Books with title The Cavalier

Set in Holland in 1623/1624, The Laughing Cavalier, by British novelist Baroness Orczy, revolves around Percy Blake, a foreign adventurer and ancestor of the Scarlet Pimpernel who goes by the name Diogenes. Diogenes, we are told by Orczy, is the real subject of the famous painting The Laughing Cavalier by Frans Hals. The son of an English Nobleman and a Dutch woman, his father abandoned his mother after Diogenes was born, and he was brought up by Hals in Haarlem. He has spent his life fighting in various battles as a mercenary for hire, but now, along with his two sidekicks – fellow 'philosophers' – Socrates and Pythagoras, he is back in Haarlem, penniless and looking for entertainment.

The year is 1623, the place Haarlem in the Netherlands. Diogenes — the first Sir Percy Blakeney, the Scarlet Pimpernel’s ancestor — and his friends Pythagoras and Socrates defend justice and the royalist cause. The famous artist Frans Hals also makes an appearance in this historical adventure. Orczy maintains that Hal’s celebrated portrait of The Laughing Cavalier is actually a portrayal of the Scarlet Pimpernel’s ancestor.

The D'Arcy twins--thirteen-year-old Earl Rupert and Lady Diana D'Arcy--were loyal to their king. But civil war came to England, and the Puritans under General Cromwell prevailed. They executed King Charles I, and hounded his son, the rightful King Charles II into hiding. After a Puritan army seized their home, the twins were sent to be brought up in a "quiet and god-fearing household"--which promptly became less quiet, although possibly more god-fearing, for Diana and Rupert believed in God just as firmly as any Puritan.

Our camp was in the heart of Copiah County, Mississippi, a mile or so west of Gallatin and about six miles east of that once robber-haunted road, the Natchez Trace. Austin's brigade, we were, a detached body of mixed Louisiana and Mississippi cavalry, getting our breath again after two weeks' hard fighting of Grant. Grierson's raid had lately gone the entire length of the State, and we had had a hard, vain chase after him, also. Joe Johnston's shattered army was at Jackson, about forty-five miles to northward; beleaguered Vicksburg was in the Northwest, a trifle farther away; Natchez lay southwest, still more distant; and nearly twice as far in the south was our heartbroken New Orleans. We had paused to recuperate our animals, and there was a rumor that we were to get new clothing. Anyhow we had rags with honor, and a right to make as much noise as we chose. It was being made. The air was in anguish with the din of tree-felling and log-chopping, of stamping, neighing, braying, whooping, guffawing, and singing--all the daybreak charivari beloved of a camp of Confederate "critter companies." In the midst of it a chum and I sat close together on a log near the mess fire, and as the other boys of the mess lifted their heads from their saddle-tree pillows, from two of them at once came a slow, disdainful acceptance of the final lot of the wicked, made unsolicited on discovering that this chum and I had sat there talking together all night. I had the day before been wheedled into letting myself be detailed to be a quartermaster's clerk, and this comrade and I were never to snuggle under the one blanket again. The thought forbade slumber. "If I go to sleep," I said,--"you know how I dream. I shall have one of those dreams of mine to carry around in my memory for a year, like a bullet in my back." So there the dear fellow had sat all night to give me my hourly powders of reassurance that I could be a quartermaster's clerk without shame.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.