Books with title The Butterfly Ball and the Grasshopper's Feast

Renowned illustrator Alan Aldridge introduced the fantastical world of the Butterfly Ball in this breathtaking modern classic.Renowned illustrator Alan Aldridge introduced the fantastical world of the Butterfly Ball in this breathtaking modern classic. It is available in a lavish edition, complete with nature notes by Richard Fitter on each creature and an introduction to the life and work of Alan Aldridge.

Early in the present century John Harris—one of the successors to the business of "Honest John Newbery," now carried on by Messrs Griffith & Farran at the old corner of St. Paul's Churchyard—began the publication of a series of little books, which for many years were probably among the most famous of the productions of the House. Now, however, according to the fate which usually overtakes books for children, nearly all of them are forgotten or unknown. The first book in this series which was known as Harris's Cabinet was "The Butterfly's Ball," and was published in January 1807. This was followed in the same year by "The Peacock at Home" (a sequel to "The Butterfly's Ball"), "The Elephant's Ball," and "The Lion's Masquerade;" and then (prompted no doubt by the success of these, for we learn on the publisher's authority that of the two first 40,000 copies were sold within twelve months) Mr Harris brought out a torrent of little books of a like kind, of which the titles were: "The Lioness's Ball," "The Lobster's Voyage to the Brazils," "The Cat's Concert," "The Fishes' Grand Gala," "Madame Grimalkin's Party," "The Jackdaw's Home," "The Lion's Parliament," "The Water King's Levée;" and in 1809, by which time, naturally enough, the idea seems to have become quite threshed out and exhausted, the last of the Series was published; this was entitled, "The Three Wishes, or Think before you Speak." Of this long list of books a few of the titles are still familiar, and one of them, "The Butterfly's Ball," may certainly claim to have become a Nursery Classic. It is still in regular demand; the edition now in sale being illustrated by Harrison Weir; it has been published in various forms, and has figured in most of the collections of prose and verse for the young that have been issued during this century. Probably to the minds of hundreds of people past middle age few lines are more familiar than the opening couplet—"Come take up your hats, and away let us haste To the Butterfly's Ball and Grasshopper's Feast"—and many no doubt by a little effort of memory could repeat the whole poem. Hardly less famous were the three books which next followed in order of issue—"The Peacock at Home," "The Elephant's Ball," and "The Lion's Masquerade." Their original size was 5 by 4 inches, and they were issued in a simple printed paper wrapper. It is of these first four books that the reprint is here given, and in order to present both pictures and text with greater effect this reprint has been made upon considerably larger paper; the text and illustrations are fac-simile reproductions of originals from the celebrated Flaxman collection recently dispersed at a sale by Messrs Christie, Manson, & Woods, when Mr Tuer, to whom I am indebted for their loan, became their fortunate possessor. "The Butterfly's Ball" is not a reproduction of the first edition, which, as will be shown later on, would be considered by those who are familiar with the poem as incomplete. Moreover, the illustrations in the edition here presented are obviously by the same hand as that which embellished the other three books, and it was felt that for these reasons it would possess a greater interest

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Excerpt from The Butterfly's Ball and the Grasshopper's FeastHardly less famous were the three books which next.followed in order Of issue The Peacock at Home, The Elephant's Ball, and The Lion's Masquerade. Their original size was 5 by 4 inches, and they were issued in a simple printed paper wrapper. It is Of these first four books that the reprint is here given, and in order to present both pictures and text with greater effect this reprint has been made upon considerably larger paper; the text and illustrations are fac-simile reproductions of originals from the celebrated Flax man collection recently dispersed at a sale by Messrs Christie, Manson, Woods, when Mr Tuer, to whom I am indebted for their loan, became their fortunate possessor. The Butter fly's Ball is not a reproduction Of the first edition, which, as will be shown later on, would be considered by those who are familiar with the poem as incomplete. Moreover, the illustrations in the edition here presented are Obviously by the same hand as that which embellished the other three books, and it was felt that for these reasons it would possess a greater interest.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.