Books with title The Divine Comedy: Inferno, Purgatorio, Paradiso

This Everyman’s Library edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations.Translated in this edition by Allen Mandelbaum, The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.

Dante Alighieri - The Divine Comedy: Inferno; Purgatorio; ParadisoIn Dante Alighieris world famous classic The Divine Comedy the roman poet Vergil guides through Inferno and Purgatorio and ultimately it’s his childhood friend Beatrice who guides through Paradise.The journey describes the symbolic path to God on a deeper level, while the reader is meeting the soules of countless decedents‘ like Horaz, Barbarossa and Ovid.Dante Alighieri and his epic drama The Divine Comedy helped the italian to it's breakthrough as literary language.

The Divine Comedy is an Italian long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written (also in most present-day Italian-market editions), as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.The narrative describes Dante's travels through Hell, Purgatory, and Paradise or Heaven, while allegorically the poem represents the soul's journey towards God. Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". In Dante's work, Virgil is presented as human reason and Beatrice is presented as divine knowledge.

Among the monuments of world literature, few works have been as influential as the Divine Comedy. Dante's compendious allegory of a journey through the world of the afterlife is significant on many levels. It established Italian as a literary language, and consolidated the position of Florentine Italian as the lingua franca of the Italian peninsula. As an engaging portrait of the social and intellectual life in medieval Florence it is unrivalled. Above all, it is a narrative poem of great power, and the richness of Dante's imagery and his vivid and concise descriptions of characters and events, gives the work a compelling immediacy which has not diminished over the centuries. There are many English translations of the Divine Comedy, which vary in both quality of versification and fidelity to the original. The translation by Ichabod Charles Wright is notable for its accuracy and a self-effacing elegance of verbiage. With the translation Wright has also included some explanatory essays, which are very helpful to readers and listeners who are unfamiliar with Dante and his world. Each canto of the poem is also headed with a concise synopsis. The first volume, The Inferno, describes Dante's journey through the underworld, where unrepentent sinners are subjected to eternal punishment, the form of which is dictated by their besetting sin. Unsurprisingly, Dante's haunting vision of Hell has always had greater hold on the public imagination than have his bracing journey through Purgatory or his sojourn among the eclectic delights of Paradise.

The complete Divine Comedy (Inferno, Purgatorio, Paradiso) in one volume from Vintage Classics. The greatest poem of the Middle Ages, in the standard Carlyle-Okey-Wickstead translation, with full notes.Dante’s Divine Comedy relates the allegorical tale of the poet’s journey through the three realms of the dead. Accompanied through the Inferno and Purgatory by Virgil—author of the Roman epic the Aeniad—Dante encounters mythical, historical, and contemporaneous figures in their respective afterlives. Relying on classical (pagan) mythology and Christian imagery and theology, Dante imagines diverse vivid and inventive punishments for the various sinners he encounters, which have become part of the Western imagination. Upon their approach to Paradise, which as a pagan, no matter how worthy, the Latin poet cannot enter, Virgil relinquishes his role as guide to Beatrice. Dante's chaste beloved then accompanies him along the ascent, as they encounter the blessed and the holy, and Dante arrives at a vision of the heavenly paradise.

Durante di Alighiero degli Alighieri, commonly known by his pen name Dante Alighieri or simply as Dante (1265 – 1321), was an Italian poet during the Late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language.In the late Middle Ages, most poetry was written in Latin, making it accessible only to the most educated readers. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended the use of the vernacular in literature. He would even write in the Tuscan dialect for works such as The New Life (1295) and the Divine Comedy; this highly unorthodox choice set a precedent that important later Italian writers such as Petrarch and Boccaccio would follow.Dante was instrumental in establishing the literature of Italy, and his depictions of Hell, Purgatory and Heaven provided inspiration for the larger body of Western art. He is cited as an influence on John Milton, Geoffrey Chaucer and Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to him. In Italy, he is often referred to as il Sommo Poeta ("the Supreme Poet") and il Poeta; he, Petrarch, and Boccaccio are also called "the three fountains" or "the three crowns".

