Books with title The Exemplary Novels

Novelas ejemplares ("Exemplary Novels") is a series of twelve novellas that follow the model established in Italy, written by Miguel de Cervantes between 1590 and 1612. The collection was printed in Madrid in 1613 by Juan de la Cuesta, and received well in the wake of the first part of Don Quixote. Cervantes boasted in his foreword to have been the first to write novelas in the Spanish language: My genius and my inclination prompt me to this kind of writing; the more so as I consider (and with truth) that I am the first who has written novels in the Spanish language, though many have hitherto appeared among us, all of them translated from foreign authors. But these are my own, neither imitated nor stolen from anyone; my genius has engendered them, my pen has brought them forth, and they are growing up in the arms of the press. The novellas are usually grouped into two series: those characterized by an idealized nature and those of a realistic nature. Those idealized in nature, which are the closest to the Italian models, are characterized by plots dealing with amorous entanglements, by improbable plots, by the presence of idealized characters and psychological development, and the low reflection of reality. They include: El amante liberal, Las dos doncellas, La española inglesa, La señora Cornelia and La fuerza de la sangre. These seré The most popular of the novellas at the time. The realistic in nature cater to the descriptions of realistic characters and environments, with intentional criticism in many cases. The realistic in nature are the best-known stories today: Rinconete y Cortadillo, El licenciado Vidriera, La gitanilla, El casamiento engañoso (which leads directly into the fantasy El coloquio de los perros), and La ilustre fregona. However, the separation between the two groups is not sharp and elements of the idealistic may be found in some of the realistic novels. Since there are multiple versions of two of these stories, it is believed that Cervantes introduced some variations in these novels for moral, social and aesthetic purposes (hence the name 'exemplary'). The more primitive versions were found in the manuscript, now lost, called by the name of its one-time possessor, Porras de la Cámara, a miscellaneous collection of various literary works which include a novel usually attributed to Cervantes, La tía fingida. On the other hand, some short stories are also embedded in Don Quixote, such as El curioso impertinente or Historia del cautivo, and where a character possesses a manuscript of Rinconete y Cortadillo, unpublished at the time (1605).

Novelas ejemplares ("Exemplary Novels") is a series of twelve novellas that follow the model established in Italy, written by Miguel de Cervantes between 1590 and 1612. The collection was printed in Madrid in 1613 by Juan de la Cuesta, and received well in the wake of the first part of Don Quixote.Cervantes boasted in his foreword to have been the first to write novelas in the Spanish language: My genius and my inclination prompt me to this kind of writing; the more so as I consider (and with truth) that I am the first who has written novels in the Spanish language, though many have hitherto appeared among us, all of them translated from foreign authors. But these are my own, neither imitated nor stolen from anyone; my genius has engendered them, my pen has brought them forth, and they are growing up in the arms of the press.The novellas are usually grouped into two series: those characterized by an idealized nature and those of a realistic nature. Those idealized in nature, which are the closest to the Italian models, are characterized by plots dealing with amorous entanglements, by improbable plots, by the presence of idealized characters and psychological development, and the low reflection of reality. They include: El amante liberal, Las dos doncellas, La española inglesa, La señora Cornelia and La fuerza de la sangre. These were the most popular of the novellas at the time. The realistic in nature cater to the descriptions of realistic characters and environments, with intentional criticism in many cases. The realistic in nature are the best-known stories today: Rinconete y Cortadillo, El licenciado Vidriera, La gitanilla, El casamiento engañoso (which leads directly into the fantasy El coloquio de los perros), and La ilustre fregona. However, the separation between the two groups is not sharp and elements of the idealistic may be found in some of the realistic novels.

"Their value is different, for they are written with different views, and in a variety of style greater than he has elsewhere shown; but most of them contain touches of what is peculiar in his talent, and are full of that rich eloquence and of those pleasing descriptions of natural scenery which always flow so easily from his pen. They have little in common with the graceful story-telling spirit of Boccaccio and his followers, and still less with the strictly practical tone of Don Juan Manuel's tales; nor, on the other hand, do they approach, except in the case of the 'Impertinent Curiosity,' the class of short novels which have been frequent in other countries within the last century.

