Books with title The Cherry Orchard

The Cherry Orchard was first produced by the Moscow Art Theatre on Chekhov's last birthday, January 17, 1904. Since that time it has become one of the most critically admired and performed plays in the Western world, a high comedy whose principal theme, the passing of the old semifeudal order, is symbolized in the sale of the cherry orchard owned by Madame Ranevsky.The play also functions as a magnificent showcase for Chekhov's acute observations of his characters' foibles and for quizzical ruminations on the approaching dissolution of the world of the Russian aristocracy and life as it was lived on their great country estates. While the subject and the characters of the work are, in a sense, timeless, the dramatic technique of the play was a Chekhovian innovation. In this and other plays he developed the concept of "indirect action," in which the dramatic action takes place off stage and the significance of the play revolves around the reactions of the characters to those unseen events.Reprinted from a standard edition, this inexpensive well-made volume invites any lover of theater or great literature to enter the world of Madame Ranevsky, Anya, Gayef, Lopakhin, Firs, and the other memorable characters whose hopes, fears, loves, and general humanity are so brilliantly depicted in this landmark of world drama.

The Cherry Orchard was first produced by the Moscow Art Theatre on Chekhov's last birthday, January 17, 1904. Since that time it has become one of the most critically admired and performed plays in the Western world, a high comedy whose principal theme, the passing of the old semifeudal order, is symbolized in the sale of the cherry orchard owned by Madame Ranevsky.The play also functions as a magnificent showcase for Chekhov's acute observations of his characters' foibles and for quizzical ruminations on the approaching dissolution of the world of the Russian aristocracy and life as it was lived on their great country estates. While the subject and the characters of the work are, in a sense, timeless, the dramatic technique of the play was a Chekhovian innovation. In this and other plays he developed the concept of "indirect action," in which the dramatic action takes place off stage and the significance of the play revolves around the reactions of the characters to those unseen events.Reprinted from a standard edition, this inexpensive well-made volume invites any lover of theater or great literature to enter the world of Madame Ranevsky, Anya, Gayef, Lopakhin, Firs, and the other memorable characters whose hopes, fears, loves, and general humanity are so brilliantly depicted in this landmark of world drama.

The Cherry Orchard was first produced by the Moscow Art Theatre on Chekhov's last birthday, January 17, 1904. Since that time it has become one of the most critically admired and performed plays in the Western world, a high comedy whose principal theme, the passing of the old semifeudal order, is symbolized in the sale of the cherry orchard owned by Madame Ranevsky.The play also functions as a magnificent showcase for Chekhov's acute observations of his characters' foibles and for quizzical ruminations on the approaching dissolution of the world of the Russian aristocracy and life as it was lived on their great country estates. While the subject and the characters of the work are, in a sense, timeless, the dramatic technique of the play was a Chekhovian innovation. In this and other plays he developed the concept of "indirect action," in which the dramatic action takes place off stage and the significance of the play revolves around the reactions of the characters to those unseen events.Reprinted from a standard edition, this inexpensive well-made volume invites any lover of theater or great literature to enter the world of Madame Ranevsky, Anya, Gayef, Lopakhin, Firs, and the other memorable characters whose hopes, fears, loves, and general humanity are so brilliantly depicted in this landmark of world drama.

Anton Chekhov was a master whose daring work revolutionized theatre. Robert Burstein declared that “there are none who bring the drama to a higher realization of its human role.” In The Cherry Orchard, his last full-length play, an impoverished landowning family is unable to face the fact that their estate is about to be auctioned off. Lopakhin, a local merchant, presents numerous options to save it, including cutting down their prized cherry orchard. But the family is stricken with denial. The Cherry Orchard charts the precipitous descent of a wealthy family and in the process creates a bold meditation on social change and bourgeois materialism.