This convenient single-volume edition contains all three parts of Dante's 14th century poem ― Inferno, Purgatorio, and Paradiso ― in an acclaimed translation by American poet Henry Wadsworth Longfellow. Combining classical and Christian history as well as medieval politics and religion, this trilogy of sublime verse is among Western civilization's most important artistic works and essential reading for students of literature and history. Dante's allegory of the soul's journey to God begins with Inferno, in which the narrator traverses the underworld in the company of the ancient Roman poet Virgil. As they travel through the nine circles of Hell, the poets encounter historical and mythological figures suffering symbolic punishments for their earthly crimes. In Purgatorio, Dante continues on alone through the realm of redemption, where departed souls reflect upon their sins and work toward their moral improvement. The tale culminates in Paradiso, where the divine Beatrice guides Dante in the final stage of his intellectual journey from doubt to faith.

The Divine Comedy is an Italian long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written (also in most present-day Italian-market editions), as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.The narrative describes Dante's travels through Hell, Purgatory, and Paradise or Heaven, while allegorically the poem represents the soul's journey towards God. Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". In Dante's work, Virgil is presented as human reason and Beatrice is presented as divine knowledge.

The Divine Comedy is an Italian long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written (also in most present-day Italian-market editions), as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.The narrative describes Dante's travels through Hell, Purgatory, and Paradise or Heaven, while allegorically the poem represents the soul's journey towards God. Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". In Dante's work, Virgil is presented as human reason and Beatrice is presented as divine knowledge.

Dante's epic, The Divine Comedy, is brought to the reader in this superbly presented and unabridged edition. The opening part of Dante's poetic masterwork, The Inferno introduces Dante as a character. We see the poet lost in a dark wood, and promptly confronted by three mighty beasts: a leopard, a lion, and a she-wolf. Symbolic of sinful behaviour and desires, the trio of creatures pursue Dante into darkness, wherein Virgil - a deceased Roman poet representing human cognition and reason - appears. Initially unsure of Virgil's intentions, Dante is persuaded when the poet mentions that Beatrice Portinari, a young woman Dante knew and a symbol of love, sent him to find Dante with instructions from the Virgin Mary. It is thus that their journey to the underworld begins, with Virgil to act as Dante's guide through the malevolent environs. It is in this work that Dante's famed division of the Hellish realms, the Nine Circles, are detailed. These layers of the underworld each carry a particular type of sinner, with the punishments and agony ascending in intensity the deeper the descent. The poem reaches its stunning finale in the very core of Hell and the discovery of Lucifer - the Devil. Purgatory is the second part of Dante's epic poem, telling the story of Dante's ascent to the Garden of Eden. Upon departing Hell, Dante and Virgil journey onward, eventually reaching the shores of the Mount of Purgatory. Here, the two ascend and behold the series of terraces which constitute this realm. Much of Dante's personal philosophy of sin revolves around the emotion of love - as such, many of the inhabitants of purgatory have directed love in a wrong or sinful manner, ultimately with the design of causing harm to others. Various misdeeds - the Seven Deadly Sins - constitute the sequential terraces of purgatory - namely pride, envy, wrath, sloth, avarice, gluttony and lust. At the highest peak of Purgatory is the Garden of Eden; after reuniting with his paramour Beatrice, Dante takes a drink from the River Eunoë, and prepares for his ascent to the heavenly paradise. Paradise, the third and final part of The Divine Comedy, tells the story of Dante's journey through the heavenly realms. Representative of the divine soul's ascent to the Lord, this timeless epic portrays haven as a series of intricate spheres which surround the Earth. Each of these represents an astronomical body, such as the Moon, Mercury, Venus and even the distant stars. Dante's deceased love interest, Beatrice Portinari, is his guide through the journey to the paradise of heaven. Just as Dante depicted Hell as having nine circles, Heaven is depicted as consisting of nine celestial spheres. Gradually the pair ascend through each of these, observing their appearance and meeting with various inhabitants along the way. The poem's grand finale sees Dante and Beatrice enter the Empyrean - the very home of God himself. Beatrice's beauty becomes more marked, while Dante himself is bathed in an intense light, so that he may be fit to behold the divine. He experiences a vision of a gigantic rose, symbolic of love, where all the souls of heaven reside in eternal splendour and virtue. Thereafter, and with the help of St. Bernard, Dante efforts to arrive at a final understanding of heaven and the nature of the Holy Trinity. Splendidly presented in dual columned format, this edition of Dante's epic contains the well-regarded translation by Henry Wadsworth Longfellow, who himself spent a lifetime in study of Renaissance poetry.