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The Exemplary Novels of CervantesMiguel de Cervantes SaavedraTranslated from The Spanish by Walter K. Kelly1881The "Novelas Exemplares" were first published in 1613, three years before the death of Cervantes. They are all original, and have the air of being drawn from his personal experience and observation.Novelas ejemplares ("Exemplary Novels") is a series of twelve novellas that follow the model established in Italy, written by Miguel de Cervantes between 1590 and 1612. The collection was printed in Madrid in 1613 by Juan de la Cuesta, and received well in the wake of the first part of Don Quixote.Cervantes boasted in his foreword to have been the first to write novelas in the Spanish language:My genius and my inclination prompt me to this kind of writing; the more so as I consider (and with truth) that I am the first who has written novels in the Spanish language, though many have hitherto appeared among us, all of them translated from foreign authors. But these are my own, neither imitated nor stolen from anyone; my genius has engendered them, my pen has brought them forth, and they are growing up in the arms of the press.CONTENTS.PREFACE.DEDICATIONAUTHOR'S PREFACE.CONTENTS.THE LADY CORNELIA.RINCONETE AND CORTADILLO:THE LICENTIATE VIDRIERA; OR, DOCTOR GLASS-CASE.THE DECEITFUL MARRIAGEDIALOGUE BETWEEN SCIPIO AND BERGANZE, DOGS OF THE HOSPITAL OF THE RESURRECTION IN THE CITY OF VALLADOLID, COMMONLY CALLED THE DOGS OF MAHUDESTHE LITTLE GIPSY GIRL.THE GENEROUS LOVER.THE SPANISH-ENGLISH LADY.THE FORCE OF BLOOD.THE JEALOUS ESTRAMADURAN.THE ILLUSTRIOUS SCULLERY-MAID.THE TWO DAMSELS.

Features the following: THE LADY CORNELIA. RINCONETE AND CORTADILLO: THE LICENTIATE VIDRIERA; OR, DOCTOR GLASS-CASE. THE DECEITFUL MARRIAGE DIALOGUE BETWEEN SCIPIO AND BERGANZE, DOGS OF THE HOSPITAL OF THE RESURRECTION IN THE CITY OF VALLADOLID, COMMONLY CALLED THE DOGS OF MAHUDES THE LITTLE GIPSY GIRL. THE GENEROUS LOVER. THE SPANISH-ENGLISH LADY. THE FORCE OF BLOOD. THE JEALOUS ESTRAMADURAN. THE ILLUSTRIOUS SCULLERY-MAID. THE TWO DAMSELS.

Novelas ejemplares ("Exemplary Novels") is a series of twelve novellas that follow the model established in Italy,[1] written by Miguel de Cervantes between 1590 and 1612. The collection was printed in Madrid in 1613 by Juan de la Cuesta, and received well in the wake of the first part of Don Quixote. The novellas are usually grouped into two series: those characterized by an idealized nature and those of a realistic nature. Those idealized in nature, which are the closest to the Italian models, are characterized by plots dealing with amorous entanglements, by improbable plots, by the presence of idealized characters and psychological development, and the low reflection of reality. They include: El amante liberal, Las dos doncellas, La española inglesa, La señora Cornelia and La fuerza de la sangre. These were the most popular of the novellas at the time. The realistic in nature cater to the descriptions of realistic characters and environments, with intentional criticism in many cases. The realistic in nature are the best-known stories today: Rinconete y Cortadillo, El licenciado Vidriera, La gitanilla, El casamiento engañoso (which leads directly into the fantasy El coloquio de los perros), and La ilustre fregona. However, the separation between the two groups is not sharp and elements of the idealistic may be found in some of the realistic novels.