Books with title The Autobiography of an Ex-Coloured Man

First published anonymously in 1912, “The Autobiography of an Ex-Colored Man” is James Weldon’s Johnson fictional account of a young biracial man living in America during the second half of the 19th century and early part of the 20th century. The so-called “Ex-Colored” man makes his living as a jazz pianist playing ragtime music at a popular New York club. It is here that he catches the attention of a wealthy white gentleman who takes a curious interest in him and employs him to play at his parties. While he becomes friends with the man a feeling of subservience reminiscent of slavery prompts him to part ways. He travels to the south where he intends to work on his music in an attempt to glorify the artistry of his race. After witnessing a terribly horrific lynching he abandons his desire to embrace his black heritage opting instead to “pass” as a white man. “The Autobiography of an Ex-Colored Man” masterfully explores the complexity of race relations between whites and blacks in America and the search for racial identity by one of mixed ethnicity. Through the experiences of its unnamed protagonist the issues of class, race, and discrimination are discussed with an openness uncommon to literature of the time, and which would establish it as a pivotal work of the Harlem Renaissance. This edition is printed on premium acid-free paper.

The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition. Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908). An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others. The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo. A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images. 12

One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of "passing for white" but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.

The Autobiography of an Ex-Colored Man, a 1912 novel by James Weldon Johnson, is a fictional autobiography which was originally published anonymously. It chronicles the intricacies of racial identity in the late 19th and early 20th centuries through the life of its biracial narrator. The book portrays his journey through America's color lines, from his attendance of a black college in Florida to an elite New York nightclub, from the rural South to the suburbs of the Northeast, and a visit to Europe. Throughout the work, the author employs places, character, and incidents from his own life, making it a fine example of a "roman à clef." The Autobiography of an Ex-Colored Man inspired a generation of writers such as Zora Neale Hurston, Ralph Ellison, and Richard Wright.

One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of "passing for white" but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.

James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Colored Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans. Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century - from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color.

Originally published in 1912, this novel was one of the first to present a frank picture of being black in AmericaMasked in the tradition of the literary confession practiced by such writers as St. Augustine and Rousseau, this "autobiography" purports to be a candid account of its narrator's private views and feelings as well as an acknowledgement of the central secret of his life: that though he lives as a white man, he is, by heritage and experience, an African-American. Written by the first black executive secretary of the NAACP, The Autobiography of an Ex-Colored Man, in its depiction of turn-of-the-century New York, anticipates the social realism of the Harlem Renaissance writers. In its unprecedented analysis of the social causes of a black man's denial of the best within himself, it is perhaps James Weldon Johnson's greatest service to his race.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Coloured Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans. Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."

"The Autobiography of an Ex-Colored Man" is James Weldon's Johnson fictional account of a light-skinned mulatto who can pass for white. The anonymous narrator is the son of a black mother and a white father living in the early part of the 20th century in the rural south, the urban north and in Europe. The novel masterfully explores the complexity of race relations between whites and blacks in America and the search for racial identity by one of mixed ethnicity.

The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition.Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908).An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others.The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo.A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images.

The Autobiography of an Ex-Colored Man was written by James Weldon Johnson who was an important 20th century author, journalist and poet. As one of the early American civil rights leaders he became a major figure in the Harlem Renaissance. This classic publication is James Weldon Johnson's autobiography, and is an excellent resource for those learning about the earliest days of the civil rights movement and a classic tale of how an individual can overcome and achieve what they set their mind to.