Collected in this volume are five of Chekhov’s most popular dramatic works: “Ivanov”, “The Sea-Gull”, “Uncle Vanya”, “Three Sisters” and “The Cherry Orchard”. Firstly in “Ivanov” we find the taut psychological drama of Nikolai Ivanov, a man who is severely conflicted by the illness of his wife, his mounting debts, and his own internal desires. Secondly, “The Sea-Gull” is the story of the romantic and artistic conflicts between four main characters: Nina, the daughter of a wealthy landowner; Madame Irina Arkadina, a once leading actress; Konstantin Treplyov, her son and a playwright; and Trigorin, a well-known writer. Thirdly, “Uncle Vanya” is a melancholic portrait of a cast of characters examining their respective miseries and failures to accomplish in their lives that which they might have hoped to. Fourthly, “Three Sisters” is a story which concerns the lives of an aristocratic family, the Prozorovs, who struggle to search for meaning in the modern world. Lastly “The Cherry Orchard” is the tale of an aristocratic Russian woman and her family who return to their estate, a cherry orchard, to oversee its auction in order to pay the mortgage. Taken together this collection of dramas exhibits Chekhov’s literary prowess and provides a brilliant portrait for the dramatic social environment of Russia at the turn of the 20th century. This edition is printed on a premium acid-free paper and follows the translations of Marian Fell and Julius West.

The funny thing is the harder I work the more clearly I understand things. When I'm worn out after a day's work then it's like my brain relaxes. And sometimes then I get it. The meaning of my life. My purpose on this earth. How many people ever get to say that? And you know what? It doesn't matter. Doesn't change anything. It is not important. In Chekhov's tragi-comedy - arguably his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt. Urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, the family struggles to act decisively. Vigorous and profound, this new version of Chekhov's classic play by Olivier award-winner Simon Stephens, from a literal translation by Helen Rappaport, is an anguished and heartbreaking love letter to a society in violent transition. It received its world premiere at the Young Vic, London, on 10 October 2014.

Pulitzer Prize-winning playwright David Mamet, in this unique adaptation of one of the great masterpieces of the theater, allows us to see Anton Chekhov's "The Cherry Orchard" in totally new and surprising ways. As Mamet explains in his introduction, he views the play "as a series of scenes about sexuality and, particularly, frustrated sexuality" rather than about a dying Russia. The result, said 'The Sentinel,' "blows a gust of fresh air into the old play" while the Chicago Sun-Times called it "audacious [and] consistently arresting." "Mamet the adaptor has turned Chekhov's Cherry Orchard into a Mamet play. Mamet's ear is famously impeccable, the dialogue is always authentic and convincing . . . . This is a tribute to its strong point of view and clear point of departure. If nothing else, it will help to undermine our silly critical notions of 'definitive' Chekhov. Mamet has made me rethink the play." - Robert Brustein, 'The New Republic'

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Collected in this volume are five of Chekhov’s most popular dramatic works: “Ivanov”, “The Sea-Gull”, “Uncle Vanya”, “Three Sisters” and “The Cherry Orchard”. Firstly in “Ivanov” we find the taut psychological drama of Nikolai Ivanov, a man who is severely conflicted by the illness of his wife, his mounting debts, and his own internal desires. Secondly, “The Sea-Gull” is the story of the romantic and artistic conflicts between four main characters: Nina, the daughter of a wealthy landowner; Madame Irina Arkadina, a once leading actress; Konstantin Treplyov, her son and a playwright; and Trigorin, a well-known writer. Thirdly, “Uncle Vanya” is a melancholic portrait of a cast of characters examining their respective miseries and failures to accomplish in their lives that which they might have hoped to. Fourthly, “Three Sisters” is a story which concerns the lives of an aristocratic family, the Prozorovs, who struggle to search for meaning in the modern world. Lastly “The Cherry Orchard” is the tale of an aristocratic Russian woman and her family who return to their estate, a cherry orchard, to oversee its auction in order to pay the mortgage. Taken together this collection of dramas exhibits Chekhov’s literary prowess and provides a brilliant portrait for the dramatic social environment of Russia at the turn of the 20th century. This edition follows the translations of Marian Fell and Julius West and includes a biographical afterword.

“Senelick’s accomplishment is astounding.”—Library JournalAnton Chekhov is a unique force in modern drama, his works cherished for their brilliant wit and insight into the human condition. In this stunning new translation of one of Chekhov’s most popular and beloved plays, Laurence Senelick presents a fresh perspective on the master playwright and his groundbreaking dramas. He brings this timeless trial of art and love to life as memorable characters have clashing desires and lose balance in the shifting eruptions of society and a modernizing Russia. Supplementing the play is an account of Chekhov’s life; a note on the translation; an introduction to the work; and variant lines, often removed due to government censorship, which illuminate the context in which they were written. This edition is the perfect guide to enriching our understanding of this great dramatist or to staging a production.