711-1781), has a similarity of style and celebrity which justifiably merits its inclusion.

In eighteenth century France, Charles Perrault rescued from the oral tradition, fairy tales that are known and loved even today by virtually all children in the West. Angela Carter came across Perrault's work and set out to adapt the stories for modern readers of English. In breathing new life into these classic fables, she produced versions that live on as classics in their own right, marked as much by her signature wit, irony, and subversiveness as they are by the qualities that have made them universally appealing for centuries.